Oliviero Toscani (1942–2025) used art and advertising to challenge society. His legacy inspires us to rethink the status quo.
In 2024, Ars Electronica once again used international open calls, exciting collaborations and the festival as a stage to show how art can highlight creative solutions to the pressing issues of our time.
Researcher and curator Eunji Kwon provides insights into her research work as part of the ARKO and Ars Electronica curatorial residency programme.
The new exhibition at the Ars Electronica Center, “Connected Earth”, thematizes how the smallest creatures and powerful tides interact, what changes in biodiversity mean for man-made infrastructures, and what makes the Earth so habitable for millions of species, especially in their interaction.
Borders, technology, and power—Enar de Dios Rodríguez challenges us to rethink the spaces we live in through her award-winning, thought-provoking audiovisual essay, Ecotone.
Once again, the Ars Electronica Festival has shown what it is all about: creating space, time and an atmosphere in which people can exchange ideas and inspire each other.
Music is a central component of the Ars Electronica Festival. From September 4 to 8, visitors can expect a diverse program ranging from classical to digital music
This year’s theme symposium will focus on people who inspire others through their creativity, empathy and courage, and who create hope for a better future.
How can we foster a culture in which art, science, and technology thrive as interrelated and mutually enriching methods of exploration, knowledge, and discovery? For a more sensitive and determined approach to the pressing issues of our time. Let’s embark on a journey into a world of possibilities. A world of new solutions.
The Art Thinking Lounge is a platform for transformation through art that offers companies, artists, scientists, activists and citizens a space to explore and discuss future visions through art.
What is the role of art festivals like Ars Electronica? What do they have to do and for whom? For good reason, the vast majority of answers to these questions focus on the audience. However, another key target group is often overlooked: the artists themselves.
State of the ART(ist) in 2024 demonstrates how art can flourish under extreme conditions and reflect social issues.
In 2024, Ars Electronica Nightline will focus on innovative club music from Switzerland and offer a unique platform for Swiss artists.
Artists honoured with the CIFO x Ars Electronica Award address environmental problems and present innovative projects.
The Balot NFT democratizes digital cultural ownership and aids in reclaiming stolen land, using NFT technology as a decolonization tool in a new restitution model.
Arts at CERN, the arts programme of CERN in Geneva, has invited artists since 2012 to explore fundamental scientific questions alongside physicists.
“You are part of a huge weave, that you cannot ignore anymore.” When you enter Diane Cescutti’s website and her work, you enter the world of weaving.
“Smoke and Mirrors” by British artist Beatie Wolfe visualises 50 years of climate data and contrasts it with advertising slogans from the oil industry. She has now been awarded the Golden Nica of the Prix Ars Electronica for her work.
The winner of the Digital Humanity Award sets an example against online exploitation and for women’s rights in the digital age.
The INCREASE project helps protect plant genetic resources by involving citizens in growing and tracking different types of beans, which boosts biodiversity and supports sustainable farming.
Artificial intelligence and classical music merge seamlessly in the Waltz Symphony project. Composition students develop innovative orchestral pieces in dialogue with the AI application Ricercar.
Under the title HOPE, the Ars Electronica Festival 2024 will focus on the people who give us cause for optimism.
Data art transforms complex data into interactive, aesthetic works of art. In “Pulse of the EPO”, the Berlin duo Quadrature uses patent data to explore social and cosmic boundaries.
Artist Tom Bogaert on investing in “sin stocks” of arms manufacturers as an act of resistance against the logic of war
In our interview with Prof. Dietmar Offenhuber, we find out how important interdisciplinary approaches are in research and what role data plays in a digitalised world.
World premiere for Oribotic Instruments with Anne Wichmann (She’s Excited), Miller Puckette, and Dan Wilcox at the Ars Electronica Festival.
Creativity meets scientific data: Artist Akira Wakita showed Mother Earth at the Ars Electronica Festival as an imposing entity beyond humankind.
Exciting and innovative, playful and informative: 2023 has marked another year of unique projects for the public by the Ars Electronica Futurelab and its partners.