What’s New

  • Clear the stage for theater & digital media

    Clear the stage for theater & digital media

    Theater has always been an art form that combines different media—today, this includes digital technologies. The Ars Electronica Festival 2025 showcases some of the most exciting examples.

  • Organism in a state of emergency

    Organism in a state of emergency

    “Organism and Excitable Chaos” combines sound sculpture, instrument, and kinetic experiment. The work explores how organic forms, unstable pipes, and a chaotic pendulum open up new possibilities for the interplay between material, sound, and audience.

  • Who is shaping our digital future?

    Who is shaping our digital future?

    At the Ars Electronica Festival 2025, artistic works will question the power of global tech corporations, shed light on “surveillance capitalism,” and show how we can reclaim our role in an AI-driven world.

  • The world lies between doors

    The world lies between doors

    Manuela Naveau, curator of the Kunstuni Campus at the Ars Electronica Festival and university professor of Critical Data / Interface Cultures, talks about noisy sliding doors on Linz’s main square—and what this installation has to do with Einstürzende Neubauten, Beyoncé, and Hannah Arendt.

  • Cutting Edge: In step with control

    Cutting Edge: In step with control

    In a new issue, Michaela Wimplinger presents a project that shows how fragile self-determination has become in a world controlled by technology.

  • The 6th VH AWARD: A Dream That Wanders as If It Were Real 

    The 6th VH AWARD: A Dream That Wanders as If It Were Real 

    Dream of Walnut Palaces weaves history, Daoist philosophy, and AI imagery into a transformative space where alternative forms of knowledge emerge.

  • Living in a State of Uncertainty

    Living in a State of Uncertainty

    This year, the Ars Electronica Festival is once again focusing on the major crises of our time—and the panic they cause in us. At the same time, it shows how art can help us cope with these turbulent times.

  • Expanded 2025: Where animation comes to life

    Expanded 2025: Where animation comes to life

    The 13th edition of Expanded focuses on scientific contributions from the fields of animation and interactive art. The emphasis is on innovative audiovisual forms of expression at the interface between art and technology.

  • Who needs art in times like these?

    Who needs art in times like these?

    Amid global crises and radical upheavals, the Ars Electronica Festival asks what role art can play—as a catalyst for new perspectives, as a space for reflection, and as a driving force for a collectively shaped future.

Ars Electronica Festival 2025

  • Clear the stage for theater & digital media

    Clear the stage for theater & digital media

    Theater has always been an art form that combines different media—today, this includes digital technologies. The Ars Electronica Festival 2025 showcases some of the most exciting examples.

  • Organism in a state of emergency

    Organism in a state of emergency

    “Organism and Excitable Chaos” combines sound sculpture, instrument, and kinetic experiment. The work explores how organic forms, unstable pipes, and a chaotic pendulum open up new possibilities for the interplay between material, sound, and audience.

  • Who is shaping our digital future?

    Who is shaping our digital future?

    At the Ars Electronica Festival 2025, artistic works will question the power of global tech corporations, shed light on “surveillance capitalism,” and show how we can reclaim our role in an AI-driven world.

  • Implementing the Green Deal

    Implementing the Green Deal

    In response to the climate crisis and pressing societal challenges, the Ars Electronica Festival 2025 invites radical reimagining and cultivates spaces where visionary creativity and sustainable lifestyles can thrive.

  • The world lies between doors

    The world lies between doors

    Manuela Naveau, curator of the Kunstuni Campus at the Ars Electronica Festival and university professor of Critical Data / Interface Cultures, talks about noisy sliding doors on Linz’s main square—and what this installation has to do with Einstürzende Neubauten, Beyoncé, and Hannah Arendt.

  • Ars Electronica – From festival to ecosystem

    Ars Electronica – From festival to ecosystem

    Launched in 1979 as a daring experiment, Ars Electronica has developed over 46 years into a global ecosystem—characterized by continuous change, collaborative thinking, and the ambition to actively shape the future.

Focus: Artificial Intelligence

More stories and interviews

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