SENSE_ERR

SENSE_ERR / NEURAXIS / New York University Abu Dhabi - Photo: Yumi Omori, Diana Donatella

SENSE_ERR

A Spatial Study in Perceptual Collapse

New York University Abu Dhabi (AE)

SENSE_ERR stages a collapse—not of systems, but of the certainty they promised. It gathers interactive installations, speculative objects, and time-based media into one shared space, where perception becomes unstable, fragmented, and relational. Technologies in this exhibition perform not function, but doubt.

The projects range from an organ that watches you back to a sculptural hand that glitches its own gesture, from a silent desert witness to a customizable avatar and a neural interface as an emotional machine. Together, these works examine the soft machinery of refusal, surveillance, and identity, drawing from neuroscience, AI, and ancient automata to question how we sense and are sensed.

Presented by NYU Abu Dhabi, SENSE_ERR responds to the Ars Electronica focal point “Art, Technology & Society” by addressing the ambiguity of embodied interaction in an age of algorithmic behavior. Through aesthetic estrangement and experiential drift, it explores the possibility of protest as perception.

POSTCITY, First Floor, Campus

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  • LAND

    Aakarsh Singh (IN), Ahmed Bilal (PK), Shahid Nigim (PS)

    LAND is a multi-channel installation that recontextualizes the role of heritage and ecology in the storytelling of conflicted land. Constructed on accelerationist frameworks, the work examines lost histories, decay, and malaise from the palimpsest lands of Palestine and the Indian subcontinent.

  • NEURAXIS

    Yumi Omori (JP), Diana Donatella (US)

    NEURAXIS is a speculative wearable sculpture that reimagines the brain as both an emotional archive and a computational interface.

  • 4You

    Omar ElGamal (EG)

    4You is a digital interface where viewers reshape the artist’s avatar, revealing how identity is constructed through design systems and subtle social pressures. The project reflects on agency, customization, and the quiet violence of conformity in the digital age. It is not interaction.

  • Eye of the Sand

    Hasibur Rahman (BD), Q M Naushadul Islam (BD), Mariam Abdelrazek (EG), Ahmed Bilal (PK)

    A short video of a desert installation—a glowing eye embedded in sand. It watches without movement, offering a presence that is neither machine nor myth. The desert becomes a sentient witness to time and passage, suggesting that even silence holds memory.

  • Consent Not Guaranteed

    Keya Shah (IN), Elora Trotter (US), Marcos Hernández (VE), Clara Juong (KR)

    Inspired by Philon of Byzantium’s ancient automatic servant, this work reimagines a gesture of service as an act of refusal. It disrupts the logic of obedience and explores panic as a glitch in consent. The hand does not serve; it hesitates. Its silence resists the system it was built to obey.

Credits

Presented by the Interactive Media Program at NYUAD. Mentorship: Aaron Sherwood, Aya Riad, Michael Ang, Michael Shiloh, Sara Niroobakhsh, Nimrah Syed, Domna Banakou IM Instructors: Ume Hussain and Dustin Foster

Please note: The program for the Ars Electronica Festival 2025 is still in progress.
We are currently preparing all the information for the website and plan to put the full program online in the coming days – stay tuned!