The exhibition PANIC: Complex. Absurd. Ominous. invites you to confront some of the most pressing questions of our time: What do we fear, what should we fear, and why is this crucial? Political and technological spectacles gripped by marketing frenzy, war and militarization, social inequalities, gruesome human rights violations, restrictions on diversity and identity, climate change and environmental fears, commercial promises that create artificial needs, tendencies toward external control, and more general concerns about survival—all of these are just some of the signs that we are increasingly experiencing moments of individual and collective panic. But what remains when the fear of panic itself becomes panic? We differentiate, on the one hand, between panic as the certainty of crisis—a visible fragility—and, on the other, fear as an anticipatory state. This distinction suggests that fear does not necessarily have to be suppressed, and makes us question whether panic can be a positive force that compels us to acknowledge our own fragility
The exhibition traces the roots of fear and collective panic and seeks ways to imagine alternative scenarios. The above-mentioned thematic strands are examined in eight chapters, with three main reflections permeating all thematic areas: “Complex” illuminates panic as a fragmented diversity, often triggered by technological progress, but also shaped by political, economic, and social interests. In our radically uncertain world, where the familiar is shifting, could panic help us recognize complexity in the first place? “Absurd” discusses panic as a tool of manipulation that creates chaos and neutralizes reactions. But can panic also serve as a disruptive element that breaks down thought patterns? Finally, “Ominous” describes panic as a threat lurking beneath the surface, causing paralysis yet, paradoxically, also making us recognize the need to confront our own fragility in order to develop alternative future scenarios.
The exhibition invites us to engage with our fragility. Panic can disorient us, but it can also anchor us at the core of problems—where we most urgently need to be. Through this engagement, alternative scenarios and counter-narratives emerge. Enter this “revealed space” to observe and perceive. Only in this way can we embrace complexity, deconstruct absurdity, and confront threats. Because what’s at stake is too important to let it happen.

Dancing Plague / 2girls1comp - Photo: Screenshot, 2girls1comp, Grand Theft Auto V (Rockstar Games, 2013)
Exhibition
Theme Exhibition
PANIC: Complex. Absurd. Ominous.
a terrarium
Till Schönwetter (DE)
In a terrarium, generative AI agents grapple with survival, as if expelled from Eden into a closed, shifting simulation. Observers act as distant gods, witnessing and occasionally intervening in the strange familiarity of artificial struggle.
Bacteria cloud of clouds
Natalia Rivera (CO)
Bacteria cloud of clouds is an art-sci installation that cherishes the microbiodiversity found in the clouds of one of the rainiest places on earth, the Biogeographical Chocó, in Colombia. A digital seed of life from the clouds, to keep and care for what we want to bring with us to upcoming worlds.
CryoScapes
Jiabao Li (CN), Ziyuan Jiang (CN), Kuan-Ju Wu (TW), Yasuaki Kakehi (JP)
CryoScapes is a living ice installation where water freezes into intricate landscapes shaped by local climate. A macro camera captures the formations in real time, while AI transforms them into Haiku-inspired poems—blurring the line between artist, algorithm, and atmosphere.
Dancing Plague
2girls1comp (CH/IT)
In Dancing Plague, a mod for Grand Theft Auto V, the game’s traditionally gendered choreography is subverted, forcing every male NPC to dance feverishly. This intervention spotlights the inherent gender biases within the game, creating a spectacle where masculinity is both liberated and challenged.
Dat–Astral Chart
Noemi Iglesias Barrios (ES)
Dat–Astral Chart is an interactive prediction machine revealing digital personality types through simulated fingerprint and phone scans. It explores data mining as a new form of extractivism and reflects on the ecological and existential impact of our digital lives.
Dynamics of a Dog on a Leash
Takayuki Todo (JP)
A chained robot dog thrashes, struggles, and collapses, evoking a pitiful beast. Though artificial, its movements trigger empathy and blur the line between machine and life. Reactions ranged from outrage to awe. In a future with robots, will we feel more—or stop feeling altogether?
ELON
GIGACITIES COLLECTIVE x Simon Weckert (DE/US)
ELON poses as a celebrity magazine but is a critical art project by the GIGACITIES COLLECTIVE & Simon Weckert. It explores the media spectacle of Elon Musk by mimicking the very format it critiques—the guileless celebration of the consumer self.
Fluid Anatomy
Ioana Vreme Moser (RO/DE)
Fluid Anatomy unveils an analogue water and air computer that guides fluid flows in a dynamic interplay of movement, pressure, and resonance. The installation highlights the beauty and resilience of fluidics, an alternative computational model to question present-day technological narratives.
Free Universal Cut Kit for Internet Dissidence [F.U.C.K.-ID]
César Escudero Andaluz (ES)
Free Universal Cut Kit for Internet Dissidence [F.U.C.K.-ID] is an autonomous cutting device powered by marine currents that can cut underwater internet cables. It is available from the artist’s website for free download .STL, for later 3D printing. In essence, F.U.C.K.-ID is an internet stop button.
Dystopia Land
Etsuko Ichihara (JP), Civic Creative Base Tokyo [CCBT] (JP)
In the worst of times, how can we survive? Dystopia Land focuses on the paradoxical positivity inherent in the act of predicting and envisaging the dystopia that awaits, and aspires to cultivate our resilience to uncertainty through an installation offering an experience of an alternative Japan.
GUSEN CONVOLUTE
Gusen Convolute Working Group (AT)
The Nazis set up concentration camps in the village of Gusen, partly to wipe out the Polish intelligentsia. Peter Androsch and his team have made videos of songs from this camp. This is not an online museum, rather a way to remember.
Liminal Ring
Jin Lee (KR)
Liminal Ring explores humanity’s desire to control nature through precisely directed laminar flows. Contrasting nature’s seamless currents with artificial, imperfect cycles, the work reveals our urge to dominate the uncontrollable—and the fragile limits of that ambition.
MycoGravity
Amir Bastan (IR), Noor Stenfert Kroese (NL), Johannes Braumann (AT)
MycoGravity exposes fungi to simulated altered and partial gravity, using a robotic system. The installation traces and attempts to depict how terrestrial life might respond, delicately and unexpectedly, to unfamiliar environments.
ON AIR
Peter van Haaften (CA), Michael Montanaro (CA), Garnet Willis (CA)
ON AIR is an interactive sound art installation that collects voices and creates sonic modulations with a series of whimsical kinetic sculptures. The work culminates in a choral harmony of mirrors, building into a cacophonous performance of sound, rhythm, and light.
Phonos
Marc Vilanova (ES)
Phonos is a sculptural installation of speakers attempting to emit infrasounds: vibrations below human hearing that shape more-than-human worlds. Programmed by an algorithm modelled on swarm behaviour, it generates an intimate polyrhythm that attunes us to imperceptible acoustic ecologies.
Plant Exposures
Emma Harris (DK)
Plant Exposures explores relations between soil, plants, and humans through low-toxicity analog film. By inviting weeds and microbes into the image-making process, it highlights biodiversity, soil health, and the role of interspecies collaboration in rethinking agriculture.
Quitting Smoking Might Be Easier
Lisa Großkopf (AT)
In the digital age, youth is the ultimate status symbol. Picking up on current beauty trends, Lisa Großkopf stages herself smoking in a series of performative self-portraits. The cigarette as the antithesis of anti-ageing par excellence turns the race against time into an absurd farce.
Ritual Device for Fungal Humus
Santiago Morilla (ES)
Ritual Device for Fungal Humus explores the future of biodiversity and sustainable food systems. It consists of a device for cultivating and biosonifying saprophytic fungi.
Rituals | The Mountain of Advanced Dreams
Mali Weil (IT)
Rituals | The Mountain of Advanced Dreams establishes the notion of Interspecies Diplomacies as a speculative tool to explore relationships with the other-than-human, living and non-living. This research unfolds through film, objects, performances, and editorial practices as a form of open world-building.
SOTTOBOSCO
Alberto Anhaus (IT)
SOTTOBOSCO is an immersive installation that imagines a future underground world shaped by nature and technology. Visitors experience the perspective of the soil through sound and visuals—where mini robots and natural elements coexist in a changing terrarium landscape.
Synthenesis
Fara Peluso (DE/IT)
Synthenesis is a living machine that depicts a hybrid organ of human and non-human body, synthesizing pearls of Spirulina algae which can improve body and mental health. It imagines a near-future scenario in which people grow their own food supply of Spirulina algae empowering their choices.
Tech Bro Debates Humanity
Sputniko! (JP/GB)
Tech Bro Debates Humanity showcases AI-generated male avatars debating human issues, highlighting the shift from inclusive technology to male-dominated elitism.
The Echoes of Prometheus
Kika Echeverría (CL), Carlos Sfeir (CL/ES)
The Echoes of Prometheus invites us to wonder why technology—represented by the fire stolen from the gods by the Greek titan and gifted to humanity—has become a symbol of panic, extraction, and destruction, overshadowing its spiritual warmth, celebratory nature, and power to bring people together.
The Falling City
Noemi Iglesias Barrios (ES)
The Falling City is an installation that measures levels of emotional display in public space by detecting affective actions like holding hands, kissing, and hugging. The aim is to explore how urban structures shape or suppress emotional expression.
The Lost Music of Auschwitz
Tom Cook (GB)
British composer Leo Geyer discovered a treasure-trove of forgotten fragments of music manuscripts in the Auschwitz archives. He and his orchestra now bring this music to life once more.
WHISPERS
Calin Segal (RO)
WHISPERS is an immersive debate platform between virtual actors. These AI-driven personas embody and amplify the rhetoric of social media influencers, escalating ideological clashes to their most extreme forms and in the process exposing the viewers to the mechanics of dogmatic tribalism.
Void in Resonance
Jerónimo Reyes-Retana (MX)
Void in Resonance is a film installation that examines a unique case of transboundary sonic violence, where the ambitions of a new era of outer space industrialization collide with the rudimentary technologies of oyster farmers living and working on the Mexican side of the U.S.–Mexico borderlands.
World at Stake
Total Refusal (AT)
A golfer fails to strike, a soccer team plays against itself, and a rally co-driver faces an identity crisis—surrounded by an audience unable to act. Shot in sports video games, the film upends victory and defeat and explores roles between individual sovereignty and collective passivity.
Unspeakable (I’m Ready)
Giulia Essyad (CH)
Unspeakable (I’m Ready) explores femininity and body image. The artist’s bound, naked body references Shibari, evoking eroticism and control. Five black-and-white photos are boxed like products, highlighting the aesthetic, erotic, and commercial exploitation of the body in today’s online culture.
Sweet Dreams
Marshmallow Laser Feast (GB)
Sweet Dreams, distilled. A bite-sized taste of appetite, ambition and the machine behind the dream.
Seedless Fruits
Stefanie Schwarzwimmer (AT)
Seedless Fruits is about the founding of a new company whose product or service remains unknown. It is a satirical commentary on the abysses of neoliberal office worlds and alienated labor in a self-perpetuating construct of value creation without content.
Droning
Marta Revuelta (ES/CH) in collaboration with Laurent Weingart (CH)
Droning is an AI-powered art installation exploring autonomous warfare and algorithmic surveillance. A helium-filled blimp tracks visitors in real-time, classifying them as enemies or neutral targets, exposing the ethical stakes of AI-driven military targeting.
Café Kuba
David Shongo (CD)
Café Kuba by David Shongo questions creation in crisis: How to film your own country when you have become a fugitive within it? The installation offers a sharp aesthetic and political view of Kinshasa under tension after the rebel offensive in the East.
Friends of Fearness
Marwa Abu Raida (PS)
Friends of Fearness explores the emotional aftermath of conflict through the intertwined lives of three friends. Set between Jerusalem and the U.S., it is a lyrical reflection on fear, exile, and the fragile threads of identity and resistance.
Спомини [Spomyny]
Sophia Bulgakova (UA)
Спомини [Spomyny] is a site-specific sound installation by Ukrainian artist Sophia Bulgakova, created in response to the full-scale invasion of Ukraine. Using insulation pipes and hidden speakers, it reveals layered sonic memories collected from testimonies, field recordings, and media fragments.
Fugue
Anet Sandra Açıkgöz (TR)
The video installation Fugue draws inspiration from the Latin word for “escape” and the polyphonic form based on repetition in classical music. It explores confrontation with collective traumas, denial and evasion of responsibility, and the performance of agency through the game of dodgeball.
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Manuela Naveau
Manuela Naveau is a university professor, independent curator and art-based researcher. She previously developed the Ars Electronica Export department and was heading it for almost 18 years. Since 2020, Naveau has been a university professor for Critical Data at the Interface Cultures Department/Institute of Media at the University of Arts Linz, which she has been heading since February 2023 and where she recently initiated the Critical Data Research Group.
Credits
Part of the Theme Exhibition is presented in the context of European Digital Deal and Tilling Roots&Seeds. European Digital Deal is co-funded by the Creative Europe Programme of the European Union and by the Austrian Federal Ministry for Housing, Arts, Culture, Media and Sport. Tilling Roots&Seeds is co-funded by the Creative Europe Programme of the European Union. The exhibition features works from the CIFO x Ars Electronica Awards, a cooperation between Ars Electronica Festival and Cisneros Fontanals Art Foundation (CIFO), and State of the ART(ist), a collaboration between the Austrian Ministry for European and International Affairs and Ars Electronica. The exhibition also includes artworks presented with the support of the City of Gwangyang, the City of Linz and the Ars Electronica Festival as a recipient of the 2025 Gwangyang-Linz Media Arts Exchange Grant, and artworks presented with the kind support of the Swiss Arts Council Pro Helvetia, the Institut Ramon Llull, CALQ, and the Italian Cultural Institute in Vienna.
Please note: The program for the Ars Electronica Festival 2025 is still in progress.
We are currently preparing all the information for the website and plan to put the full program online in the coming days – stay tuned!