The Artificial Literature Laboratory

The Artificial Literature Laboratory / Eugénie Desmedt, Paul Kloker, Márton Zalka, Christine Haupt - Photo: Eugénie Desmedt

The Artificial Literature Laboratory

Eugénie Desmedt (AT), Paul Kloker (DE), Márton Zalka (HU), Christine Haupt (DE)

With The Artificial Literature Laboratory, we explore Large Language Models (LLMs) not as services, assistants, or all-knowing agents, but as instruments for creative writing. The custom-built interface allows to interact with the LLM via the physical hardware, which enables the generative process in the first place, and invites visitors to compose a short text with it.

Replacing the optimization-driven logic that dominates current AI use with an experimental interaction process rooted in traditions of electronic literature, constrained writing, and chance-based poetics, collaborative writing here is no prompt-in, text-out routine. Shaped through its development by a collective of artists, designers and engineers, the installation instead engages with the generative logic of LLMs through the human writing process and vice versa, inviting reflection on what it means to create something new.

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  • Semantic Remixing @ The Artificial Literature Laboratory

    Eugénie Desmedt (AT), Paul Kloker (DE), Marton Zalka (HU), Jonas Martschin (AT), Christine Haupt (DE)

    The Artificial Literature Laboratory explores Large Language Models (LLMs) not as services, assistants, or all-knowing agents, but as instruments for creative writing. In this workshop, we delve into how their statistical approach can inspire poetic practices and approaches to experimental writing.

  • Photo: Nina Danninger

    Eugénie Desmedt

    Eugénie Desmedt is a PhD candidate at the Art x Science School for Transformation. In her research, she examines the influence of generative Artificial Intelligence techniques on the creative process through the lens of media art and language art.

  • Photo: Paul Kloker

    Paul Kloker

    Coming from a background of embedded systems engineering, Paul Kloker combines technology and craft in his work. He has worked on the technical realization of artistic pieces, e.g., for the Haus der Kunst in Munich, while also pursuing his own practice in carving wooden spoons. He is active in the areas of reuse, repair, and reverse engineering of electronic appliances and is part of the digital rights NGO epicenter.works.

  • Photo: Sara Franzl

    Márton Zalka

    Márton Zalka is a multidisciplinary designer and visual researcher from Budapest, based in Vienna. He creates installations, objects, and furniture inspired by the cultural heritage of material awareness and the bricolage culture that evolved from the socialist era of Hungary. Studying the aesthetic recognition of sustainable, circular methods and the preconceptions that surround them, he works using photography and collaboration to explore personal representation, decay, and the politics of making.

  • Photo: Daphne von Schrader

    Christine Haupt

    Christine Haupt is an artist and developer exploring digital systems, physical movement, and collaboration. With a master’s degree in Media Technology and years of coding experience, her interactive installations combine light, movement, and participation. She is currently studying Interface Cultures at the University of Arts Linz.

Credits

Production Assistance: Jonas Martschin I With thanks to Martina Mara and the LIT Robopsychology Lab, Paul Janisch, Magdalena Samonigg, Naoki Matsuyama I This project is supported by the State of Upper Austria.