The workshop presents the AI Toolbox, a set of open-source tools developed in the Horizon Europe project “Premiere”. It supports generative computer methods for creative work in the performing arts. The toolbox combines AI and conventional algorithms to record and analyze performers’ movements, translate these into audio, visuals, and lighting, and generate synthetic motions for human and non-human performers.
AI TOOLBOX - PREMIERE PROJECT / Pablo Palacio, Daniel Bisig, Farzaneh Nouri - Photo: La Tempesta
Workshop
AI TOOLBOX – PREMIERE PROJECT
Pablo Palacio (ES), Daniel Bisig (CH), Farzaneh Nouri (IR)
Language //
EN, DE
Ticket //
ONE DAY PASS, FESTIVALPASS, FESTIVALPASS+
Max. Participants //
16
Info //
AI TOOLBOX - PREMIERE PROJECT / Pablo Palacio / Daniel Bisig / Farzaneh Nouri - Photo: La Tempesta
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Photo: Lolo Vasco
Pablo Palacio
He is a composer of electroacoustic and instrumental music. His work is focused on the development of algorithmic approaches to composition and the development of new technologies in the field of interactive music. He founded Instituto Stocos, a project focused on the interaction between music and body movement, which integrates abstractions forms coming from other disciplines—such as Artificial Intelligence, biology, mathematics, and experimental psychology—into a scenic context.
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Photo: Daniel Bisig
Daniel Bisig
Daniel Bisig has been active as a researcher and artist at the intersection of Artificial Intelligence and Generative Art. During his career, he has acquired expertise and recognition in translating simulation techniques from the fields of artificial intelligence and artificial life into generative algorithms that can be employed for musical and artistic purposes. He is an artist and researcher at ICST, Coventry University and Instituto Stocos.
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Farzane Nouri
Farzaneh Nouri
Farzaneh Nouri is a musician, researcher, and sound artist based in the Netherlands. Interested in experimental approaches to sound, science, and technology, she explores various disciplines such as electroacoustic music composition, computer science and linguistics. She uses creative coding, field recording, live electronics, as well as acoustic and programmable instruments. Her recent pieces investigate complex systems, natural algorithms, and human-machine interaction.
Credits
The workshop was developed in the context of the PREMIERE project. The PREMIERE project is funded by the European Union.
Presented in the context of ACuTe. ACuTe is co-funded by the Creative Europe Programme of the European Union.