Events / Concerts / Performances
Holy Hydra 3.0
Die geile Hydra & Raumteiler Kulturverein (AT)
The Holy Hydra is an interdisciplinary event in the parish church Urfahr – Jugendkirche Grüner Anker, (next to AEC Maindeck) which takes place for the third time this year. This time we will focus not only on dance performances, electronic music and new media art, but also on a room-filling installation to experience the church space in its full splendor. It will be different...
DIRTY LIVES BETTER
Barbara Ungepflegt (AT), Elsbeth Wallnöfer (IT)
Since December 2017 Barbara Ungepflegt has been Minister for Homelandtrash and International Affairs. Ungepflegt considers urgent measures to preserve the constantly disappearing homeland dirt until it is too late for Team Austria, animals and dumplings. In cooperation with Elsbeth Wallnöfer, chairwoman in the home country, the Minister will present in detail the program of DIRTY LIVES BETTER at the 2020 Ars Electronica Festival.
Performance and Workshop: Calming the Sea - Sketch 2b
Christoph Killian, UCLA ArtSci Center Artist in Residence
We will play with multichannel near-simultaneity, exploiting transmission latencies and temporal offsets, experiencing destructive and constructive interferences, – overlapping, amplification and extinction of waves in a global disconcert.
This is Sónar+D
Sónar+D – Sónar Festival's creative technologies conference – is an international congress exploring how creative minds are changing our present and imagining new futures, in collaboration with researchers, innovators and business leaders from all sectors and industries.
Evening in IAL hubs space
The Bartlett School of Architecture, University College London (UK)
Live performance / DJ set - The monotony of daily Zoom calls and Skype meetings is disrupted by using the video streams of participants to create colourful, live coded visuals which will be mixed and synced with live DJ sets from a selection of current Bartlett students and staff bringing a London soundscape to festival visitors. Lean back (or dance) and join us with a drink or two!
Alexander Whitley Dance Company
The Bartlett School of Architecture, University College London (UK)
Initiated in response to the Covid-19 lockdown, Digital Body uses motion capture technology to digitise sequences of choreography and makes them freely available online. CHAOTIC BODY brings together three composers and digital artists to collaborate with AWDC company on the creation of three short films and AR projects taking inspiration from chaos theory and the associated geometric patterns in nature.
PRISM BELL / UV TOWER
Live Music Event Advancements in technology enable us to surpass the analogue restrictions ofsound production and build novel music instruments for the digital age. In thislive-event, Lia Mice will present PRISM BELL, a large scale instrument exploring thefull-body engagement of the musician. Andrea Guidi & Giacomo Lepri also presenttheir UVTOWER that uses mirrors and lasers to produce rhythm and sound.
Who am I?
A human-robot performance Who Am I? is a performative art installation that traces the relationship between a robot and the human body, between programmed and spontaneous, reproducible and irreproducible. The project takes the myth of Pygmalion as a starting point and investigates the relationship between creator/creation and their perception in a world of AI. Who Am I? is based on the interaction between human and robot, by mirroring the relationship between natural and artificial as a deep meditation on human nature.
AI x Music Festival: Bot Bop Musical creation and innovation with AI
Andrew Claes (BE) and Dago Sondervan (NL)
Musical phrases are fed in real-time to a live coded machine learning model. The emerging virtual agent reacts and is again reacted to, creating an organic feedback loop. Utilising improvisational, instant composing and algorithmic musical techniques, listen to the duo becoming a trio during the course of this performance.
CyberBallet
CyberRäuber (DE)
With the public rehearsals ending, the work will premiere in September 2020 at Ars Electronica Festival, in front of an audience that can join the performance via livestream.
Live Program of Telluric Vibrations, UCLA Botanical Gardens – Los Angeles
Enjoy the extensive live Program of Telluric Vibrations, UCLA Botanical Gardens – Los Angeles
Drums Radio – 2 hours live radio session per day
Aurore Balsa (FR), Delphine Dora (FR), Ambre Dourneau (FR), Romain Gaudillière (FR), Céline Jiang (FR/CN), Pauline Mikô (BE), Nina Queissner (DE), Natalia Rivera Riffo (CL), Victor Villafagne (FR)
The DDD is a conceptual analytical system where the association of three words in D creates a tridimensional investigation space. As sound matter is a mechanic wave working in three dimensions, we assign it to a tridimensional physical space. Thereby, we want to construct a autonomous reflective space where sound projects itself.
Acte de Fe
Marc Vilajuana, Adrià Grandia, Carlos Martorell
Act of faith (Acte de Fe) is an exploration of our relationship with technology, its similarities with the one we have with religion, the tools involved in both processes, and its impact on us and in our sacred/private space. Mise-en-scène will consist in a liturgy performed by Marc Vilajuana (voice, effects, hand drum), Adrià Grandia (acoustic and MIDI hurdy-gurdy, modular synth, laptop, aerophones), Carlos Martorell (coding, synths, motion sensors, artiphon) and a real-time reactive AI trained with religious scores.
Interdependence with Richie Hawtin: AI for humans
Holly Herndon, Matt Dryhust
In this discussion we explode the false binary of humans and machines in the music making process, explore ways that AI systems could actually help get more humans paid rather than displace them, and discuss the necessity of artists having a seat at the table in the process of AI tool development.
Sounding Linz - LINZER KLANGWOLKE 2020
presented by Sparkasse OÖ and LINZ AG
Experience creative talent from the region, great artistry, and a high level of engagement with people in Upper Austria: the Brucknerhaus Linz, together with local artists and its partners University of Art and Industrial Design Linz and Ars Electronica, is creating something unique for extraordinary times: a declaration of love for Linz.
The QuBits VR Space
Jon Kulpa
Jon Kulpa is available to host a live online demonstration/performance of QuBits VR. The QuBits project is a virtual reality (VR) environment built by the composer that offers an expanded medium for musical experience with integrated space and visuals. The environment was designed to explore a musical aesthetic valuing sound mass, spatial sound, evolving sound, and algorithmically generated sonic structures. The user of the VR system plays a key role in shaping these musical elements. The user first discovers what behaviors are possible through exploration and chance encounters. They can then shape each discovered behavior with nuance if they choose. The system provides a unique experience each time it is run. The sounds are a mix of real world sampled sound, granular synthesis, and real-time generated synthetic sound.
Performance of CORAIL
Edmund Campion
There is no pre-defined score for CORAIL (CORAL). CORAIL is a software environment that performs audio analysis of an incoming live signal that generates and organizes sound through the computer and the CORAIL algorithms. Persistence inside any one environment causes the program to move toward greater sound generation and machine autonomy.
ALICE, ALICES UNCHAINED, and THE FLOWER MATRIX
Edmund Campion and Claudia Hart
ALICE, ALICES UNCHAINED, and THE FLOWER MATRIX is a long-term collaborative project between media artist Claudia Hart and composer Edmund Campion (CNMAT). Since 2013, they have collaborated on the ALICES project, a series of artworks, loosely connected to Alice in Wonderland, and appearing through the years as a series of pieces that migrate from performance-based multi-media theatre, video, gallery installations, to virtual reality environments. This film documents the history of the on-going project with excerpts from several of the works along with interviews with the artists and collaborators.
Live Performances in occasion of the AIxMusic Opening ceremony
Edmund Campion, CORAIL with Steve Adams of the Rova Saxophone Quartet, and Andrew Blanton, WAVEGUIDE, Claudia Hart, Edmund Campion
Edmund Campion, CORAIL with Steve Adams of the Rova Saxophone Quartet, and Andrew Blanton, WAVEGUIDE, Claudia Hart, Edmund Campion WAVEGUIDE - 2017 - percussion, distributed audio and electronics: Music composition and performance by Andrew Blanton Text by Yvette Granata Composition and software by Andrew Blanton Special thanks to Neal Riley for technical support. CORAIL - version 2020 - improvising saxophonist and interactive computer system: Composition and computer environment design by Edmund Campion, Director, CNMAT Tenor Saxophone by Steve Adams Software contributions by Manuel Poletti, Matthew Wright, Edmund Campion (and a host of others) This concert is being streamed live from the Center for New Music and Audio Technologies (CNMAT) and made possible by CNMAT Researcher and Technical Director, Jeremy Wagner
Forest Garden Greenhouse Concert
Rasa Smite, Raitis Smits / RIXC with Platons Buravickis, Ivo Taurins, Lauris Smits, Daniel Hengst
Live concert for 'plants and people' from Riga, RIXC Fields Residency greenhouse.
