Machines Inside Me is a piece for three self-built electromechanical instruments and two performers. The instruments are equipped with automated mechanical components controlled by an Arduino processor, which has been programmed to allow the instruments to interact and assist the human performers during the performance of the piece. The electromechanical components follow their own ‘score’,…
Eight musicians and eight robots stand on stage, the human protagonists “embraced” by giant mechanical arms, forming a “robotic cocoon.”
The award ceremony brings together all the winners of this year’s Prix Ars Electronica in the u19–create your world category. The 23 winning projects will be presented by moderator Conny Lee, the young artists will receive their certificates and provide brief insights into the ideas behind their projects.
Die Produzentin und DJ NVST ist ein aufstrebender Star der elektronischen Musik. Sie ist bekannt für ihre kompromisslosen Sets und tritt auf Festivals wie Dekmantel, Positive Education und Montreux Jazz Festival sowie in Clubs wie De School und Tresor auf.
In her constant quest for the in-between, thirsty for bass and weirdo beats, Noria Lilt puts together a bursting mix of the most heterogeneous electronic inspirations.
Nathalie Froehlich, member of the Sacred Deter, is one of them. An ultra reverent rapper, her exceptional presence is embodied in a concentrated look and lyrics that are as powerful as they are direct. Straight out of the rave parties, she prepares an energetic live show mixing break, bass, stupid rhythms and hip-hop worthy of…
2024 the Ars Electronica Nightline focuses on innovative clubmusic from Switzerland.
SUPERIMPOSITION is an artistic project by Polisonum that investigates the theme of listening and sonic control. The project is realized through the encounter between multiple disciplinary fields including sound, data analysis, fashion, and visual arts.
Kimyan Law is a musician and producer, who started making music using instruments improvised from various everyday objects at a very young age.
No one on this planet sounds like Aïsha Devi. Her voice is her most powerful tool in a repertoire that includes thumping beats and rave stabs, seraphic and guttural singing, mystical linguistics and corporeal sonics.
Playful and curious, enigmatic and energetic, with a love of small details and grandgestures: Belia Winnewisser’s musical language is personal.
Dennis Russell Davies and his Brno Philharmonic Orchestra will conclude the Ars Electronica Festival 2024 with Philip Glass’s “Mishima” Concerto, featuring soloist Maki Namekawa in the Train Hall of POSTCITY.