FUTURESENSE

MOME Anim’s collection of animated short films features some of the most compelling and visually stunning works from the university’s history. BEST of MOME Anim exemplifies the creative excellence and artistic diversity of MOME Anim’s masterpieces.

A kinetic installation that previously spent 100 hours machine learning and attempting to maximize the attention of the viewers of an online video-chat platform by changing its own movement. The aim of the work is to raise the question: how anthropomorphic is this behavior, both in practice, and as the gesture of an unnecessary, self-deluding…

Dung Dkar Cloak is an interactive installation that combines digital jacquard weaving, sound synthesis, fractal geometry, and algorithmic thinking to unfold matter into the visual and sonic domains. The augmented textiles are hybrids and provide a rich multi-sensory experience: complex haptic interactions with the woven fractal patterns control sound synthesis processes in real time.

In the contemporary world, terminally ill individuals often become absorbed into a system that views them primarily as patients. Declines in physical and mental capacities lead to a loss of autonomy and a sense of total disintegration.

Since the beginning of time, man has sought to understand the foundations of existence and the forces shaping the surrounding world. The advance of technology has the biggest impact on the future of the environment and various species, resulting in radical changes.

The project is aimed at developing a photobioreactor for cultivating microalgae – the superfood of the future. The designer wants to explore their potential in terms of small-scale production integrated with urban spaces.

I explore the transformation of our attitude to physical materials with the rise of digital technology through this interactive woven installation that reacts to its environment and starts to move without any touch.

Exploration of data-ism through an installation that bridges physical and digital spaces, featuring non-human digital entities called data-humanoids. It reflects the fragility of human data-based identity.

Resonating Stories redefines the contemporary reading experience by combining language, code, visual notation, and sound to create an alternative reading experience for Don DeLillo’s novel White Noise.

Throughout my work in the photo lab, I have been turning everyday visual imagery into abstract art. I replaced the negative film with an electric display. The found images go through a transformation that can be linked to a spontaneous process and cannot be repeated.

The Right to Be Forgotten questions existing data collection practices in which the excessive sharing of personal data is a technological norm. It explores the options for deleting one’s online identity from cyberspace.

After handling human fates, the Moiræ turn to exercise their power over a rudimentary AI: a cellular automaton. Synthetic lives are born from chaos and randomness harvested from the environment, and as the three Greek goddesses of fate spin, measure, and cut, the synthetic lives unravel like holes punched into a long strip of paper.