In response to Ars Electronica 2025’s theme PANIC – yes/no, this exhibition explores a quieter, ambient panic—one that builds silently across infrastructures, skylines, and ecosystems. Beyond the Screens, the third edition of the City Digital Skin Art Festival (CDSA), presents digital works originally created for monumental urban displays across Asia and Europe. Across five countries, nine cities, and eleven iconic screens, these media facades become not just surfaces, but reflective spaces that echo back environmental unease and systemic tension.
At a time when change accelerates and certainties dissolve, these works do not attempt to fix or soothe. Instead, they pause the world just long enough for us to feel it—its fragility, its momentum, its unspoken questions. Panic is a signal: a subtle, flickering alert from within the digital skin of our cities. These images, projected onto architectural surfaces, offer no easy answers—but insist we pay attention.
The works are deeply immersive—monumental in form, restrained in rhythm, urgent in message. If panic is the body’s response to what can no longer be ignored, then this is not alarm—it is recognition. A counter-panic that invites reflection over our reaction.
Featuring award-winning works from CDSA 2024, their relevance has only grown. If Ars Electronica asks PANIC – yes/no?, these artists answer: we are already in it. What now?

Beyond the Screens, City Digital Skin Art Festival (CDSA) / Nature Sanctuary 3000 / China Academy of Art Hangzhou, Bauhaus-Universität Weimar, Nanyang Technological University Singapore - Photo: Ge Lei Lei Studio LimpidArt
Exhibition
Beyond the Screens, City Digital Skin Art Festival (CDSA)
China Academy of Art Hangzhou (CN), Bauhaus-Universität Weimar (DE), Nanyang Technological University Singapore (SG)
Awaken to Dreams
SPINOR (CN)
Blurring the line between reality and illusion, this Taoist-inspired work Awaken to dreams explores the mind as a cosmos—inviting viewers into a dream-like journey through perception, disorientation, and the mirroring of inner and outer worlds.
Beyond the Funky
Ayça Tugran (TR)
Beyond the Funky uses surreal visuals to critique the commodification of animals under capitalism, contrasting domestication with wild habitats and inviting reflection on coexistence beyond control, profit, and categorization.
Nature Sanctuary 3000
Sreeshna Sowmya (IN)
In a future shaped by climate collapse and tech overreach, Nature Sanctuary 3000 probes our desperate attempts to control and preserve nature—questioning whether the very tools that caused the damage can ever repair it.
Habitat
Kevin Blackistone (US)
Habitat uses a floating terrarium to symbolize Earth’s fragile ecosystems, urging a rethink of sustainability—not as a space escape, but as a vital responsibility to protect our one true home.
CRISPR Chronicles
Chaewon Lee Nicole (KR)
CRISPR Chronicles delves into the promises and perils of gene editing, using blooming cell imagery to reflect on our rush to rewrite life—questioning control, consequence, and the accelerating pace of scientific advancement.
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China Academy of Art Hangzhou
The China Academy of Art (CAA), established in 1928 in Hangzhou, is China’s premier institution for fine arts education. Renowned for integrating traditional Chinese artistry with contemporary practices, CAA offers comprehensive programs across disciplines like painting, sculpture, public art, design, architecture, and new media. CAA continues to shape China’s art scene through its commitment to cultural heritage and artistic innovation.
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Nanyang Technological University Singapore
Nanyang Technological University (NTU), Singapore, is a leading research-intensive public university with 35,000 students across disciplines. Known for innovation, sustainability, and global partnerships, NTU advances digital technologies through its Smart Campus vision. In the QS World University Rankings 2025, NTU was ranked 15th globally and 4th in Asia.
Credits
Festival Curatorial Team: Yuelai Ruan (CDSA, China Academy of Art), Susa Pop (Public Art Lab, Connecting Cities Network, Bauhaus-University Weimar), Ina Conradi (Nanyang Technological University Singapore -ADM NTU), Maria Grazia Mattei (MEET), Dominique Moulon (Art Critic, Paris) I Creative Contributions: Shahma Abdulla (Branding, ADM NTU, URECA), Hoe Jian Wei (Digital Integration, ADM NTU) I Partners: Bauhaus-Universität Weimar, School of Art, Design and Media NTU, Media Art Nexus, CAFA, Tsinghua AFA, Jiangnan University, Macau University of Science and Technology, MANA Platform, MEET Digital Culture Center Milano, Ten Square, Elbphilharmonie Hamburg I Jury Members: Zheng Jing, Vichaya Win Mukdamanee, Assadour Markarov, Li Zhen, Huang Guanghui, Bas van den Hurk, Kate Egan, Clare Calveley I Invited Experts: Yang Qi Rui, Ma Qing Zhong, Zhang Zhong Tao, Takeshi Yamada, Verena Kraemer, Mark Chavez, Gary Hong
Please note: The program for the Ars Electronica Festival 2025 is still in progress.
We are currently preparing all the information for the website and plan to put the full program online in the coming days – stay tuned!