Phantom Protocols

Phantom Protocols / Computational Media and Arts, Hong Kong University of Science & Technology – Guangzhou - Photo: Computational Media and Arts, HKUST

Phantom Protocols

When Machines Hallucinate in Panic

Computational Media and Arts, Hong Kong University of Science & Technology – Guangzhou (CN)

What if the systems we built to maintain order—climate models, neural nets, geopolitical scripts—have begun to hallucinate? In these visions, panic doesn’t erupt; it flickers, loops, crawls on robotic legs, dissolves into toxic waters. This exhibition asks not if we panic, but how machines hallucinate panic through us—and how we might begin to speak across that divide.

Phantom Protocols brings together artists who disrupt hidden architectures of control—ecological, algorithmic, psychological—to reveal points of fracture. These projects map thresholds: when human sovereignty falters, when animals enter feedback loops, when machines form logic of their own.

Drift of the Uncharted guides a robot through a submerged cityscape, envisioning futures shaped by rising seas.

Algorithmic Miner unveils the unseen labor of AI, where golden jellyfish drift through surreal, annotated datascapes.

Capillary Network visualizes toxic flows that blur lines between species and machines.

Machine Civilization stages a parliament of symbols no longer meant for human eyes.

Chimpanzee, Run! gamifies extinction, inviting us to navigate collapse as endangered kin.

In a world increasingly shaped by artificial agency and ecological collapse, we need more than just interspecies empathy; we need robust intercultural communication. Panic is not merely a symptom; it is a signal. Perhaps it is time we truly listened—to each other, and to the dreams of our machines and other cultures.

POSTCITY, First Floor, Campus

  • Drift of the Uncharted

    Ary-Yue Huang (CN), Ma Wenzong (CN), Bingyuan Wang (CN)

    Drift of the Uncharted features a quadruped robot projecting a submerged cityscape, simulating a future shaped by rising sea levels. As it moves, it guides the viewer’s perspective through an immersive blend of climate data, 3D scans, and CGI, revealing the potential impact of climate change.

  • Chimpanzee, Run!

    Siyuan Liu (CN)

    Chimpanzee, Run! is an educational game set in 2048, where players guide the last chimps through threats like poaching and habitat loss. It challenges players to confront humanity’s impact on wildlife and ask: do our desires justify extinction, or is there still time to change?

  • Algorithmic Miner

    Jia Sun (CN), Zheng Wei (CN)

    Algorithmic Miner is a VR installation exploring data annotation labor through ritualized tasks and AI directives. Users become subjects and tools, their creativity symbolized as jellyfish ascending to an illusory paradise, prompting reflection on invisible infrastructures and algorithmic control.

  • Machine Civilization

    Yixiong Wang (CN), Hourun Wang (CN), Jia-Qi Shi (CN), Yufeng Zeng (CN)

    When humans carved symbols into stone, civilization began. Machine Civilization envisions robot observers as recorders of a new machine era, transmitting data to an AI Parliament where agents evolve language and script—posing questions of coexistence.

  • Capillary Network

    Hanlu Ma (CN), Hengyu Meng (CN), Robert Jankowski (PL), Jindu Wang (CN), Tianrui Hu (CN), Ziwei Wu (CN)

    Capillary Network is a data-driven interactive artwork that visualizes the flow of toxic substances through the ecological system, blurring boundaries between species. Audiences become part of the network, sensing how toxins circulate like blood, prompting reflection on human-nature entanglement.

Credits

Curators: James She (CN)

Please note: The program for the Ars Electronica Festival 2025 is still in progress.
We are currently preparing all the information for the website and plan to put the full program online in the coming days – stay tuned!