A trip and a fall down memory lane, tracking the relationship of a couple from middle school into the afterlife. “The Hardest Part” is the winner of the AI in Art Award 2024.
The winner of the Digital Humanity Award sets an example against online exploitation and for women’s rights in the digital age.
The INCREASE project helps protect plant genetic resources by involving citizens in growing and tracking different types of beans, which boosts biodiversity and supports sustainable farming.
Artificial intelligence and classical music merge seamlessly in the Waltz Symphony project. Composition students develop innovative orchestral pieces in dialogue with the AI application Ricercar.
Eunji Kwon has been selected as the second curator in residence for the Curatorial Residency Program enabled by ARKO. In this guest post, she reflects on the Prix Ars Electronica jury weekend from her personal perspective.
Under the title HOPE, the Ars Electronica Festival 2024 will focus on the people who give us cause for optimism.
Artist Tom Bogaert on investing in “sin stocks” of arms manufacturers as an act of resistance against the logic of war
An immersive audiovisual experience by the Ars Electronica Futurelab makes the loss of biodiversity tangible in an impressive way.
World premiere for Oribotic Instruments with Anne Wichmann (She’s Excited), Miller Puckette, and Dan Wilcox at the Ars Electronica Festival.
Creativity meets scientific data: Artist Akira Wakita showed Mother Earth at the Ars Electronica Festival as an imposing entity beyond humankind.
Exciting and innovative, playful and informative: 2023 has marked another year of unique projects for the public by the Ars Electronica Futurelab and its partners.
Trust through transparency: AI start-up Godot and the Ars Electronica Futurelab showcase the humane use of AI.
The quick card game Bridge 2040 by the Ars Electronica Futurelab serves as a playful approach for future discourse between young and old.
25 students and 21 fellows are currently testing jointly developed visions for the university of the future in Linz. The focus is on interdisciplinary and project-based work.
Foldable, affordable, self-sufficient and recycled – Chiara Croci shows at the Ars Electronica Futurelab how emergency shelters can be rethought.
Hacking weaponry as an act of resistance: Ars Electronica Futurelab resident Tom Bogaert examined the intersections of politics, art and propaganda.
A message on a wall, graffiti that has been hidden or censored, holds within itself a whole complexity of experiences, narratives, or statements that co-exist as possibilities. The walls in the streets are a medium for expressing oneself for those who have no access to the hegemonic ones. Furthermore, for those who fight against their…
FOUNDING LAB student Bart Kuipers had the chance to interview Chiaochi Chou (TW) and ask her about the work Synplant that she created together with Youyang Hu (CN) and Yasuaki Kakehi (JP).
As part of FOUNDING LAB, Ars Electronica and the Institute of Digital Sciences Austria commissioned 75 students from around the world to imagine a new university.
In addition to participating as one of the selected 75 students in the FOUNDING LAB, Maria Kuzmina (IL) also facilitated a workshop within the frame of the Ars Electronica Festival 2023.
Mar Osés (ES) – one of the 75 FOUNDING LAB students – presenting a theoretical contextualization of the downfall of the gender system.
Five days full of exhibitions, performances, lectures and events are behind us – in the unique location of POSTCITY and at 13 venues in downtown Linz.
It wouldn’t be Ars Electronica if art didn’t have the last word…
Accepting an inconvenient truth was what Day 4 of the Ars Electronica Festival was all about.
This was Day 2 of the Ars Electronica Festival 2023 -S+T+ARTS Day – in pictures!
This was Day 2 of the Ars Electronica Festival 2023 -S+T+ARTS Day – in pictures!