Technology

Pan African Telematic Art Project

The Pan-African Telematic Art Project (PATAP) is a new initiative of the Vrystaat Arts Festival through the Pan-African Creative Exchange (PACE), in partnership with the Fak’ugesi African Digital Innovation Festival, Ars Electronica, and the University of the Free State’s Program for Innovation in Artform Development (PIAD), funded by the Embassy of the Netherlands in Pretoria and the Andrew W. Mellon Foundation. Two projects were selected to receive funding to experiment with new, interactive media arts projects, dealing with issues relevant to the continent.

Late Night Party.

The Glad Scientist and TribeXR

Live Music/ VR experience/ performance The Glad Scientist, is an innovative genre pushing virtual reality artist and musician. He is based in Osaka, however his work is known worldwide. His work includes live Audio Visual performances incorporating EKG technology, VR, and more: VR DJ dance party Sponsored by TribeXR will be a fun addition to the dome allowing a place to break free, dance, and enjoy the talents of worldwide Virtual Reality DJ’s.

Fak’ugesi Digital Art Curators

Over the years of growing the Fak’ugesi African Digital Innovation Festival we have experienced a huge hole in our African digital arts ecosystem, essentially the lack of curators, producers and general advocators of digital arts in Africa, and specifically those from the continent. The field itself is not necessarily new, but the hurdles to accessing resources and markets brings a number of challenges for the African digital art ecosystem.

SKNXSYNTH

Performer: Anna Pompermaier (AT), Project Artists: Cenk Guzelis (AT), Josecarlos Florez (PE), Mohsen Hazrati (IR)

A xenotransplantative skin Live Performance/ Digital interaction The xenotransplantative skin project behaves as a digital skin that interfaces human and non-human entities to change spatial perception, create sensual friction, construct a self-image through detachments from bodily self and a space of negotiation between the self and the other self, oscillating between virtual and physical.

We Come From Our Stories I and II

Platfontein is the residence of the !Xun and Khwe people, first-nation inhabits from Southern Africa. FSAH, under the direction of the former Programme Manager MC Roodt, initiated a youth print-project, in partnership with the William Humphreys Arts Gallery and the Isibindi Youth Centre. Fourteen young artists translated traditional narratives into linocut editions during April of 2017. The print portfolio was titled Ons Kom Vanaf Ons Stories (We Come From Our Stories). All proceeds from sales were funnelled back to the Platfontein artists to support their continued growth as voices from the next generation.

Virtual Black Out: Experiments in the Future of Form

Virtual Black Out takes a step into digital “space” making. Engaging African scenographers and digital artists to rethink space, location and time for new digital theatre making. Five pieces developed in lockdown over two weeks.

Sensory Orders

Erik Adigard (FR/US), Chris Salter (US/QC-CA)

Sensory Orders is an exhibition, online and print project examining the different orders of sense making taking place under our (current) conditions of extreme precarity and uncertainty. Twenty five international artists, scholars and researchers respond to how different orders - the /symbolic/ realm of language and culture, the /technological /realm of machines and the /organic /realm of viruses, plants, animals and the physical-chemical matter of the earth itself - sense on and affect each other.

Speculative Speculations on Art and Values

How linking the brain to the Blockchain reveals the value of human values (CQC)

Hong Kong Garden

Art Practices in Hong Kong at the Time of Global Seclusion

Nine contributors of artists, curator, lab founder and researcher will share their experiences and insights on the recent challenges in their practices.

Public Symposium: How and Why Artworks Feel?

MindSpaces (EU) and MindSpaces (HK)

Key contributors to MindSpaces EU and MindSpaces HK will present their research in the framework of Horizon2020 MindSpaces/S+T+Arts research project.

Art in Labs

School of Creative Media, CityU. SCM faculty

Art in Labs will be introduced by the Dean of the School of Creative Media, CityU. SCM faculty stage their latest projects.

VoV Workshop: Making Art from the Brain to the Blockchain

Participating “Brain Workers” are invited to create their VoV token by shaping values through neurodesign in the Brain Factory. VoVs are immaterial assets, as well as brain-designed 3D models. Brain Workers propose reifications of the abstract models as artworks. This is how they start to make sense out of a frozen value.

Collective Curated Exhibtions I: On the Road, Young Media Artists in China

A collaborative project between SCm/CityU HK and Guan Shang Yue Museum of Art, Shenzhen, presenting 50 installations by 35 artists; which involved 15 curators, art critics and scholars from China and Hong Kong. It provided an overview of the media art scene across China today, and demonstrated how young Chinese artists are exploring and combining both older and ‘newer’ media to new ends.

Solo Exhibition III: Maurice Benayoun – Introduction to Value of Values

Maurice Benayoun (FR/HK)

Morphogenesis of Values (MOV) video reveals the stakes and objectives of the VoV project and the outcomes for the coming show in 2021. MOV is developed from VoV, transactional neuro-design art project that provokes questions of human values with relation to art, philosophy, poetry, ethics, the environment and surveillance. It resonates with how we will define human goals in a post-pandemic world.

Solo Exhibition IV: Tobias Klein – Metamorphosis or Confrontation

Tobias Klein (GE/HK)

This film is a short documentary of the solo exhibition Metamorphosis or Confrontation of the German artist Tobias Klein at the Hong Kong University Museum and Art Gallery. The documentary is structured as the exhibition in four parts with an introduction. Bones, Masks, Mutations and Forces are the chapters and provide a detailed insight into the various curatorial strategies - making the diversity in the artist's work visible.

Thematic Curated Exhibtions I: Leonardo Da Vinci – Art & Science. Then & Now

Isabelle Jennifer Frank (US/HK)

To commemorate the 500th anniversary of the artist’s death, this exhibition presents original drawings by Leonardo da Vinci from the Pinacoteca and Biblioteca Ambrosiana. The drawings are accompanied by five machines modeled on Leonardo’s designs, and by the works of contemporary artists – most of them faculty at SCM CityU HK – reflecting on Leonardo’s persistent legacy and influence into the digital age.

WADS (↑ ← → ↓) Exhibition in Mozilla Hub

RISE ITICA (CY)

WADS, a digital garden of commoning formed by 21 local artists, sets out to explore the potential of digital hubs as grounds of artistic and technological co-creation. The digital exhibition is created and experienced in the online environment of Mozilla Hubs and will be accessible through the Ars Electronica Digital Platform.

Solo Exhibition II: Tamás Waliczky – Imaginary Cameras

Tamás Waliczky (HU/HK)

From Hong Kong to the Hungarian Pavilion at the 2019 Venice Biennale, Waliczky revisits technologies in a non-linear history of the moving image.

Solo Exhibition I: Jeffrey Shaw – WYSIWYG

Jeffrey Shaw (AU//HK)

A major retrospective of Shaw’s classic and new artworks. The show spans the prolific career of the Visionary Pioneer of Media Art (Golden Nica 2018).

DïaloG

Refik Anadol (TR/US), MoBen / CityU HK

DïaloG is an urban media art installation developed by Maurice Benayoun (MoBen/CityU HK) and Refik Anadol (AnalogNative). In the public space (L’Hospitalet de Llobregat, Spain) two “living” entities face each other. They don’t look like the living beings we know. They don’t speak any language we know. They are aliens, strangers, immigrants. Facing each other they gradually mutate. They seem to react to their environment. Even more, they clearly desperately try to understand each other.