Philip Glass: „Distant Figure“ – A Passacaglia (Austrian Premiere)
Elliot Goldenthal: Gigue Diabolique
Joop Beving: Ab Ovo, Midwayer, Hanging D
Die Pianistin Maki Namekawa kehrt mit Cori O’Lan in den Deep Space zurück! Philip Glass‘ Klaviersolostück Passacaglia: Nach einer ruhigen Eröffnung brechen wir in brodelnde Passagen mit Arpeggien und Tonskalen ein. Philip Glass‘ vertraute Pianistin Maki Namekawa (die mehrere seiner Klavierstücke uraufgeführt hat) spielt dieses Werk in seiner österreichischen Erstaufführung.
Elliot Goldenthal lebt in NY. Er ist ein amerikanischer Komponist zeitgenössischer klassischer Musik und Filmmusik. Für seine Arbeit für den Film Frida erhielt er 2002 den Oscar in der Kategorie Original Score. Beide Großelternpaare emigrierten aus Bukarest, Rumänien, in die USA, was sich in seinen Werken, darunter Gigue Diabolique, widerspiegelt.
Joep Beving, ein erfolgreicher niederländischer Komponist, sagt:
„Ich stellte es mir als eine Reise in den Kosmos vor, weit weg von dem Selbst, wo es begonnen hatte. Auf der Suche nach dem Wesentlichen in der Wirklichkeit, jenseits des unmittelbar Wahrnehmbaren. Die Reise nach außen spiegelt die Reise nach innen wider, so wie der Aufbau unseres Innenlebens den Aufbau des Makrokosmos widerspiegelt. Sobald diese Idee auf dich niedergeht, vertieft sich die Ebene der Verbindung jenseits der Vorstellungskraft.“
Diese Werke und ihre Visualisierungen sind das Ergebnis einer langjährigen künstlerischen Zusammenarbeit zwischen Maki Namekawa und Ars Electronica unter dem künstlerischen Leiter Gerfried Stocker.
Visiting the Deep Space presentations is only possible with a pre-booked ticket. Tickets are available at the Ars Electronica Center’s infodesk and can only be booked for the respective time slot of the museum visit ticket.
Project Credits / Acknowledgements
Maki Namekawa: Piano
Cori O’Lan: RealTime visualization
Biography
Maki Namekawa is a leading figure among today’s pianists, bringing to audiences’ attention contemporary music by international composers. As a soloist and a chamber musician equally at home in classical and repertoire of our time, she performs regularly at international venues such as Suntory Hall Tokyo, Carnegie Hall and Lincoln Center New York, Davies Symphony Hall San Francisco, Barbican Center and Cadogan Hall London, Cité de la Musique Paris, Philharmonie de Paris, Concertgebouw Amsterdam, Salzburg Festival, Ars Electronica Festival, Musik-Biennale Berlin, Eclat Festival Stuttgart, Rheingau Music Festival and Piano-Festival Ruhr. Maki Namekawa records and performs frequently for major radio networks in Austria, Germany, the Netherlands, Switzerland, France and USA. Orchestra engagements include Royal Concertgebouw Orkest Amsterdam, Münchner Philharmoniker, Bamberger Symphoniker, Dresdner Philharmonie, Bruckner Orchester Linz, Sinfonieorchester Basel, Filharmonie Brno, American Composers Orchestra, and Seattle Symphony. In 2013, she performed the world premiere of the entire cycle of Philip Glass’ 20 etudes for piano solo at Perth International Arts Festival under the participation of Glass himself, followed by concerts around the world in the US, Mexico, Brazil, Ireland, Scotland, Iceland, Sweden, Finland, Denmark, Slovakia, Poland, Germany and Japan. A double-CD of the complete Glass etudes has been released in 2014 by Orange Mountain Music, reaching number 1 of the iTunes Classic charts and receiving high praise in the categories “Performance” and “Recording” by BBC Music Magazine. In September 2017 Maki Namekawa presented the whole cycle of Glass etudes for the first time in Austria at the Ars Electronica Festival as a project „Pianographique“ with real time visualization by Cori O‘Lan. In September 2018, Maki Namekawa released the piano version of Philip Glass’ soundtrack “MISHIMA – A Life in Four Chapters” that depicts the life and death of the japanese writer and political activist Yukio Mishima. The arrangement was especially crafted for her by Glass’ longterm musical director Michael Riesman and features her crystal-clear technique. The recording was awarded the prestigious “Pasticcio Prize” by ORF – Austrian National Radio Broadcast. In June 2019, her another recording Isang Yun | Sunrise Falling was awarded Pasticcio Prize again. In 2019 Philip Glass composed his first Piano Sonata especially for Maki Namekawa. She premiered the Sonata on July 4th, 2019 at Piano-Festival Ruhr in Germany in the presence of the composer. This Piano Sonata was commissioned by the Piano-Festival Ruhr, the Philharmonie de Paris and the Ars Electronica Festival. Together with her husband, the conductor Dennis Russell Davies, Maki Namekawa formed a piano duo in 2003 which regularly performs in leading venues in Europe and North America including the Piano Festival Ruhr, the Radialsystem in Berlin, the Salzburg Festival, the Ars Electronica Festival, the Lincoln Center Festival, the Morgan Library and “Roulette” in New York City, the Philips Collection in Washington, D.C., and the Other Minds Festival in California. Major works written for the Namekawa-Davies Duo include Philip Glass’ “Four Movements for Two Pianos”, “Chen Yi’s “China West Suite”, and Glass’ “Two Movements for Four Pianos“ (with Katia and Marielle Labèque) all commissioned by the Piano Festival Ruhr. In July 2017, Maki Namekawa, Dennis Russell Davies and Philip Glass received the Piano Festival Ruhr Award. Maki Namekawa studied piano at Kunitachi Conservatory in Tokyo with Mikio Ikezawa and Henriette Puig-Roget. In 1994 she won the Leonid Kreutzer Prize. In 1995 she continued her studies with Werner Genuit and Kaya Han at Musikhochschule Karlsruhe, where she completed her diploma as a soloist with special distinction. She went on to perfect her artistry in Classical-Romantic repertoire with Edith Picht-Axenfeld, in contemporary music with Pierre-Laurent Aimard at Musikhochschule Köln, György Kurtág, Stefan Litwin and Florent Boffard.
