Hybride Formen

Hybride Formen / MA Spiel und Objekt, Ernst Busch University of Theatre Arts Berlin - Photo: Michelle Mantel

Hybride Formen

How do we shape who we are?

MA Spiel und Objekt, Ernst Busch University of Theatre Arts Berlin (DE)

How do we shape who we are through what we play, whom we befriend, and how we remember? This exhibition brings together four interactive works that explore the ways we form identities, communities, and futures—through storytelling, friendship, communication, and protest. We invite you to: knock, archive, train, perform, and imagine.

From a speculative training studio for making friends to a reimagined toy world where gender roles and childhood anxieties are questioned, the installations create space for playful yet critical engagement. A participatory archive set in the year 2315 invites visitors to rewrite the past from a future of frozen progress. A sonic installation allows communication through walls, evoking rhythm as a language of memory and connection. In performative archival practice, sorting files becomes a reflection on invisible labor, social order, and institutional routines

Together, the works respond to cultural shifts, algorithmic intimacy, and shifting norms of care. What futures are we rehearsing? What roles do we assign ourselves and others? And how might we reclaim imagination as a form of resistance?
This exhibition shows four works from the fourth cohort of the Spiel und Objekt [Play and Object] program—two interactive installations from their first semester and three participatory performances from their second semester that premiered mid-June in Berlin and have been adapted as interactive exhibits for the Campus Exhibition.

POSTCITY, First Floor, Campus

  • making friends

    Annick Durán Kandzior (CL/DE), Anastasia Landa (CZ), Szerafina Roxaná Thalia Schiesser (DE), Yeganeh Shafie (IR)

    A participatory theater play in which important friendship skills are repeatedly practised through structuring, repetition, and exercise.

  • Catalogue of the Unarchived

    Frederik Britzlmair (DE)

    This performative work simulates a “cloakroom” where visitors can check in items in order to engage with an interactive performance.

  • Klopfmaschinen

    Szerafina Roxaná Thalia Schiesser (DE)

    What motivates us to perceive rhythm as language and even want to decipher it?

  • Protokoll der Zeitlosen

    Paolo Federico Artisi (DE), Marla Gaiser (DE)

    There is absolute justice, there are no conflicts, no dying planet. The only thing that is foregone is progress.

Credits

Professors: Hannah Perner-Wilson (AT/GB), Sebastian Quack (DE) Lecturers: Sarah Buser (CH), Leonie Wolf (DE) Staff: Julian Jungel (DE) Julian Jungel (DE), Mitarbeiter

Please note: The program for the Ars Electronica Festival 2025 is still in progress.
We are currently preparing all the information for the website and plan to put the full program online in the coming days – stay tuned!