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Wider die Logik des Krieges: Objection

Das Hacken von Waffen als Akt des Widerstands: Futurelab-Resident Tom Bogaert untersuchte die Überschneidungen von Politik, Kunst und Propaganda. ...

Why Linz was elected as UNESCO City of Media Arts

As the birthplace of Ars Electronica, Linz has been one of the world’s trailblazers at the interface of emerging technology, art and society for decad ...

Why is More – der Entwicklungsprozess

Das Linzer Architektenteam [tp3] architekten sowie Eddea Arquitectura y Urbanismo beschäftigen sich mit strategischen Entwicklungsprozessen von Städte ...

Why is More – a working process and a recognition of rules

The Linz based architect team [tp3] architects and Eddea Arquitectura y Urbanismo deal with strategic development processes of cities – an important p ...

Why I Am Not Gay

For this exhibition, Günther Friesinger provides us with four AI-generated portraits of Aaron Swartz that he created for the AARON’s:LAW exhibit ...

Who was Isao Tomita?

He not only laid the foundations of the synthesizer boom, but also pushed boundaries and influenced numerous sound artists. ...

Who wants to live forever? AI and our digital (after)lives 

Throughout time and across cultures, humans have been conditioned to view death as an endpoint in the experience of life. In an increasingly glob ...

Who owns the world?

Some people think Alexa and Siri only listen when they're supposed to. Others go to Ars Electronica. ...

Who Owns the Truth? – Teil 3

Der dritte Teil des Festivaltrailers zeigt uns, wie schwierig es in unserer Informationsgesellschaft geworden ist, zwischen Wahrheit und Unwahrheit zu ...