TOTAL RECALL – The Evolution of Memory will spotlight some of the pioneers of digital media art. Station Rose already caught the digital virus in 1988. They’ve been creating audiovisual sculptures, and mixing into their performances digitally produced sounds together with worlds of light, video and imagery. In light of this long career, they have…
When the CyberArts 2013 opens it’s doors on September 5th, El Campo de Cebada, winners of the Golden Nica in Digital Communities, will be part of it. It’s a self-managed camp in Madrid/Spain, cleverly showing what the urban space of the 21st century might look like. We have talked with Zuloark, the architects behind this…
A highlight of each year’s festival is the CyberArts exhibition featuring installations, videos and performances singled out for recognition by the Prix Ars Electronica. Martin Sturm, director of the OK Center for Contemporary Art, is responsible for the exhibition’s design. In this interview, he reveals some of what awaits festivalgoers in 2013.
Il(l) Machine is the Campus-Exhibition of TOTAL RECALL – The Evolution of Memory. It’s the first ever collaboration between the art- and technology-centered institutes and universities of Israel, offering a showcase of the current trends and developments of a country with one of the richest cultural heritages in the world.
At the TOTAL RECALL Symposium session on September 8, 2013, the topic of the day will be the origins and history of various archiving technologies. Frank Hartmann, media philosopher and professor of visual communications, will speak about Paul Otlet, the inventor of an archiving system with many similarities to the ones we’re familiar with today.…
Molecular biologist Manuel Selg, scientific advisor of the Ars Electronica Center was also involved as expert for the new exhibition “Project Genesis”. We asked him what synthetic biology actually is, about the current state of knowledge and research in this field, and to assess the prospects for development in the coming years.
Writing for the online art project WIR SIND HIER (Opening Festival Ars Electronica 2013), David Dorrell reveals why the modern world is a sinister place, and how it could have gotten so far.
August 1st will see the opening of “Projekt Genesis – Synthetic Biology, Life from the Lab”, the new exhibition at the Ars Electronica Center. One of the works on display is Metabodies by Sonja Bäumel (AT).
The 2013 Ars Electronica Festival isn’t focusing only on memory and how we deal with it. A big part of this thematic complex has to do with new forms and formats of remembering things—how we can store them to memory and document them. Two possibilities will be implemented in everyday life at the festival, and…
Meter Crawler by Keiko Takahashi (JP) is still on display in Berlin at the VW Automobil Forum Unter den Linden as part of
Orientation is an important part of our life. We use clocks to figure out our position on the time axis, and maps help us find our way in unfamiliar spaces, regardless of whether it’s a new city or a strange continent. Maps have been getting more and more detailed, generating them is an increasingly complex…
TOTAL RECALL – The Evolution of Memory starts on September 5th. The opening event is “We are here”, a transdisciplinary performance about memory, consciousness, responsibility and surveillance. We have talked to Salvatore Vanasco, one of the initiators of this project and no stranger to Ars Electronica.
Rejane Cantoni and Leonardo Crescenti are the creative brains behind the kinetic installation WALL, which is currently on display in Berlin and will move to Linz in a couple of weeks. During the preparations for “Like A Second Nature”, there was time for a chat.
Aakash Odedra, a british dancer, has teamed up with the Ars Electronica Futurelab to create a dancing performance including all sorts of technological adds such as tracking, visualizations, projections and more. During his visit in April, when he came to Linz together with his choreographer Lewis Major, there was some time to talk about the…
Alistair McClymont is an artist from the UK, his “Limitations of Logic and the Absence of Absolute Certainty” is showing in Berlin in the VW Automobil Forum Unter den Linden als part of “Like A Second Nature”. Find out what he has to say about his work!
From August 1, 2013, the new exhibition “Yours Synthetically” is all about the thematic topic of synthetic biology. Matthew Gardiner has put together the artistic works.
“Like a Second Nature” is the latest exhibition Ars Electronica and VW have jointly staged in VW’s Automobilforum Unter den Linden in Berlin. The opening is set for June 6th. The exhibition design is by Jürgen Haller and Christoph Weidinger, two architects going by the name of any:time. We recently had a chance to chat…
On June 2nd, 3rd and 4th, massive floodings hit Austria. The Ars Electronica Center stayed more or less dry, here’s the story.
Austrian game designers and their computer games will be the stars of the show at the 2nd GamesDay@AEC on May 17th. We recently caught up with Stefan Schraml to get the lowdown on the specifics (the lineup in detail) and the big picture (what this get-together is all about).
In London, the spaxels were used for promotional purposes. The Ars Electronica Futurelab received a specific assignment and successfully carried it out. But as the voestalpine Klangwolke brilliantly demonstrated, the quadcopters can take to the air in an artistic role too. We recently had a chance to chat with Sven Beyer, artistic director of phase…