ARTificial Banality, The Faking of Looking, and Alchemical Gaming

Baoyang Chen (CN)

POSTCITY, Campus

Two humanoids surrounded by four screens showing swapped faces and machine’s vision. This project explores the ontological dichotomies among us, technology and society by again questioning if machine can think. A brain in the vat craves to be awakened. A tulip – of us, mass media, and technology – withers by our illusion of body awakening. This paragraph was generated by AI after showing the image of the work to AI.

 

Biography:

Baoyang Chen (CN) (b. 1989) is an artist who works at the intersection of art and technology. He graduated from Columbia University with a master’s degree. His artistic practice originates from his belief that technology is becoming a collaborator of the artist. He also writes about “Technology as Author.” He examines the boundary between us, machine, and beyond, in-between perceptual and embodied space. His research has been accepted by IEEE and IJCAI. He is also on the reviewing committee of EMNLP.