What is the role of art festivals like Ars Electronica? What do they have to do and for whom? For good reason, the vast majority of answers to these questions focus on the audience. However, another key target group is often overlooked: the artists themselves.
State of the ART(ist) in 2024 demonstrates how art can flourish under extreme conditions and reflect social issues.
Science and art are joining forces to find innovative solutions to current crises. Eight joint projects by JKU scientists and artists will be presented at the Ars Electronica Festival in Linz.
The IT:U programme of the Ars Electronica Festival 2024 addresses societal challenges through interdisciplinary innovation, bringing together experts from a variety of fields, including technology, art, science and design, to work together on effective solutions.
The European Platform for Digital Humanism has been relaunched as Ars Electronica Platform Europe to foster collaboration for tech-driven change through art and to advocate for healthy democracies on the continent and beyond.
Projects arising from the collaboration with TAICCA and other Taiwanese partners bring AI reflection and artistic innovation to the Ars Electronica Festival.
Manuela Naveau, curator of the Kunstuni Campus at the Ars Electronica Festival and university professor of Critical Data / Interface Cultures, on seeing, dreaming, celebrating and a tower on the main square in Linz.
The exhibition „Applied Virtualities: Extended Reality in Practice“ shows how XR technologies are opening up new paths and poses important questions about the future of our digital world.
What does it really mean to shape the world? How do you find confidence in your ability to influence? What role does our mental health play in society? Who takes responsibility? Will we turn the tide?
During the Ars Electronica Festival, numerous highlights will be presented in Deep Space 8K, promising inspiration, interaction and information.
The Prix Ars Electronica exhibition is considered one of the highlights of the Ars Electronica Festival program. We were able to take a look behind the scenes and discovered some innovations as well as projects from the archive.
The Animation Festival 2024 presents current and socially critical productions in the field of digital animation.
In 2024, Ars Electronica Nightline will focus on innovative club music from Switzerland and offer a unique platform for Swiss artists.
The Ars Electronica Features combine art and technology in close collaboration with partner institutions to showcase artistic programs and perspectives from around the world that initiate change.
Artists honoured with the CIFO x Ars Electronica Award address environmental problems and present innovative projects.
The Balot NFT democratizes digital cultural ownership and aids in reclaiming stolen land, using NFT technology as a decolonization tool in a new restitution model.
Arts at CERN, the arts programme of CERN in Geneva, has invited artists since 2012 to explore fundamental scientific questions alongside physicists.
“You are part of a huge weave, that you cannot ignore anymore.” When you enter Diane Cescutti’s website and her work, you enter the world of weaving.
“Smoke and Mirrors” by British artist Beatie Wolfe visualises 50 years of climate data and contrasts it with advertising slogans from the oil industry. She has now been awarded the Golden Nica of the Prix Ars Electronica for her work.
A trip and a fall down memory lane, tracking the relationship of a couple from middle school into the afterlife. “The Hardest Part” is the winner of the AI in Art Award 2024.
Ars Electronica is the future, cultural heritage is the past. Both tell of disruptive interrelationships at the intersection of art, technology and society. In Deep Space 8K, they enter into a unique symbiosis.
Artificial intelligence and classical music merge seamlessly in the Waltz Symphony project. Composition students develop innovative orchestral pieces in dialogue with the AI application Ricercar.
Eunji Kwon has been selected as the second curator in residence for the Curatorial Residency Program enabled by ARKO. In this guest post, she reflects on the Prix Ars Electronica jury weekend from her personal perspective.
Under the title HOPE, the Ars Electronica Festival 2024 will focus on the people who give us cause for optimism.
Material research meets design: Lingxiao Luo shows how programmable, sustainable clothing interacts with its wearers.
Data art transforms complex data into interactive, aesthetic works of art. In “Pulse of the EPO”, the Berlin duo Quadrature uses patent data to explore social and cosmic boundaries.