Parliament of Streams: Turbine Chapels

Parliament of Streams: Turbine Chapels / Carlos Monleón - Photo: Carlos Monleón

Parliament of Streams: Turbine Chapels

Carlos Monleón (ES)

Turbine Chapel explores the impact of hydropower plants on rivers and fish, immersing visitors in sonic representations of currents and disturbances in rivers. The characteristic “voices” of a river arise from water flow, sediment transport, and biological activity. Fish follow currents and continuously receive information from upstream through smell, touch, and hearing. Carlos Monleón likens fish to the rivers’ “eardrums.”
Hydropower plants significantly disrupt these natural processes. Fish are shredded in turbines and rapid water-level fluctuations caused by hydropeaking—the sudden release of water from water reservoirs—wash away spawn and leave juvenile fish stranded.
The sculptural sound installation takes visitors on a journey through these changes. It interprets how they “sound” and “feel” to fish. A choir and recordings from the Danube make it perceptible how rivers transform from flowing conversations into broken monologues, causing the oldest voices on earth to stutter.

St. Mary's Cathedral

Language //

nonverbal

Credits

Artist: Carlos Monleón I Sound Design: Santiago Latorre I Curation: Anne Faucheret I Team: Hektor Peljak, Laura Anninger, Viktor Hois I Artistic Director: Claudius Schulze I Courtesy: the artist & Arca Futuris, Hamburg Carlos Monleón conducted his artistic research with the scientific support of the Institute of Hydrobiology and Aquatic Ecosystem Management at the BOKU University Vienna. He was resident at PART International Art Residency Austria. A project by the artistic research vessel Arca Futuris, Hamburg This work was commissioned within the framework of S+T+ARTS4WaterII – Ports In Transformation with the support of the S+T+ARTS programme of the European Union under Grant Agreement LC-0269312.

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