The Ars Electronica Futurelab invites you: Experience the latest works of the artistic R&D laboratory and atelier at the Ars Electronica Festival and collectively shape diverse futures!
Theater has always been an art form that combines different media—today, this includes digital technologies. The Ars Electronica Festival 2025 showcases some of the most exciting examples.
“Organism and Excitable Chaos” combines sound sculpture, instrument, and kinetic experiment. The work explores how organic forms, unstable pipes, and a chaotic pendulum open up new possibilities for the interplay between material, sound, and audience.
In a new issue, Michaela Wimplinger presents a project that shows how fragile self-determination has become in a world controlled by technology.
The 13th edition of Expanded focuses on scientific contributions from the fields of animation and interactive art. The emphasis is on innovative audiovisual forms of expression at the interface between art and technology.
Amid global crises and radical upheavals, the Ars Electronica Festival asks what role art can play—as a catalyst for new perspectives, as a space for reflection, and as a driving force for a collectively shaped future.
In “Run Motherfucker Run,” the body becomes the controller: those who run experience virtual immersion—those who stop fall. A powerful critique of passive consumption in digital worlds.
Guanaquerx by Paula Gaetano Adi, winner in the Artificial Life & Intelligence category 2025, reclaims the Andes as a site of resistance and reimagines robotics as a tool for planetary liberation.
Requiem for an Exit by Frode Oldereid and Thomas Kvam, winner of a 2025 Golden Nica, explores memory, violence, rhetoric, and the unsettling voice of a machine.
This year’s Golden Nica in the category “Digital Musics & Sound Art” goes to media artist Navid Navab and Garnet Willis for their project “Organism.”
SHARESPACE explores new forms of collaboration between people, avatars, and AI in hybrid spaces. The focus is on connection, participation, and creative interaction, accompanied artistically by Ars Electronica Futurelab. One space, infinite possibilities.
In this issue, Horst Hörtner presents a project that shows how art, technology, and participation can come together: the Klangwolke 2012, in which swarms of drones were used for the first time and thousands of people became part of the production.
How closely are commercial AI systems entangled with military technology? Awarded the STARTS Prize 2025 Grand Prize –Artistic Exploration, this project reveals hidden connections.
Artificial Intelligence is changing how we perceive art. Projects such as the Waltz Symphony show how AI can enrich creative processes, as long as humans set the direction. But not everyone is convinced; some fear the loss of originality.
“Cutting Edge” is a new blog series in which Ars Electronica team members present outstanding artistic projects. In the first edition, Gerfried Stocker introduces a project that shows how technology can create closeness: In the ‘Avatar Robot Café,’ people with severe physical disabilities are integrated into everyday working life via robots.
From world-famous buildings to a unique composer, the endless depths of the ocean and an Austrian export hit: How Ars Electronica uses innovative technologies to implement artistic ideas.
Since March 2024, “Planet Ocean” has been inspiring visitors to the Oberhausen Gasometer with its giant ocean projection “The Wave”. Project manager Ina Badics and her team give an insight into the challenges and inspirations that made this unique installation possible.
Once again, the Ars Electronica Festival has shown what it is all about: creating space, time and an atmosphere in which people can exchange ideas and inspire each other.
Fly through the gigantic three-dimensional point cloud of Notre-Dame de Paris, learn all about the elaborate restoration of Vittore Carpaccio’s Young Knight in a Landscape, or get to know the innovative pictorial compositions of the Flemish master Pieter Claesz – as part of Ars Electronica 2024, Deep Space 8K once again became an immersive showcase…
Music is a central component of the Ars Electronica Festival. From September 4 to 8, visitors can expect a diverse program ranging from classical to digital music
What do an archive of media art and the history of AI have in common? And can these histories perhaps be intertwined in order to gain a better insight into what has fascinated and preoccupied people at different times with the idea of “artificial intelligence”?
Projects arising from the collaboration with TAICCA and other Taiwanese partners bring AI reflection and artistic innovation to the Ars Electronica Festival.
The exhibition „Applied Virtualities: Extended Reality in Practice“ shows how XR technologies are opening up new paths and poses important questions about the future of our digital world.
During the Ars Electronica Festival, numerous highlights will be presented in Deep Space 8K, promising inspiration, interaction and information.
The Prix Ars Electronica exhibition is considered one of the highlights of the Ars Electronica Festival program. We were able to take a look behind the scenes and discovered some innovations as well as projects from the archive.
A trip and a fall down memory lane, tracking the relationship of a couple from middle school into the afterlife. “The Hardest Part” is the winner of the AI in Art Award 2024.
Ars Electronica is the future, cultural heritage is the past. Both tell of disruptive interrelationships at the intersection of art, technology and society. In Deep Space 8K, they enter into a unique symbiosis.
Upper Austria celebrates 200 years of Anton Bruckner in 2024. From February, you can experience the world of the famous composer in an unprecedented way at the Ars Electronica Centre!