Ars Electronica embodies a vibrant community in which art, technology and society merge. For us, society is more than just a concept – it is the dynamic interaction of people who jointly develop visions, find creative solutions and shape the future.
From world-famous buildings to a unique composer, the endless depths of the ocean and an Austrian export hit: How Ars Electronica uses innovative technologies to implement artistic ideas.
Ars Electronica is the future, cultural heritage is the past. Both tell of disruptive interrelationships at the intersection of art, technology and society. In Deep Space 8K, they enter into a unique symbiosis.
Artificial intelligence and classical music merge seamlessly in the Waltz Symphony project. Composition students develop innovative orchestral pieces in dialogue with the AI application Ricercar.
Material research meets design: Lingxiao Luo shows how programmable, sustainable clothing interacts with its wearers.
In the sixth and last chapter of the FOUNDING LAB Fall Term, students delve into the intersection of technology, society, and policy through the lens of mobility
Artist Tom Bogaert on investing in “sin stocks” of arms manufacturers as an act of resistance against the logic of war
In the fifth chapter of the FOUNDING LAB Fall Term students examine the incentives, tactics, and mechanisms of online news construction and dissemination.
Upper Austria celebrates 200 years of Anton Bruckner in 2024. From February, you can experience the world of the famous composer in an unprecedented way at the Ars Electronica Centre!
AI, robotics, programming, and more: “missimo” brings basic digital education to rural elementary schools throughout Austria.
An immersive audiovisual experience by the Ars Electronica Futurelab makes the loss of biodiversity tangible in an impressive way.
World premiere for Oribotic Instruments with Anne Wichmann (She’s Excited), Miller Puckette, and Dan Wilcox at the Ars Electronica Festival.
Elaborate digital reconstruction for an immersive experience: The Ars Electronica Futurelab revived “Faust” from 90 years ago for the Salzburg Festival.
Creativity meets scientific data: Artist Akira Wakita showed Mother Earth at the Ars Electronica Festival as an imposing entity beyond humankind.
Technology as the third pillar of Ars Electronica was reflected in 2023 in projects ranging from Linz to Shanghai, from AI to card games and from local industry to international space travel.
A new installation by the Ars Electronica Futurelab decodes the complex world of microelectronics.
Creative changes of perspective are thematised in the fourth chapter of the Fall Term. The Fall Term is part of the FOUNDING LAB, a collaborative prototype of a new university.
Exciting and innovative, playful and informative: 2023 has marked another year of unique projects for the public by the Ars Electronica Futurelab and its partners.
Trust through transparency: AI start-up Godot and the Ars Electronica Futurelab showcase the humane use of AI.
The third chapter of the Fall Term is about machines from the past, present, and the future. The Fall Term is part of the FOUNDING LAB, which is a collaborative prototype of a new university.
The quick card game Bridge 2040 by the Ars Electronica Futurelab serves as a playful approach for future discourse between young and old.
25 students and 21 fellows are currently testing jointly developed visions for the university of the future in Linz. The focus is on interdisciplinary and project-based work.
Following international success: Upper Austrian Prize for Innovation goes to “Cinematic Virtual Anatomy” by Ars Electronica Futurelab, JKU and Siemens Healthineers.
The second chapter of the Fall Term focused on data and coding. The Fall Term is part of the FOUNDING LAB, a collaborative prototype of a new university.
Foldable, affordable, self-sufficient and recycled – Chiara Croci shows at the Ars Electronica Futurelab how emergency shelters can be rethought.
Hacking weaponry as an act of resistance: Ars Electronica Futurelab resident Tom Bogaert examined the intersections of politics, art and propaganda.
In the first chapter of the Fall Term, Fellows and students together address infrastructures of digital systems. The Fall Term is part of the FOUNDING LAB, a collaborative prototype of a new university.
Salzburg Festival and Ars Electronica Futurelab invite you to experience Max Reinhardt’s famous „Faust“ in a new way, using VR.