In this multimedia performance, the audience will experience the result of 5 years of research in Quantum Computer Music, integrating electroacoustic, live coding & visual creation techniques with sonification/visualization of quantum algorithms — including live execution on real quantum hardware available via QuTech’s open-access Quantum Inspire platform. The piece highlights the use of quantum computing as a particular tool within the creative process, seeking a new poetic-technological grammar that articulates this emerging medium.

/ Itabora Puy, Dino Vicente, Fernando Velázquez - Escrita Logo - Photo: Fernando Velázquez
Performance
< escrita | excrita >
Itabora Puy (BR), Dino Vicente (BR), Fernando Velázquez (UY/BR)
Language //
EN
Info //
warning of strobe light, warning of of loud noise
-
Photo: Dino Vicente
Dino Vicente
Dino Vicente is a musician, producer and sound artist. A pioneer in analogue synthesis and digital technology on the Brazilian scene, he is currently dedicated to music performances, quantum computer music, installations, expanded cinema, virtual reality, soundtracks, and multichannel sound diffusion. Over more than 3 decades, he has worked with artists such as Arrigo Barnabé, Cesar Camargo Mariano, Nelson Ayres, Rita Lee, Mulheres Negras, Joelho de Porco, Belchior, O Terno, among others.
-
Photo: Fernando Velázquez
Fernando Velázquez
Fernando Velázquez is an artist, curator, and educator based in São Paulo. Since the 2000s, he’s been working at the intersection of art, science, and technology, exploring technical devices as mediators between ancestral knowledge and scientific thought. His work includes installations, videos, and performances. He’s currently a PhD candidate and has exhibited at the Centre Pompidou, Stanford, Itaú Cultural, and the Mercosul Biennial. He has received awards in Brazil, Uruguay, and Spain.
-
Photo: Goethe-Institut / Alicja Hoppel
Itabora Puy
Itabora Puy (Paulo Itaborai) is a music technologist, physicist, and sound artist specializing in applied quantum computing and computer music design. A PhD student at CQTA DESY and The Cyprus Institute, his research in Quantum Computer Music has led to the development of hybrid digital-quantum tools for music applications, now adopted by researchers. His recent work has been featured in performances with the Contemporary Chamber Orchestra Elbe (Germany), London Sinfonietta, and at CTM 2024.
Credits
Artistic Director and Co-Composer - Paulo Itaborai | Co-Composers - Dino Vicente and Fernando Velázquez | Technical-artistic support - Cephas Teom, QC-PAINT, Andreas Papageorgiou, Kostas Blekos, George Sioros, Eduardo R. Miranda | Production support - Chantal Marmor, DVM Produções LtdaResearch Supervision - Karl Jansen | We acknowledge and thank the QuTech team for providing real-time access to their quantum devices Tuna-5 and Starmon-7 through their Quantum Inspire platform, enabling a live hybrid quantum-digital integration during this performance. | This work is supported with funds from the Ministry of Science, Research and Culture of the State of Brandenburg within the Centre for Quantum Technologies and Applications (CQTA). | This work is funded by the European Union’s Horizon Europe Frame-work Programme (HORIZON) under the ERA Chair scheme with grant agreement no. 101087126. | We acknowledge the use of IBM Quantum services in this piece. | This work is supported by the São Paulo State University “Júlio de Mesquita Filho” (UNESP).