The Ars Electronica Futurelab invites you: Experience the latest works of the artistic R&D laboratory and atelier at the Ars Electronica Festival and collectively shape diverse futures!
Waltzes with artificial intelligence, organ music with robotics, interactive performances, and club nights: the musical program of the Ars Electronica Festival 2025 opens up new realms of experience for its visitors.
“Organism and Excitable Chaos” combines sound sculpture, instrument, and kinetic experiment. The work explores how organic forms, unstable pipes, and a chaotic pendulum open up new possibilities for the interplay between material, sound, and audience.
Manuela Naveau, curator of the Kunstuni Campus at the Ars Electronica Festival and university professor of Critical Data / Interface Cultures, talks about noisy sliding doors on Linz’s main square—and what this installation has to do with Einstürzende Neubauten, Beyoncé, and Hannah Arendt.
Launched in 1979 as a daring experiment, Ars Electronica has developed over 46 years into a global ecosystem—characterized by continuous change, collaborative thinking, and the ambition to actively shape the future.
Art transforms uncertainty into creative energy and opens up new perspectives on society and the future. The Ars Electronica Festival 2025 shows how artistic works reflect technological, social, and ecological upheavals.
Guanaquerx by Paula Gaetano Adi, winner in the Artificial Life & Intelligence category 2025, reclaims the Andes as a site of resistance and reimagines robotics as a tool for planetary liberation.
Requiem for an Exit by Frode Oldereid and Thomas Kvam, winner of a 2025 Golden Nica, explores memory, violence, rhetoric, and the unsettling voice of a machine.
This year’s Golden Nica in the category “Digital Musics & Sound Art” goes to media artist Navid Navab and Garnet Willis for their project “Organism.”
What does a sustainable future in a big city look like? The Wild Future Lab in Nairobi showcases new paths for a renaturalized city through wearable, innovative artifacts made from local materials.
SHARESPACE explores new forms of collaboration between people, avatars, and AI in hybrid spaces. The focus is on connection, participation, and creative interaction, accompanied artistically by Ars Electronica Futurelab. One space, infinite possibilities.
The LAS Art Foundation’s Sensing Quantum project has been awarded the S+T+ARTS Grand Prize – Innovative Collaboration for its groundbreaking work in developing new pathways into quantum technology through immersive experiences and interdisciplinary collaboration.
How closely are commercial AI systems entangled with military technology? Awarded the STARTS Prize 2025 Grand Prize –Artistic Exploration, this project reveals hidden connections.
Artificial Intelligence is changing how we perceive art. Projects such as the Waltz Symphony show how AI can enrich creative processes, as long as humans set the direction. But not everyone is convinced; some fear the loss of originality.
“Cutting Edge” is a new blog series in which Ars Electronica team members present outstanding artistic projects. In the first edition, Gerfried Stocker introduces a project that shows how technology can create closeness: In the ‘Avatar Robot Café,’ people with severe physical disabilities are integrated into everyday working life via robots.
As curator in residence of the ARKO-sponsored Curatorial Residency Program, Son Hyerim was on site during the jury weekend of the Prix Ars Electronica. In this guest article, she shares her personal reflections on this experience.
Oliviero Toscani (1942–2025) used art and advertising to challenge society. His legacy inspires us to rethink the status quo.
In 2024, Ars Electronica once again used international open calls, exciting collaborations and the festival as a stage to show how art can highlight creative solutions to the pressing issues of our time.
Researcher and curator Eunji Kwon provides insights into her research work as part of the ARKO and Ars Electronica curatorial residency programme.
The new exhibition at the Ars Electronica Center, “Connected Earth”, thematizes how the smallest creatures and powerful tides interact, what changes in biodiversity mean for man-made infrastructures, and what makes the Earth so habitable for millions of species, especially in their interaction.
Since March 2024, “Planet Ocean” has been inspiring visitors to the Oberhausen Gasometer with its giant ocean projection “The Wave”. Project manager Ina Badics and her team give an insight into the challenges and inspirations that made this unique installation possible.
Borders, technology, and power—Enar de Dios Rodríguez challenges us to rethink the spaces we live in through her award-winning, thought-provoking audiovisual essay, Ecotone.
Once again, the Ars Electronica Festival has shown what it is all about: creating space, time and an atmosphere in which people can exchange ideas and inspire each other.
Music is a central component of the Ars Electronica Festival. From September 4 to 8, visitors can expect a diverse program ranging from classical to digital music
This year’s theme symposium will focus on people who inspire others through their creativity, empathy and courage, and who create hope for a better future.
How can we foster a culture in which art, science, and technology thrive as interrelated and mutually enriching methods of exploration, knowledge, and discovery? For a more sensitive and determined approach to the pressing issues of our time. Let’s embark on a journey into a world of possibilities. A world of new solutions.