2208–2388 daily transforms SOTTOBOSCO into a vibrating sonic biome. Two cymbals, bowed like a double bass, emit precise frequencies that awaken the installation’s swarm of robotic insects, weaving metallic whispers and resonant echoes into an immersive ritual where technology, vibration, and matter coalesce in a living acoustic organism.

Organico - Photo: Alberto Anhaus
Performance
2208–2388
Alberto Anhaus (IT), Giovanni Falascone (IT)
POSTCITY, First Floor, Welcome Area
Language //
nonverbal
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Photo: Frankie Casillo
Alberto Anhaus
Alberto Anhaus studied percussion at the Conservatories of Padua (IT), Krakow (PL), Parma (IT), and Bern (CH). Specialized in experimental music, he has collaborated with orchestras and ensembles. He has been part of the Biennale College of the Venice Biennale Musica. There, he presented the multi-sensorial installation Colonization – Sea Invasion. He collaborates with composers including Éliane Radigue, Mauro Lanza, and Fabio Machiavelli. He is currently a PhD researcher at the Accademia di Belle Arti of Naples.
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Giovanni Falascone
Giovanni Falascone is an Italian composer, pianist, and sound artist whose work encompasses both written music and improvisation. Exploring the complex interaction between performance and composition, his music often involves the creation of new electroacoustic devices that expand the gestural and sonic possibilities of traditional instruments, sometimes even deconstructing them. Since 2021, he has actively collaborated with various visual artists and dancers in the realization of multimedia compositions and performances.