Projects

  • Virtuality in Motion

    Alexander Whitley (GB), Zijun Wan (CN), Natsume Ono (JP, US), Leonard Li (CN), Abigail Alvarez Aguilar (GB), Heta Shah (IN)

    Virtuality in Motion explores the translation of human motion into virtual forms. Featuring a collection of bespoke avatar designs and a generative system of choreographic patterning, the installation allows participants to explore how their movement both influences and is informed by the unique spatial, kinetic and qualitative characteristics of the moving forms they are presented…

  • Tactile Narratives

    Tactile Narratives

    Nikoletta Karastathi (GR), Zimeng Tan (CN), Winnie Ngai Lan Tam (US), Hayze Wan (MY), Ruoru Wang (CN), Rabih Arasoghli (LB), Swaraj Dhuri (IN)

    Skin acts as a dynamic medium between bodies and their surroundings, providing diverse stories and perspectives. Through a sensory metamorphosis, Tactile Narratives transcends boundaries, unveiling a multitude of narratives through textiles that serve as storytelling interfaces and tactile bridges.

  • Sound space and perception

    Sound space and perception

    Paul Bavister (GB), Anindia Pradita (ID), Andrew Yu (CA), Sakshi Galkate (IN), Kimverlyn Lim ( SG), Demi Gao (CN), Nicole Xu (CN)

    This installation deals with ideas of cross-modal perception, and how the senses work together to define how we unconsciously perceive our environment. Each sense informs the other, leading to heightened or softened perception of environmental phenomena.

  • The GPS Signal Lost

    The GPS Signal Lost

    Aban Salehi (IR), Gundega Graudina (LV), Hooshyar Zaheryani (IR)

    The idea for this project came during my early days of migration when I left Iran. In a new place with no memories or sense of belonging, the most frequent sound I heard was the map guide helping me find my way. Often, I got lost in the city.

  • Gnop gnop man

    Gnop gnop man

    Younggon Kim (KR)

    It is an interactive artwork with a shell-shaped base and contains abstract sculptures of eyeballs and a penis. Viewers use an air pump to create or burst a bubble man, engaging individually or in team games. The piece modifies Botticelli’s The Birth of Venus and explores themes of masculinity, duality in patriarchal societies, and true…

  • Flow of Thought 

    Flow of Thought 

    Jieun Kim (KO)

    This project, themed “waves of emotion,” immerses viewers in a whirlwind of feelings, highlighting emotions’ fluidity like water. The artwork visualizes the complexities of emotions through water’s movement, symbolizing their power and beauty.

  • You Cannot Build Your Own Character

    You Cannot Build Your Own Character

    Ralitza Georgieva (BG)

    Exploring the physiology and spirit of the body, the installation is constructed of the opposites — the predetermined and the idea of free will. Through elements of bodily carriers of DNA information and genetic analysis, the work examines the interaction between material substance and spiritual essence.

  • Symphony of Nonfunction

    Symphony of Nonfunction

    Tanya Nedelcheva (BG)

    What happens when an object moves beyond its initial purpose? The project comments on the enduring resonance of seemingly ordinary objects and their past, by placing them in a new context. Symphony of Nonfunction explores the residual significance of items after their original function has been lost. It seeks to bring back their “pulse“ by…

  • Manifolds

    Manifolds

    Yoana-Sofia Vangelova (BG)

    Manifolds is a project that explores the interconnectedness of the universe, natural structures, the human body and mind. Inspired by mathematical spaces and quantum physics, the project delves into the idea of reappearing connections and the bond between all forces and matter.

  • I M U

    I M U

    Juul van der Laan (NL)

    I M U is an essay film installation which turns the viewer into one of its main characters through deepfake technology. It is a personal confrontation with this form of technology and a meditative intervention on what the self and your self-image really are.

  • We were walking on the beach

    We were walking on the beach

    Dahye Seo (KR)

    We were walking on the beach is a performative installation. It senses the inherent vitality of non-human entities such as molecules and spirits that humans cannot control. This work adopts the 49 funeral rituals of Mahayana Buddhism in its form.

  • Forceful Catering

    Forceful Catering

    Kexin Hao (CN)

    Forceful Catering is a choreographic and musical performance inspired by the East/Southeast Asian tradition of preparing sticky rice cakes (mochi). The rice-pounding utensils become experimental percussion instruments, producing bass beats to the electronic music.