Ganztags

CyberArts
Experience digital arts! CyberArts presents the most outstanding entries from the Prix Ars Electronica, the international competition of computer art now in its 20th year, at the OK Center of Contemporary Art.

Always Already Alien
SAIC School of the Art Institute of Chicago (US)
Always Already Alien explores the societal impact of these systems by analyzing the way we relate to one another in physical and virtual spaces. Are we closer to our loved ones around the globe than the strangers we push past in the metro? Can we avoid this seemingly inevitable sense of alienation? The selected works attempt to blur the boundaries between real and virtual, speculating new forms of cohabitation that insist on the physical presence of the bodies navigating these spaces.

Frontiers || Territories
Joana Resende (PT)
Boundaries are constantly being changed, and those we find today may have already changed tomorrow. In a protected area of the Greater Lisbon area, aerial images are collected to build a map with open source software. These are shared through a website that is, itself, also a map, allowing for the visualization of economic, ecological and social while trying to see how well a territory / protected area is respected – “para mais tarde recordar” (for later recall).

As promised
Amir Bastan (IR)
In Tarkovsky’s *Nostalghia* Andrei meets and befriends a strange man named Domenico, who is famous in the village for trying to cross through the thermal waters of Bagno Vignoni with a lit candle. He claims that when finally achieving it, he will save the world. Before leaving, Domenico gives Andrei his candle and asks him if he will cross the waters for him with the flame. *As promised* is an interactive installation which responds to the candle scene in Tarkovsky’s Nostalghia. In order to watch the complete candle scene, the user has to spin the anamorphic cylinder’s cap, find the correct velocity and keep it constant.

SandBox – Grains in Memory
Adriana Moreno (BR)
Sandbox is an interactive art installation that proposes continuous reflections on the human relationship between the sea and its identity paths. The installation consists of a corpus of sound memories based on the experiences of people who narrate their relationships of belonging with the sea. Memories – both “soundscapes”, a concept adapted from Schafer referring to sounds in the marine environment, and oral narratives recorded during fieldwork – are then revealed by moving wet sand in an instrumented box.

European Platform for Digital Humanism
Can or should there be something like a European way into the digital society, between the “data capitalism” of the IT monopolists and the “data totalitarianism” of the authoritarian regimes? And if so, would such a European “data humanism” also be competitive?

BR41N.I0 Hackathon
g.tec medical engineering GmbH (AT)
The BR41N.IO Hackathon brings together engineers, programmers, designers, artists and/or enthusiasts, who collaborate intensively as an interdisciplinary team. Each team must design and build a unique, playful and wearable headpiece that can measure useful EEG signals in real-time to create any sort of interaction.

ARchaeologies
Pedro Soares (PT)
In Archaeologies, we’re faced with a sheet of paper in which an iconic picture from the past was engraved through folding. Observers may use the available materials to produce their own drawings while simultaneously revealing the hidden image. By observing the piece with an Augmented Reality app, we can see the strata that contain each individual citation made by the participants and how every new intervention is conditioned by the ones before it.

European ARTificial Intelligence Lab
The European ARTificial Intelligence Lab will be bringing AI related scientific and technological topics to general citizens and art audiences in order to contribute to a critical and reflective society. The project will be focusing on aspects beyond the technological and economic horizon to scrutinize cultural, psychological, philosophical and spiritual aspects.

EMAP/EMARE (European Media Art Platform)
The European Media Art Platform (EMAP) annually awards production grants to outstanding European media artists and supports research, production, presentation and distribution of media art in Europe and beyond, aiming to enable European artists to collaborate on projects and create closer bonds.