Photo: Kat Suryna, Walter Stadler

choi

DH5 (AT)

Church of Ignorance

A new church is being launched. In a three-day happening, this newly created temple will take the audience beyond the event horizon of knowledge. It creates meaning through nonsense and teaches agnosia. It finds techniques that counteract the general anger and depression caused by the increasingly overwhelming sense of powerlessness, thus providing support and cohesion. In the School of Ignorance, we examine the relationship of logic to the world and how to deal with ambivalence.

“Who turns the tide?” The Church of Ignorance (choi) analyzes the culture of thought that prompts such a question and the expectations it raises. What do we do with logic and what does logic do with us? How do we deal with ambivalence? The ingrained paradigm of the vector called progress, namely “knowing how to go on”, creates a feeling of powerlessness when it collides with a wall of major crises. choi faces this powerlessness, establishes an awareness of the ambivalence not perceived in the divisive light of logic, and invites everyone to commit publicly to non-knowledge and not-knowing-how-to-go-on.

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At the first Pole Sitting in Linz, high above Herrenstraße, you can confess your ignorance. In the artistic evening programme, the bands Fuckhead, Enesi M, Quatsch mit SoSa and Gruppensex celebrate ecstatic concerts, while the Pataphysical Orchestra astounds with skilful not-knowing. Mass, confession and other healing rituals are performed. Bruixes Lab holds a workshop on unlearning taboos and Miriam Stoney deals with the imperatives of self-help and self-care. In the School of Ignorance, during daylight, we explore the topics of non-knowledge, ambivalence and decidability on a scientific, philosophical and theoretical level. The connection between logic and familiar categories of stratified, hierarchical societies, such as justice, the public sphere, prosperity, hope and happiness, are questions that we address.

Kulturverein Damen&Herrenstraße (dh5.space)

DH5 (AT)

The DH5 acts as a cultural and social hub. Its privileged location in the city center makes the association a highly visible stage. The artists, activists and scientists, the diversity of the audience and of the performers create the critical mass to ignite creative art processes that go beyond trends. Since 2021 it has been official partner institution of the Ars Electronica festival with the festivals Roboexotica, Hedonistika and Arse Elektronika.

Credits

Curators: Raphaela Edelbauer, Simon Nagy, Dominika Meindl, Kat Suryna, Thomas Preindl, Walter Stadler Enesi M, Fuckhead, Gruppensex, Quatsch mit SoSa, Pataphysical Orchestra Miriam Stoney, Sonja Riegler, Alma de Bruixes, Cristina Dezi, Isabel Farina, Giulia Tomasello, Moritz Danner, Lydia Haider, Apollonia T. Bitzan, Marlene Hauser, Jennifer Weiss, Teresa Terror, Julia Franz Richter, Katarina Maria Trenk, Lukas Haider, Patrick Buchinger, Elisabeth Seifriedsberger, Anna Weberberger, Fabian Navarro, Thomas Kranabetter, Diana Pankova, Miha Godec, Kaname Muroya, Walter Schalter, Anna Freudenthaler, Sebastian Baryli, Jasmin Kargin, Klaus Doblhammer, Amelie Zadeh, Rene Monet, Uwe Hochhauser