Manuela Naveau, curator of the Kunstuni Campus at the Ars Electronica Festival and university professor of Critical Data / Interface Cultures, on seeing, dreaming, celebrating and a tower on the main square in Linz.
The Label4Future project aims to develop sustainable solutions together with companies – supported by digital transformation and innovative approaches from cultural and creative industries.
The exhibition „Applied Virtualities: Extended Reality in Practice“ shows how XR technologies are opening up new paths and poses important questions about the future of our digital world.
What does it really mean to shape the world? How do you find confidence in your ability to influence? What role does our mental health play in society? Who takes responsibility? Will we turn the tide?
During the Ars Electronica Festival, numerous highlights will be presented in Deep Space 8K, promising inspiration, interaction and information.
The Prix Ars Electronica exhibition is considered one of the highlights of the Ars Electronica Festival program. We were able to take a look behind the scenes and discovered some innovations as well as projects from the archive.
The Animation Festival 2024 presents current and socially critical productions in the field of digital animation.
In 2024, Ars Electronica Nightline will focus on innovative club music from Switzerland and offer a unique platform for Swiss artists.
The Ars Electronica Features combine art and technology in close collaboration with partner institutions to showcase artistic programs and perspectives from around the world that initiate change.
Artists honoured with the CIFO x Ars Electronica Award address environmental problems and present innovative projects.
The Balot NFT democratizes digital cultural ownership and aids in reclaiming stolen land, using NFT technology as a decolonization tool in a new restitution model.
Arts at CERN, the arts programme of CERN in Geneva, has invited artists since 2012 to explore fundamental scientific questions alongside physicists.
“You are part of a huge weave, that you cannot ignore anymore.” When you enter Diane Cescutti’s website and her work, you enter the world of weaving.
“Smoke and Mirrors” by British artist Beatie Wolfe visualises 50 years of climate data and contrasts it with advertising slogans from the oil industry. She has now been awarded the Golden Nica of the Prix Ars Electronica for her work.
A trip and a fall down memory lane, tracking the relationship of a couple from middle school into the afterlife. “The Hardest Part” is the winner of the AI in Art Award 2024.
The winner of the Digital Humanity Award sets an example against online exploitation and for women’s rights in the digital age.
The INCREASE project helps protect plant genetic resources by involving citizens in growing and tracking different types of beans, which boosts biodiversity and supports sustainable farming.
Artificial intelligence and classical music merge seamlessly in the Waltz Symphony project. Composition students develop innovative orchestral pieces in dialogue with the AI application Ricercar.
Eunji Kwon has been selected as the second curator in residence for the Curatorial Residency Program enabled by ARKO. In this guest post, she reflects on the Prix Ars Electronica jury weekend from her personal perspective.
Under the title HOPE, the Ars Electronica Festival 2024 will focus on the people who give us cause for optimism.
Artist Tom Bogaert on investing in “sin stocks” of arms manufacturers as an act of resistance against the logic of war
An immersive audiovisual experience by the Ars Electronica Futurelab makes the loss of biodiversity tangible in an impressive way.
World premiere for Oribotic Instruments with Anne Wichmann (She’s Excited), Miller Puckette, and Dan Wilcox at the Ars Electronica Festival.
Creativity meets scientific data: Artist Akira Wakita showed Mother Earth at the Ars Electronica Festival as an imposing entity beyond humankind.
Exciting and innovative, playful and informative: 2023 has marked another year of unique projects for the public by the Ars Electronica Futurelab and its partners.