The year 2025 marks the 200th birthday of world-famous composer Johann Strauss II. On behalf of Johann Strauss Festjahr 2025 Wien, the Ars Electronica Futurelab is dedicating itself to this anniversary with “Walzersymphonie” (Waltz Symphony). The project’s central question is: “How can artists use the creative potential of AI technologies?”
What makes up the gigantic, imposing sound of a Bruckner symphony? Visitors explore the question playfully and interactively with Playing Anton – an innovative application for the Deep Space 8K at the Ars Electronica Center, developed by the Ars Electronica Futurelab.
The immersive sound space Being Anton at the Ars Electronica Center in Linz – developed by the Ars Electronica Futurelab – offers visitors the opportunity to experience the sound world of composer Anton Bruckner in a new way: Accompanied by historical recordings, they explore the world of sound and music from the Industrial Revolution.
Glockner.Luft.Raum is an approximately 15-minute data-based generative sequence that makes the complex connections between global climate change and regional weather kitchen in the Austrian Glockner region visible, audible, and tangible.
A captivating virtual experience: the program Sounding Letters at Deep Space 8K shows how humans and AI create music together with a 3D piano concert.
The façade of the Ars Electronica Center, with its 38,500 LEDs, has been shaping the cityscape of Linz since 2009. Just one year later, the public was able to take control of the illuminated museum exterior for the first time via the façade terminal. This was followed in 2022 by the new edition – with…
Ricercar is an interactive AI-based music composition system. The word Ricercar refers to a musical form of the Baroque and Renaissance and means “to search out” in its Italian origin. Composers used this term for pieces in which they experimented with a theme or musical idea and discovered its qualities such as permutation and variation possibilities…
The Bridge is one of the main passageways connecting two building complexes on the SAP Walldorf campus and it is host to the interactive music piece Building Bridges, jointly composed with Vienna-based composer Rupert Huber. Translating the movements of the pedestrians through a compositional algorithm, The Bridge serves as stage and instrument at the same time.