For the musical’s adaption of Lazarus for the Musiktheater Linz (English with German dialogue), the Landestheater Linz engaged in a special cooperation with the Ars Electronica Futurelab, in order to utilize media art to stage the material in a special contemporary appearance.
Following an extended period of integrating contributions from the Ars Electronica Futurelab at various festival settings, the 2018 Open Futurelab initiative in the POSTCITY was intended to create a key interface for the lab’s creative international network.
insight | out, a work of media art by the Ars Electronica Futurelab, is a portrait of Oberbank AG Linz rendered on a fragmented frieze made up of eight video screens. The medium itself thus evokes the multiplicity of influences that flow into this portrait – the values that this long-established financial institution represents, the…
How can gesture research be presented so that it is comprehensible by everyone? How do you identify natural gestures for specific applications? What are the origins of such gestures, and how can they best be used in future interfaces? The Ars Electronica Futurelab has been collaborating with Chemnitz University of Technology to get to the…
This research examines how new design approaches that utilise advances in scientific origami, computation, robotics, and material experimentation, can influence the functional aesthetic of the art of oribotics. Situated in the context of contemporary electro/mechanical artworks and objects, and joining the fields of origami and robotics, oribotics is influenced by notions of folding scientifically and…
The multi-award-winning Cinematic Anatomy x Deep Space merges MRI and CTR data of real patients into photorealistic three-dimensional images of human anatomy. Organs, blood vessels, muscles, tendon, and more can be viewed larger than life as three-dimensional, razor-sharp objects from all angles.
ZeitRaum (“TimeSpace”) is an interactive art installation the Ars Electronica Futurelab designed for the new terminal at Vienna International Airport. It creates real-time interpretations of arriving and departing flights.
The “Fassadenterminal” (façade terminal) was developed by the Ars Electronica Futurelab and presented to the public in 2010: It enabled artistic use of the Ars Electronica Center’s media façade, that is equipped with 38,500 LEDs.
How can a person’s unique personality and essential character traits be captured, simulated and imparted to a robot?
SAP, as an enterprise that configures and provides an organizational setting for abstract business processes, is Source.Code’s point of departure.
The collaboration between SAP and Ars Electronica has been in place since 2002. This partnership is a prototype for new models of collaboration between art, business, technology and society. The collaboration ranges from media art presentations at SAP events and novel visualizations of information to joint research projects and innovative social initiatives.