Technology
INVISIBLE Studio visits with Andy Holden and Thijs Biersteker
Andy Holden (UK) and Thijs Biersteker (NL)
Join us for a behind-the-scenes studio visit with INVISIBLE artists Andy Holden (UK) (INVISIBLE / DARK MATTER) and Thijs Biersteker (NL) (INVISIBLE - Gravitational lensing)
Tapatia-Tech-ila- Rhapsody
Paris Alejandro Díaz Miranda (MX)
Tapatía Tech-ila Rhapsody is an audiovisual piece based in Mexican culture and the current accelerated life rhythm; that presents a triad of conceptual frameworks: Past+Present+Future of humanity; Art+Technology+Science as means to re-shape our destiny; and Classical+Folkloric+Contemporary musical identity of a culture/country/society.
Reset-Tech-ila Summit
Secretaría de Innovación, Ciencia y Tecnología del Estado de Jalisco, Majo Castelazo Andre
The agricultural regions are presenting problems to enter the digital reality; at the level of tourism, for the transmission of knowledge and interactivity in a non-physical way, at the same time they represent the change of mentality towards a sustainable and future production.
DïaloG Livestream
Refik Anadol (TR) and Maurice Benayoun (FR)
DïaloG is an urban media art installation developed by Maurice Benayoun (MoBen/CityU HK) and Refik Anadol: In the public space (L’Hospitalet de Llobregat, Spain) two “living” entities face each other. They don’t look like the living beings we know. They don’t speak any language we know. They are aliens, strangers, immigrants. Facing each other they gradually mutate.
DïaloG
Refik Anadol (TR) and Maurice Benayoun (FR)
DïaloG is an urban media art installation developed by Maurice Benayoun (MoBen/CityU HK) and Refik Anadol: In the public space (L’Hospitalet de Llobregat, Spain) two “living” entities face each other. They don’t look like the living beings we know. They don’t speak any language we know. They are aliens, strangers, immigrants. Facing each other they gradually mutate.
MindSpaces platform
Centre for Research and Technology Hellas (CERTH) (GR), Maastricht University (NL)
The MindSpaces platform, encompassing the technologies of the project, will be demonstrated, showing how to design solutions for both indoor and outdoor environments using data from emotional, behavioral and discourse analysis.
MindSpaces Residency Artists
Haseeb Ahmed (US), Sarah Derat (FR), Emanuel Gollob (AT), Emmanuel Van der Auwera (BE), João Martinho Moura (PT), Michael Sedbon (FR)
These interviews will discuss the work of the artists throughout their MindSpaces residency. They will present their work so far and their collaboration with the technical partners of the MindSpaces consortium.
Panel – Daejeon Biennale 2020
AI: Sunshine Misses Windows Garden has a long history as the form of art in Korea. Garden is more than a place for enjoyment of plants and other forms of nature. It embodiment of a philosophy of life. The garden reflects the transformation of a vaster cosmic universe. If we glimpse at garden with the lens of Artificial Intelligence, garden is the special time and space where nature and human beings coexist, society and human beings interact, and human beings and A.I. pursue co-evolution.
Yasuaki Kakehi Laboratory, The University of Tokyo
Yasuaki Kakehi (JP)
Under what kind of environment do they continue to create works which are part of University lab’s research? What equipment do you use? What kind of process do students carry out? We take a deep dive into the Lab from different perspectives, including how Ars Electronica is positioned for education.
Within a Latent Space
LOREM (IT)
Entirely realized though AI systems, "Within a Latent Space" is an AV performance about exploring past, present and future as it relates to our constant journey between our transpersonal psyches and non-human unconscious. A Generative Adversarial Networks (GANs) was trained on an original plot based on a dataset composed by multiple transcriptions of dreams. AI-generated images and sound interpret than those words, disclosing an eerie, uncanny journey into our common deepest.
Autonomy & AI: Who is using Who?
Sari Depreeuw (BE), Francesco D’Abbraccio aka LOREM (IT)
Creative Artificial Intelligence and Generative Adversarial Networks (GANs) are by now daily used in the production of images, videos and art. This creative relationship is exciting yet not very clear. Largest part of production feeds into popular deep fakes and face swapping tendencies. We do feel a layer of suspense and concern when it comes to ownership of AI produced artworks. For this reason, we are meeting an expert in digital law, AI media artist, to discuss the role of AI in society today and tomorrow.
EUPHRATES
Masahiko Sato (JP), Masashi Sato (JP)
The process and how EUPHRATES create their work remains unknown. Under what kind of environment EUPHRATES continues to create numbers of works with variety in the choice of media, including educational television programs, picture books, and the video work that won the award at the 23rd Japan Media Arts Festival, which expresses a different point of view from the usual.
Reminiscence of the Unknown, Image and Matter || Digitally Natural, Naturally Digital || Sehnsucht nach Masse
Yoichi Ochiai (JP)
This work is a documentation of Ochiai’s the exhibition filled with his confrontation with nature and his deep spirit of inquiry makes us reflect on the time when the relationship between nature and the human being must be reconstructed, so-called Anthropocene, and the many lives that we are forced to recognize through the Covid-19.
Feminist Structures: Networks and the Collective
Sibila Sotomayor Van Rysseghem (CL)
One-actress experimental theatrical performance via webcam, in livestream format, where the original video component is visually transformed and processed in real time through Max/Msp Jitter, in a way that the resulting image is affected by the sound of the voice and body of the same performer, reacting to the energy, rhythm and/or dynamics of the speech and movements.
Elliptical Memories, for six plus one performer
Cristian Galarce López (CL)
Specially composed and designed for Ars Electronica 2020, this work will be performed at a distance from multiple locations and presented in a VR room. The sound sources are centralized in a single platform designed in Max/Msp, to perform Real Time Processing over six independent audio channels.
Rewinding the History of Japanese Media Art
Ai Hasegawa (JP), Akinori Goto (JP), Ken Furudate (JP), Michiko Tsuda (JP), Minoru Hatanaka (JP), Seiichi Saito (JP)
The history of Japanese media art is very diverse and profound, and it has found various new frontiers. This talk session explores the history of modern Japanese media art in reverse chronological order.
Round Table: Nouvelles technologies et pratiques artistiques dans le contexte d’une crise mondiale:
Sibila Sotomayor Van Rysseghem (CL), Gustavo Celedón Ph.D. (CL), Makis Solomos Ph.D. (FR), Adolfo Vera Ph.D. (CL)
Éthique, Politique, Esthétique et Écologies de l’art - In the round table “New technologies and artistic practices in a global crisis context: Ethics, Politics, Aesthetics and Art Ecologies de l’art texte d’une crise” we aim to reflect collectively about the role of new technologies and art in the current global context with its ethical, political, aesthetical and ecological implications.
c o m p u t e r 1. 0
Julian Goldman (US), Victoria Manganiello (US) aka SOFT MONITOR
Full or empty; color or clear; zero or one; under or over – c o m p u t e r 1.0 imagines a display for the future, by looking at displays from our past. Artists Julian Goldman and Victoria Manganiello create a large-scale textile woven by hand using hollow polymer tubing and natural fiber thread. A patterned series of colored liquid/oil/air pixels will be pumped into the tubes in a sequence dictated by data from adjacent motion sensors and a series of computer-controlled valves, air compressors, and pumps. This textile will function as a lo-fi computer display, made with ancient natural materials and techniques juxtaposed with contemporary digital technologies.
Design by Decay, Decay by Design
Andrea Ling (CA)
Design by Decay, Decay by Design is a series of artifacts that exhibit designed decay. They were done for the 2019 Ginkgo Bioworks Creative Residency on how to design a world without waste. As an architect and artist, I recognize that most of what I create goes to landfill. If that is the case, let me design waste that I can live with, garbage that retains some desirability as it degrades in sight and on site. Let me design waste as nature designs it, not only as the product of breakdown and destruction but also as input for renewal and construction.
Marinero - Tailored by weather
Jef Montes (NL)
The focus of Marinero is to create an architectural blueprint that transforms organically over the course of time. The vision is to design a new kind of production system resulting in adaptive garments that grow with us individually. The weavings have a warp of monofilament and a weft of integrated variable threads. The combination of these threads causes friction and results in dynamic shapes during different meteorological conditions such as: rain, heavy wind or drought.
