Women in Media Arts
Natalia Fedorova: To be the wind for the tree
Did you ever want to hear a tree talk? Did you ever want to feel how the water goes up the tree crones? How does the wind feel for the tree? The project of the artist and curator Natalia Fedorova is based on the idea of the Internet of Trees (IoT) verbalizing the tree sensualities. It consists of a poetry generator producing iterations based on TT and sensor data.
Ethan Avila, Laura Rodriguez: The Fruits of Consciousness
The final path of the trip is dedicated to finding new types of life forms, combining both human and non-human agents: robotics; AI+nature; the garden as a model of human consciousness; how to explain gardens to non-human agents; how to explain smells and touch to AI; collecting data from the gardens; big data and consciousness.
Pangardenia Boat Trip
Saint-Petersburg is a city built on swamps and full of water. We don’t have much greenery rooted in soil, but we do have underwater “gardens” (microbiome of Neva, Fontanka, Krukov Kanal, etc.) and deeply layered swamp life in the city’s depth. This path will lead us through water nomadic gardens of the city and its outskirts. It will be a site-specific artistic boat-trip that collaborated with boat-drones whose task is to collect eco-data.
Evgeniy Molodsov: Ramus
Cultural institutions such as universities and museums are locked. Used to be full of activities and people, today they are abandoned gardens. We will visit these semi-closed, semi-live spaces and share this experience online to recreate them in virtual spaces and to find new ways for growing knowledge and art.
Daata presents Eva Papamargariti
Daata (UK)
Eva Papamargariti's work explores the relationship and construction of the limits between virtual space and material reality, as well as the dynamic dissolution that takes place on the verge of these two “ecosystems.” Her practice delves into issues and themes related to simultaneity, the merging of our surroundings with the virtual, the constant diffusion of fabricated synthetic images that define and fragment our identity as well as the symbiotic procedures and entanglement that take place between humans, nature and technology.
Data Garden - Tour & Talk
Kyriaki Goni (GR)
Data Garden Prerecorded discussion between artist Kyriaki Goni (GR), Prodromos Tsiavos (GR) Head of Digital at The Onassis Foundation, and *TBC,* followed by live recap and audience Q&A on YouTube and Zoom.
Gallery
Austrian Cultural Forum Tokyo (JP)
(Re)Visit Japan on a tour through a digital gallery with 100+ artworks created by artists from Austria.
Journey
Austrian Cultural Forum Tokyo (JP)
Come with us on a virtual journey through the past, present, and future of Japan – guided by reality, nostalgia, and fantasy. Let memories and dreams from Austria inspire your imagination.
el violador eres tú
LASTESIS collective
el violador eres tú is a small-format staging that, using the collage technique, links performance, sound and visual experimentation, with the aim of generating a graphic, visual and scenic assessment of theoretical essays that address gender issues from a feminist perspective. el violador eres tú is based on The Elementary Structures of Violence by Rita Segato (2003).
Feminist Structures: Networks and the Collective
Sibila Sotomayor Van Rysseghem (CL)
One-actress experimental theatrical performance via webcam, in livestream format, where the original video component is visually transformed and processed in real time through Max/Msp Jitter, in a way that the resulting image is affected by the sound of the voice and body of the same performer, reacting to the energy, rhythm and/or dynamics of the speech and movements.
Round Table: Nouvelles technologies et pratiques artistiques dans le contexte d’une crise mondiale:
Sibila Sotomayor Van Rysseghem (CL), Gustavo Celedón Ph.D. (CL), Makis Solomos Ph.D. (FR), Adolfo Vera Ph.D. (CL)
Éthique, Politique, Esthétique et Écologies de l’art - In the round table “New technologies and artistic practices in a global crisis context: Ethics, Politics, Aesthetics and Art Ecologies de l’art texte d’une crise” we aim to reflect collectively about the role of new technologies and art in the current global context with its ethical, political, aesthetical and ecological implications.
Exhibition VR Room: Did I invite you to exhibit here?
Verónica Francés (ES)
Did I invite you…? hits pause (II) on the imposed new normal to articulate a deeper timeline -millenia back (<<)-, while including multiple parameters -molecular or cosmic (@)- in the analysis.
Still There
Marlene Reischl (AT)
Still There ist eine Videoinstallation, die sich mit Irritation als Zustand beschäftigt. Durch Frame Blending manipuliert, verändert der Computer die eingehenden Informationen und generiert selbst neue Zwischenbilder.
Women in art, science and technology
Bridging the North Europe to Latin America in Ars Electronica Festival 2020
Solche Gemeinschaften bilden sich an verschiedenen Orten und bieten ihren Mitgliedern ein breites Spektrum an Ermutigung und Unterstützung. Welche speziellen Themen werden als die wichtigsten angesehen? Sind sie für Frauen mit unterschiedlichem Hintergrund ähnlich und wie spezifisch sind sie je nach geographischer Lage?
AUGENSCHEIN
Sylvia Eckermann (AT), Stieglerhaus
The Ars Electronica Garden St. Stefan ob Stainz takes us on a journey to Sylvia Eckermann’s public art project AUGENSCHEIN. AUGENSCHEIN takes the eye as a symbol for how our society relates to vision and visualisation, in its encouraging and more dangerous aspects.
Safiya Umoja Noble: Algorithms of Oppression - How Search Engines Reinforce Racism
How to Become a High-Tech Anti-Discrimination Activist Collective
Die Informationslandschaft verändert sich rasch, da neue Anforderungen die Investitionen in digitale Technologien erhöhen. Kritische Wissenschaftler*Innen zeigen jedoch immer wieder auf, wie viele Technologien von Werten geprägt und durchdrungen sind, die nicht unparteiisch und körperlos sind oder denen es an Positionierungsfähigkeit fehlt. Technologien haben rassen-, geschlechts- und klassenpolitische Bedeutung. In diesem Vortrag wird Dr. Safiya Noble über ihr kürzlich erschienenes Buch „Algorithms of Oppression“ und den Einfluss der Technologie auf die Öffentlichkeit sprechen.
Lisa Nakamura: Estranging Digital Racial Terrorism After COVID
How to Become a High-Tech Anti-Discrimination Activist Collective
In diesem Vortrag wird argumentiert, dass COVID-19 eine beschleunigte Migration zu digitalen Netzwerken erzwang. Dieses neue Publikum wurde sowohl mit rassistischen und traumatisierenden digitalen Inhalten auf den Plattformen konfrontiert, als auch mit neuen Möglichkeiten für Kritik und Widerstand.
Chronicles of an Art and Science Collaboration, Otaniemi-Espoo, Finland
Aalto University (FI)
The project highlights the use of autoethnographic narrative as tool for artistic and design research. It brings together self-reflections from three scientists who participated in an art and science collaboration dealing with the use of bio-cellulose for art and design purposes. Through their stories we learn about what inspired them to follow careers in science and how the making of a contribution to sustainability and the good of humankind sustains their work objectives.
A glimpse into the cultural capital program
European Capital of Culture Esch2022 (LU)
art+science lab
Center for the Promotion of Science – CPN (RS)
The central segment of the Belgrade Garden is the premiere of the winning artwork from the national art+science selection for 2020. Digital Prayer by Kristina Tica uses ML techniques for establishing a connection between the canonical structure of an Orthodox icon and the image artificially generated by a computer program. The Garden will also host a musical performance I Sit and Worry About Her by Jasna Jovicevic (winner of the national selection in 2019), based on sonification of brain waves. Both works came out as results of interdisciplinary dialogues and an intensive scientific mentorship/residency program facilitated by CPN at principal national research centers.
