Artificial Intelligence is changing how we perceive art. Projects such as the Waltz Symphony show how AI can enrich creative processes, as long as humans set the direction. But not everyone is convinced; some fear the loss of originality.
“Cutting Edge” is a new blog series in which Ars Electronica team members present outstanding artistic projects. In the first edition, Gerfried Stocker introduces a project that shows how technology can create closeness: In the ‘Avatar Robot Café,’ people with severe physical disabilities are integrated into everyday working life via robots.
As curator in residence of the ARKO-sponsored Curatorial Residency Program, Son Hyerim was on site during the jury weekend of the Prix Ars Electronica. In this guest article, she shares her personal reflections on this experience.
From the uncertainty of the present to the power of art – in conversation with Gerfried Stocker, we shed light on the theme of the Ars Electronica Festival 2025.
Science is complex, science is slow. Projects that do not preach data and figures but stage experiences show how it can still be made exciting.
Oliviero Toscani (1942–2025) used art and advertising to challenge society. His legacy inspires us to rethink the status quo.
In 2024, Ars Electronica once again used international open calls, exciting collaborations and the festival as a stage to show how art can highlight creative solutions to the pressing issues of our time.
Researcher and curator Eunji Kwon provides insights into her research work as part of the ARKO and Ars Electronica curatorial residency programme.
The new exhibition at the Ars Electronica Center, “Connected Earth”, thematizes how the smallest creatures and powerful tides interact, what changes in biodiversity mean for man-made infrastructures, and what makes the Earth so habitable for millions of species, especially in their interaction.
Since March 2024, “Planet Ocean” has been inspiring visitors to the Oberhausen Gasometer with its giant ocean projection “The Wave”. Project manager Ina Badics and her team give an insight into the challenges and inspirations that made this unique installation possible.
Borders, technology, and power—Enar de Dios Rodríguez challenges us to rethink the spaces we live in through her award-winning, thought-provoking audiovisual essay, Ecotone.
Once again, the Ars Electronica Festival has shown what it is all about: creating space, time and an atmosphere in which people can exchange ideas and inspire each other.
Hope is not a substitute for action. Rather, it is a basis for action that we consciously choose – in the midst of cynicism, ignorance and indifference. An invitation to feel, to act, to touch and to be touched.
Music is a central component of the Ars Electronica Festival. From September 4 to 8, visitors can expect a diverse program ranging from classical to digital music
How can we foster a culture in which art, science, and technology thrive as interrelated and mutually enriching methods of exploration, knowledge, and discovery? For a more sensitive and determined approach to the pressing issues of our time. Let’s embark on a journey into a world of possibilities. A world of new solutions.
What do an archive of media art and the history of AI have in common? And can these histories perhaps be intertwined in order to gain a better insight into what has fascinated and preoccupied people at different times with the idea of “artificial intelligence”?
The Art Thinking Lounge is a platform for transformation through art that offers companies, artists, scientists, activists and citizens a space to explore and discuss future visions through art.
What is the role of art festivals like Ars Electronica? What do they have to do and for whom? For good reason, the vast majority of answers to these questions focus on the audience. However, another key target group is often overlooked: the artists themselves.
State of the ART(ist) in 2024 demonstrates how art can flourish under extreme conditions and reflect social issues.
Science and art are joining forces to find innovative solutions to current crises. Eight joint projects by JKU scientists and artists will be presented at the Ars Electronica Festival in Linz.
The IT:U programme of the Ars Electronica Festival 2024 addresses societal challenges through interdisciplinary innovation, bringing together experts from a variety of fields, including technology, art, science and design, to work together on effective solutions.
The European Platform for Digital Humanism has been relaunched as Ars Electronica Platform Europe to foster collaboration for tech-driven change through art and to advocate for healthy democracies on the continent and beyond.
Projects arising from the collaboration with TAICCA and other Taiwanese partners bring AI reflection and artistic innovation to the Ars Electronica Festival.
Manuela Naveau, curator of the Kunstuni Campus at the Ars Electronica Festival and university professor of Critical Data / Interface Cultures, on seeing, dreaming, celebrating and a tower on the main square in Linz.
The exhibition „Applied Virtualities: Extended Reality in Practice“ shows how XR technologies are opening up new paths and poses important questions about the future of our digital world.
What does it really mean to shape the world? How do you find confidence in your ability to influence? What role does our mental health play in society? Who takes responsibility? Will we turn the tide?
During the Ars Electronica Festival, numerous highlights will be presented in Deep Space 8K, promising inspiration, interaction and information.