This exhibition aims to illuminate how our sensory and technological extensions mediate our understanding of place and time, revealing layers of political logics, material transformations, and environmental change. Together, the artworks ask how aesthetics might serve as a form of sensing—and sense-making—in an era of accelerating sociotechnical and ecological change. This question is particularly important in view of the current multiple crises that the Ars Electronica festival is addressing this year with the theme PANIC – yes/no. In order to locate and orient ourselves in the midst of constantly shifting, unprecedented circumstances and events, we must learn to understand and become attentive to the ways new technologies, historical concepts, political goals, and individual needs come together in emergent situations. Our exhibits allow a playful, meditative, and critical approach to these questions, elevating art’s potential to reveal the conditions of perception and meaning-making. We present four artworks that explore how we sense, interpret, and shape our environments. Using sound, robotics, and computing, they translate the complex entanglements of ecological systems, cultural narratives, and technological infrastructures into traceable aesthetic forms.

Photo: Attention Receipts - Photo: Anup Sathya
Exhibition
Edge Experiences: Entangled Lives of Matter, Technology, and Environment
University of Chicago (US)
Attention Receipts
Anup Sathya (IN/US), Ken Nakagaki (JP/US)
This installation materializes attention as a printed receipt, rendering visible the invisible economies of digital engagement. It invites viewers to confront how their focus is captured, quantified, and commodified in contemporary media systems. What do we pay attention to? Is it worth it?
Cutting Stone
David Yuan (CN/US)
Cutting Stone invites the audience to repeatedly strike a granite block with a chisel. The installation encodes and visualizes each strike. Cutting Stone remembers human action and explores the meaning of leaving a human trace in the digital era.
Buoyancé – Tug(gle)
Alan Pham (US), Yuxiao Li (CN/US), Miyu Fukuoka (JP), Ken Nakagaki (JP/US)
Buoyancé – Tug(gle) is a spatial sculpture of helium-filled balloons gliding through the air. As visitors enter the space, the balloons respond to their movements dynamically. Gradually, the audience becomes aware that each balloon is subtly tethered to a robot moving along the ground.
Latent Enclosures
Hunter Brown (US)
Latent Enclosures is a sound installation that transforms space using microphones, speakers, and psychoacoustic algorithms. It reveals how hidden digital systems subtly shape how we hear, making the imperceptible processes of machine listening tangible.
Please note: The program for the Ars Electronica Festival 2025 is still in progress.
We are currently preparing all the information for the website and plan to put the full program online in the coming days – stay tuned!