The Ars Electronica Futurelab invites you: Experience the latest works of the artistic R&D laboratory and atelier at the Ars Electronica Festival and collectively shape diverse futures!
“Organism and Excitable Chaos” combines sound sculpture, instrument, and kinetic experiment. The work explores how organic forms, unstable pipes, and a chaotic pendulum open up new possibilities for the interplay between material, sound, and audience.
At the Ars Electronica Festival 2025, artistic works will question the power of global tech corporations, shed light on “surveillance capitalism,” and show how we can reclaim our role in an AI-driven world.
In response to the climate crisis and pressing societal challenges, the Ars Electronica Festival 2025 invites radical reimagining and cultivates spaces where visionary creativity and sustainable lifestyles can thrive.
Manuela Naveau, curator of the Kunstuni Campus at the Ars Electronica Festival and university professor of Critical Data / Interface Cultures, talks about noisy sliding doors on Linz’s main square—and what this installation has to do with Einstürzende Neubauten, Beyoncé, and Hannah Arendt.
Art transforms uncertainty into creative energy and opens up new perspectives on society and the future. The Ars Electronica Festival 2025 shows how artistic works reflect technological, social, and ecological upheavals.
This year, the Ars Electronica Festival is once again focusing on the major crises of our time—and the panic they cause in us. At the same time, it shows how art can help us cope with these turbulent times.
The 13th edition of Expanded focuses on scientific contributions from the fields of animation and interactive art. The emphasis is on innovative audiovisual forms of expression at the interface between art and technology.
Amid global crises and radical upheavals, the Ars Electronica Festival asks what role art can play—as a catalyst for new perspectives, as a space for reflection, and as a driving force for a collectively shaped future.
In “Run Motherfucker Run,” the body becomes the controller: those who run experience virtual immersion—those who stop fall. A powerful critique of passive consumption in digital worlds.
“Cutting Edge” is a new blog series in which Ars Electronica team members present outstanding artistic projects. In the first edition, Gerfried Stocker introduces a project that shows how technology can create closeness: In the ‘Avatar Robot Café,’ people with severe physical disabilities are integrated into everyday working life via robots.
As curator in residence of the ARKO-sponsored Curatorial Residency Program, Son Hyerim was on site during the jury weekend of the Prix Ars Electronica. In this guest article, she shares her personal reflections on this experience.
From the uncertainty of the present to the power of art – in conversation with Gerfried Stocker, we shed light on the theme of the Ars Electronica Festival 2025.
Science is complex, science is slow. Projects that do not preach data and figures but stage experiences show how it can still be made exciting.
In 2024, Ars Electronica once again used international open calls, exciting collaborations and the festival as a stage to show how art can highlight creative solutions to the pressing issues of our time.
The new exhibition at the Ars Electronica Center, “Connected Earth”, thematizes how the smallest creatures and powerful tides interact, what changes in biodiversity mean for man-made infrastructures, and what makes the Earth so habitable for millions of species, especially in their interaction.
Since March 2024, “Planet Ocean” has been inspiring visitors to the Oberhausen Gasometer with its giant ocean projection “The Wave”. Project manager Ina Badics and her team give an insight into the challenges and inspirations that made this unique installation possible.
Once again, the Ars Electronica Festival has shown what it is all about: creating space, time and an atmosphere in which people can exchange ideas and inspire each other.
Hope is not a substitute for action. Rather, it is a basis for action that we consciously choose – in the midst of cynicism, ignorance and indifference. An invitation to feel, to act, to touch and to be touched.
How can we foster a culture in which art, science, and technology thrive as interrelated and mutually enriching methods of exploration, knowledge, and discovery? For a more sensitive and determined approach to the pressing issues of our time. Let’s embark on a journey into a world of possibilities. A world of new solutions.
The Art Thinking Lounge is a platform for transformation through art that offers companies, artists, scientists, activists and citizens a space to explore and discuss future visions through art.
State of the ART(ist) in 2024 demonstrates how art can flourish under extreme conditions and reflect social issues.
Science and art are joining forces to find innovative solutions to current crises. Eight joint projects by JKU scientists and artists will be presented at the Ars Electronica Festival in Linz.
The IT:U programme of the Ars Electronica Festival 2024 addresses societal challenges through interdisciplinary innovation, bringing together experts from a variety of fields, including technology, art, science and design, to work together on effective solutions.
The European Platform for Digital Humanism has been relaunched as Ars Electronica Platform Europe to foster collaboration for tech-driven change through art and to advocate for healthy democracies on the continent and beyond.
Projects arising from the collaboration with TAICCA and other Taiwanese partners bring AI reflection and artistic innovation to the Ars Electronica Festival.
Manuela Naveau, curator of the Kunstuni Campus at the Ars Electronica Festival and university professor of Critical Data / Interface Cultures, on seeing, dreaming, celebrating and a tower on the main square in Linz.