Topic

Push My Buttons: Sequence All.
Hacking Numeric Keyboards Workshop on how to hack a keyboard and turn it into a step sequencer or any other conceivable controller for synthesizers. We may undertake this transformation in such a way that no screen is required, creating a direct link between keyboard and sound operation, strongly relying on the musician's hearing and memory. The focus will be placed on the conception of musical interfaces and their implementation in different hardware.

Acquired Immunity. Art and Biology at Cultivamos Cultura
The Microdocumentaries and Q&A of Acquired Immunity art and biology at Cultivamos Cultura

Acquired Immunity Exhibition
Acquired immunity displays artworks arising from our residencies and invited artists. We bring together artworks that were created as a response to challenges from the local environment: natural, social, and other artists. A response that we compare to the way the immune system responds to new challenges.

Algorave by Toplap Barcelona (ES)
Toplap Barcelona (ES)
LIVE PARTY/ MUSIC EVENT Algoraves bring together the improvisation and the code scope of a live coding session with the languages and the rituals of the dance floor. During the live writing and reading of the code, and the unfolding of the musical improvisation, the audience dances, thinks and listens in a uniquely intertwined way, helping musicians make sense and do the real creative work in making a great party.

On Code. The Uncertainty Of Meaning And Doing
Lina Bautista (CO), Daniel Moreno Roldán (ES), Agnès Pe (ES), Ángel Faraldo (ES), Carolina Jiménez (ES), Lluís Nacenta (ES)
ROUNDTABLE: How does code interfere with the listening process? Code allows the ear to navigate the listening interface, while it happens to narrow its sensitive scope. It crosses the interface, the membrane which separates but also connects, unfolding the vibration of the air, the zone of inter/intra-action, negotiation and distribution of attention and meanings, between the (dis)orders of the emitted and the heard sounds.

Facing Uncertainty and Its Discontents
Pau Alsina (ES), Roc Parés (ES/MX), Marina Garcés (ES), Joan Soler-Adillon (ES), Tere Badia (ES), Pau Waelder (ES).
ROUNDTABLE: While we get used to dealing with those events in which the probability of a certain situation occurring is not known: what does it mean to live in a context of uncertainty? How to take the risk of uncertainty and try to slide their gains? How arts, sciences, technologies and thought have learned from it and propelled their practices of uncertainty?

Acquired Immunity - Guided Tours
Guided tours of the exhibition by the curator, Marta de Menezes, an artist, Adam Zaretsky, and an immunologist, Luis Graca, will provide different paths within the real and virtual spaces.

Liquid Matter
Laura Beloff (FI)
The boundary between wet and dry is blurring. Similarly, our expectations towards solid or soft objects and machines are being redefined. These developments are impacted by many different factors, from developments in biotechnology and life science to innovation in new materials and their behavior, among various other areas. Also, in the humanities and the arts, there has been a recent surge of interest towards material agencies and processes that are based on inorganic or biological matter and executed by non-human organisms. It could be said the realms of technology and biology – that is, the biologically grown and the artificially constructed – converge in liquid matter. This can be seen when looking into the methods and practices of biology, biotechnology and biochemistry, which involve technological tools and approaches to investigate biological organisms and create chemistry-based experiments, all of which typically take place in wet environments.

Acquired Immunity Guided Tour 1 - with live Q&A
Marta de Menezes
This episode features a guided tour of the exhibition by curator Marta de Menezes, followed by a live Q&A.

Acquired Immunity Guided Tour 2 - with live Q&A
Adam Zaretsky
This episode features a guided tour of the exhibition by invited artist Adam Zaretsky, followed by a live Q&A.

Acquired Immunity Guided Tour 3 - with live Q&A
Luis Graça
This episode features a guided tour of the exhibition by immunologist Luis Graça, followed by a live Q&A.

An Uncertain but Irresistible Revolution
Héctor Ayuso (ES) with Carla Cascales Alimbau (ES), Xavi Cardona / Boldtron (ES), Enric Godes / Vasava (ES
ROUNDTABLE: In a technological world in which the present has eternalized and the oblivion is the security of the next innovation, what we call reality is a magma in which floats an endless number of images, data, pieces of information, flashbacks and promises of liberation. This fact requires us to find other rules, other ways of reading and new ways of looking through unexpected paths.

Uncertainty with AI-terity
Koray Tahiroğlu (FI/TR)
The composition Uncertainty keeps the musician in a hesitant state of performance, providing a non-rigid but identifiable musical events, followed by ever shifting new sounds. Uncertainty is a composition written for the AI- terity instrument that comprises computational features of a particular artificial intelligence (AI) model to generate relevant audio samples for real- time audio synthesis. The unusual behaviour of the Al-terity puts the performer in an uncertain state during performance. Together with being able to move through timbre-changes in sonic space, the emergence of new sounds allows the musician to explore a whole new range of musical possibilities. Composition turns into a continuous state of playing, reformulating an idiomatic relationship with the Al-terity and opening up a fresh variety of musical demands.

Art and Science of the Political Ecology of Disasters
José Luis de Vicente (ES), Joana Moll (ES), Andy Gracie (UK), Israel Rodríguez (ES), Ingrid Guardiola (ES), relator Vanina Hofman (AR)
ROUNDTABLE: Catastrophes and vulnerability have brought us to the forefront the urgency of acting against the consequences of the Anthropocene. We will explore all the possible futures ahead, facing the interactions between biological and ecological systems, but also the media ecology, within a relational ecology of practices where art, science and technology collide.

On Bio_Sonic_Agencies.
Brandon LaBelle (US), Robertina Šebjanič (SI), Oscar Martín (ES), Vanessa Lorenzo (ES), Laura Benítez (ES).
ROUNDTABLE: In a world dominated by the visual, could contemporary resistances be auditory? What is the materiality of sound? How does the materiality of sound affect listening? What resistances can be configured from working with biomaterials and sound? Do these bio_sonic_agencies open up other possible spaces that do not exist in the visual regime?

A Face or a Factory: Holey Surface
Aljaž Rudolf, Eva Smrekar (SI)
A Face or a Factory is a family, a corporation and a laboratory of faces, masks and new identities. By creating new personae based on harvesting DNA material and a 3D scan of each individual seller ― who in turn is offered a seat in the company, along with a specific share of its assets― the project aims to modulate different heteronyms ―their biographies, professions and precise function― in contemporary corporative capitalism.

Web Gardening
Web Gardening is a workshop hosted by gardeners in the Third Garden. It creates web gardens where participants can experiment with images, sound, and games online based on the keywords visual, auditory, and interaction.

Seoul Garden Exhibition
Seoul Garden is an exhibition space built in Mozilla Hub, which a foreign artist acting as a reporter has constructed into a 3D gallery documenting her exploration of Seoul's urban garden.

Two Hands Performance
Two Hands is a combination of Korean traditional shamanism and contemporary media performance, raising the question of whether future technology can dominate the human mind and soul. Alluding to Roy Ascott's Technoetic Arts, which talks about the connection between technology and spiritual means, Two Hands focuses on the spiritual experience that will present a new possibility to expand the limits of technology.

MoneyLab#8 | Minting a Fair Society
MoneyLab
MoneyLab explores the imaginaries of artists, researchers, activists and geeks in search of other possible economies, and urgently interrogates a different financial discourse. Can we use technology critically to support alternative values of cooperation and “commoning” in a world dominated by individualism and competition?