Our festival would not be possible on this scale without the essential support of our partners. Through their projects and events, the festival will be enriched with a diverse supporting program, which will take place from 3 to 7 September 2025 in Linz.

FLATZ. Physical Machine / Wolfgang FLATZ - Photo: a_kep
Collection
Guest Projects
CALIBRATION MUM: I PREFER NOT TO
Elisa Jule Braun (DE)
The exhibition CALIBRATION MUM: I PREFER NOT TO by Elisa Jule Braun explores tensions between motherhood, art, and society. With critical sensitivity, she questions care, visibility, and normative ideas of productivity in the art world.
ENAR DE DIOS RODRIGUEZ | hosted by Ars Electronica
Enar de Dios Rodríguez (ES)
In cooperation with the Ars Electronica Festival 2025, Bildraum 07 presents the new audiovisual essay Above All, alongside a site-specific installation by Enar de Dios Rodríguez.
False Gods
Adi Anna Telezhynski (IL/UA)
Outside a tower, a rigid Golem stands—a monument to human hubris. Inside, an iridescent flame flickers—elusive, alive. Together, they speak to a moment of collaps—where panic births idols and salvation hides in the unseen. What have we built to protect us? What have we buried to survive?
FLATZ. Physical Machine
Wolfgang FLATZ (AT)
The OK Linz shows a cross-section of the work of Wolfgang Flatz (born 1952 in Dornbirn/Vorarlberg). In addition to sculptural works, FLATZ is best known for his provocative performances.
Francisco Carolinum
As a house for photography and media art, the Francisco Carolinum is highly relevant in the international art discourse and enjoys a high reputation.
STWST84x11 FOG MANIFESTO
Stadtwerkstatt / STWST (AT)
With STWST84x11 FOG MANIFESTO, Stadtwerkstatt (STWST) explores fog as a material, medium, and network. In its showcase extravaganza, STWST presents disoriented works and foggy continuities between theory and artistic practice.
This World Will Disappear Before You Read It
Andrius Arutiunian (AM/LT)
Resonance, disappearance and hypnotic rituals are recurrent themes in Andrius Arutiunian’s practice. His works often rely on vernacular knowledges, speculative cosmologies, and sound as “a fluid architecture of time”.