Once again, the Ars Electronica Festival has shown what it is all about: creating space, time and an atmosphere in which people can exchange ideas and inspire each other.
Music is a central component of the Ars Electronica Festival. From September 4 to 8, visitors can expect a diverse program ranging from classical to digital music
This year’s theme symposium will focus on people who inspire others through their creativity, empathy and courage, and who create hope for a better future.
How can we foster a culture in which art, science, and technology thrive as interrelated and mutually enriching methods of exploration, knowledge, and discovery? For a more sensitive and determined approach to the pressing issues of our time. Let’s embark on a journey into a world of possibilities. A world of new solutions.
What do an archive of media art and the history of AI have in common? And can these histories perhaps be intertwined in order to gain a better insight into what has fascinated and preoccupied people at different times with the idea of “artificial intelligence”?
The Art Thinking Lounge is a platform for transformation through art that offers companies, artists, scientists, activists and citizens a space to explore and discuss future visions through art.
What is the role of art festivals like Ars Electronica? What do they have to do and for whom? For good reason, the vast majority of answers to these questions focus on the audience. However, another key target group is often overlooked: the artists themselves.
State of the ART(ist) in 2024 demonstrates how art can flourish under extreme conditions and reflect social issues.
The IT:U programme of the Ars Electronica Festival 2024 addresses societal challenges through interdisciplinary innovation, bringing together experts from a variety of fields, including technology, art, science and design, to work together on effective solutions.
Projects arising from the collaboration with TAICCA and other Taiwanese partners bring AI reflection and artistic innovation to the Ars Electronica Festival.
Manuela Naveau, curator of the Kunstuni Campus at the Ars Electronica Festival and university professor of Critical Data / Interface Cultures, on seeing, dreaming, celebrating and a tower on the main square in Linz.
What does it really mean to shape the world? How do you find confidence in your ability to influence? What role does our mental health play in society? Who takes responsibility? Will we turn the tide?
The Prix Ars Electronica exhibition is considered one of the highlights of the Ars Electronica Festival program. We were able to take a look behind the scenes and discovered some innovations as well as projects from the archive.
In 2024, Ars Electronica Nightline will focus on innovative club music from Switzerland and offer a unique platform for Swiss artists.
Artists honoured with the CIFO x Ars Electronica Award address environmental problems and present innovative projects.
The Balot NFT democratizes digital cultural ownership and aids in reclaiming stolen land, using NFT technology as a decolonization tool in a new restitution model.
Arts at CERN, the arts programme of CERN in Geneva, has invited artists since 2012 to explore fundamental scientific questions alongside physicists.
“You are part of a huge weave, that you cannot ignore anymore.” When you enter Diane Cescutti’s website and her work, you enter the world of weaving.
“Smoke and Mirrors” by British artist Beatie Wolfe visualises 50 years of climate data and contrasts it with advertising slogans from the oil industry. She has now been awarded the Golden Nica of the Prix Ars Electronica for her work.
The winner of the Digital Humanity Award sets an example against online exploitation and for women’s rights in the digital age.
The INCREASE project helps protect plant genetic resources by involving citizens in growing and tracking different types of beans, which boosts biodiversity and supports sustainable farming.
Artificial intelligence and classical music merge seamlessly in the Waltz Symphony project. Composition students develop innovative orchestral pieces in dialogue with the AI application Ricercar.
Under the title HOPE, the Ars Electronica Festival 2024 will focus on the people who give us cause for optimism.
Material research meets design: Lingxiao Luo shows how programmable, sustainable clothing interacts with its wearers.
Data art transforms complex data into interactive, aesthetic works of art. In “Pulse of the EPO”, the Berlin duo Quadrature uses patent data to explore social and cosmic boundaries.
Artist Tom Bogaert on investing in “sin stocks” of arms manufacturers as an act of resistance against the logic of war