Presentation of State of Play: شهر بازی; @ Deep Space 8K; photo: flap

SHARESPACE

How could humans use digital avatars in the near future? How can we engage in social situations that include both human and automated avatars? And what technology do we need to explore these ‘hybrid’ spaces together? This is what SHARESPACE is all about – a European R&D consortium consisting of 14 partners from eight different countries, including the Ars Electronica Futurelab.

The main goal of the project is to bring extended reality (XR) to a radically, ethically sound, new level of presence and sociality by furthering the possibilities of interaction in a virtual space using avatars. In total, two university hospitals, three universities, five research institutes, and four companies participate in the three-year long research project running from January 2023 until December 2025.

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Shared Hybrid Spaces for humans and avatars

The backbone of the SHARESPACE project is the development of so-called Shared Hybrid Spaces (SHS). These are spaces that are shared by humans and avatars where both are engaged in embodied collaborative tasks. This is made possible by transparently capturing social sensorimotor primitives through mobile connected innovative sensors, and then reconstructing them using novel XR technology. During this research project the developed technology will be applied in three real-world scenarios (sport, health & art), and will be presented during high-profile events such as the Olympic Games 2024 and the Ars Electronica Festival 2024 & 2025.

SHARESPACE and Art

The role of the Futurelab within the SHARESPACE project is to engage in an artistic exploration of the possibilities of the SHARESPACE technology. Through the creation of multiple artworks, the team aims to research what new additions this technology can make to the media arts. The Ars Electronica Festival serves as the backdrop for the real-world art scenario of the SHARESPACE project. This last year, multiple artist have been working hard to create multi-user, hybrid, interactive art performances that leverage embodied interaction between people and different types of Virtual Humans.

SHARESPACE at the Ars Electronica Festival 2024

Between 2023 and 2024, three Deep Space artworks were developed – two by researchers and developers at the Ars Electronica Futurelab, and one by a selected artist team through the SHARESPACE Open Call for Artists 2023. The works were presented in the Deep Space 8K during the festival happening from 4th to 8th September 2024.

*falcon heavy, conceptualized by Johannes Pöll (Ars Electronica Futurelab), is an audiovisual application where synchronizing with others is key for the ultimate collective experience.

Converge, conceptualized by Patrick Berger (Ars Electronica Futurelab), is an exploratory piece where decentralized interaction and collaboration between humans and avatars plays a central role.

State of Play: شهربازی, created by artists Tara Habibzadeh, Harriet Davey, and Mati Bratkowski is an interpretation of the Last Labour of Rostam’s 7 Labours in “Shahnameh” as a deconstructed video game boss fight.

All artists involved in the project were engaged in an artistic panel discussion to discuss their concepts, processes, and what SHARESPACE concepts inspired them for their conceptualization. Furthermore, SHARESPACE partner DeMontfort University presented their policy plan ‘Ethics By Design: A Roadmap to Good Enough Ethics’ in a keynote lecture during the Festival.

This project was part of the Open Futurelab at the Ars Electronica Festival 2024.

Credits

Ars Electronica Futurelab: Roland Haring, Ali Nikrang, Daniel Rammer, Cyntha Wieringa
PARTNER: German Research Centre for Artificial Intelligence (DFKI); Alcatel-Lucent Enterprise; CRdC Nuove Tecnologie per le Attività Produttive Scarl; Cyens Center of Excellence; Golaem S.A.; Hospital Vall d’Hebron; Institut national de recherche en sciences et technologies du numérique; Lightspace Technologies SIA; Ricoh Europe; Universitat Jaume I De Castellon; University Medical Center Hamburg-Eppendorf (UKE); University of Montpellier; De Montfort University

This project has received funding from the European Union’s Horizon Europe research and innovation programme under grant agreement No 10192889.