Prix Ars Electronica

Photo: Ars Electronica / Martin Hieslmair

Digital Musics & Sound Art

Win the Prix Ars Electronica’s Golden Nica, up to 10,000 euros and a prominent appearance at the Ars Electronica Festival with your Digital Musics & Sound Art project!

Projects in this category can be submitted for the 2025 Prix Ars Electronica from January 7, 2025, until March 5, 2025.

Contemporary digital music & sound productions from the broad spectrum of electronica can be entered for consideration in the Digital Musics & Sound Art category, as can works combining sound and media, computer compositions ranging from electro-acoustic to experimental music, as well as sound installations.​

In addition to the aesthetics, originality and compelling concept of the work, the jury will also focus on technical and experiential innovations in the expression and presentation, as well as the social impact of the work.​

Isao Tomita Special Prize: For the third time, a special award will be presented in collaboration with Isao Tomita Research to commemorate the Japanese music legend. The winner will receive €5,000 in prize money and be invited to give a live or a virtual performance at the Ars Electronica Festival.

What can you win?

1Golden NicaStatuette, 10.000 Euro prize money, Award certificate, prominent appearance at the Ars Electronica Festival
2Awards of DistinctionsAward certificate, prominent appearance at the Ars Electronica Festival
up to 12Honorary MentionsAward certificate
1Isao Tomita Special Prize5.000 Euro prize money, Award certificate

What should you enter?

The crucial criterion is the artistic and innovative use of digital tools to manifest a convincing realization.

Sound and New Media…

audio visual performance

sonic sculpture

intermedia / video / film soundtracks

sound installations

soundspace projects

radio works

net-music

generative musics

Electronica – as in…

Dub

Techno

Microsound

Ambient

Global

Minimal

HipHop

Jazz

Noise

Downtempo

Drum’n Bass

Mondo/Exotica

digital DJ-culture

Mash-ups

Music videos

Glitch

Plunderphonics

etc,

What is allowed?

algorithmic computer compositions

acousmatic computer compositions

experimental computer compositions

analog methologies

electro-acoustic methologies

the use of voices

the use of acoustic instruments

the use of amplified instruments

Who can submit an entry?

Checklist

The following materials are needed for the submission.

Jury

All entries will be judged by a Jury of experts in the order of their arrival. In addition to the works entered by participants, each Jury may also nominate other works.