Digital Humanism

Online showcase 'Immersive Performance'

30,000ft: Kyoungbin Son(KR), Jihyo Han(KR), Sejun Lee(KR), Jiyoung Park(KR) / ARTNORI: Ark Park(KR), Junghoon BakShim(KR), Jun Ryu(KR), Minah Kim(KR), Jiyoung Hong(KR), Hyeri Lee(KR), Wonjeong Lee(KR), Sol Yoon(KR), Jeongwoo Park(KR), Woogyeong Lee(KR), Juyeong Park(KR), Jeongwook Goh(KR), Hongseok Lee(KR), Dongyoung Won(KR), Junghoon Han(KR), DarwinTech Corp(KR) / Inter-cumulation: Jeeyoun Kim(KR), Minjin Jeong(KR), Sooyeon Choi(KR), Jun Ryu(KR), Teri Seo(KR) / MANANA: Yunji Kwon(KR), Minhee Kim(KR), Minyoung Lim(KR), Wangwon Lee(KR), Jahyuk Koo(KR) / On and Off: Jiyoung Park(KR), Jihyo Han(KR), Lime Gwon(KR), Sujin Park(KR), Jeongeun Park(KR), Heesu Mun(KR)

'Immersive Performance' is an online showcase to introduce the creation of the K-arts X Ars Electronica Academy, a creative education program run in cooperation with the Ars Electronica Export. Part 2. Immersive Performance is designed to experiment with a real-time Immersive Content creation process by attempting to merge virtual reality into performance.

Women in Arts

JERRY ADESEWO, ZAINAB KANWA, ISRAEL UDOCHUKWU, MOYINOLUWA ADESEWO, SHAMSIA UMAR

The Abuja ARS Garden is an evening of literary renditions and talks, participants are welcome to join us via zoom or YouTube and are welcome to drop their comments or participate live in the talk session where we'll be discussing Women in Media Arts. The Abuja ARS Garden 2021 is an evening of literary performances dedicated to Women in the Arts in Nigeria, particularly in the City of Abuja located in central Nigeria.

Self-portrait

Pavel Méndez Hernández  (CU)

I believe in the power of art to de-automatize the gaze and my mission is to transform that aptitude into action. I develop philosophical works that focus on the human being, on the prejudices and external predispositions that underlie their experience.

Open Schooling Co-Creation Workshop

Cristina Olivotto (CH), Maria Vicente (PT/NE), Andrew Newman (AU/AT), Matteo Merzagora (FR), Pandora Sifnioti (GR), Shaun Ussher (IE), Open Science Hub Network (INT)

Dieser Workshop schließt an das Panel A New Digital Deal for Transnational Collaboration an und wird vom Team des Open Science Hub Network geleitet, einem Konsortium aus neun europäischen Partnern, das vom H2020-Programm der Europäischen Kommission finanziert wird und Schulen und lokale Akteure dabei unterstützt, Forschung und Innovation als Instrumente zur Bewältigung lokaler Herausforderungen und zur nachhaltigen Entwicklung der Gemeinschaft einzusetzen.

Education Conference: Open Education Resources for Critical and Creative Thinking

Creative School (INT), Pier Giacomo Sola (IT), Andrew Newman (AU/AT), Jo-Anne Sunderland Bowe (UK), Deborah Hustic (HR)

Im Rahmen des Projekts Creative School werden Lernmodule für Kinder und LehrerInnen entwickelt, die selbstgesteuertes Lernen sowie kritisches und visuelles Denken fördern, indem sie Inhalte des kulturellen Erbes nutzen, die von den Partnerorganisationen in Europa zur Verfügung gestellt werden. In diesem Panel werden einige der im Rahmen des Projekts entwickelten offenen Bildungsressourcen vorgestellt.

Education Conference: A New Digital Deal for Transnational Collaboration

Cristina Olivotto (CH), Maria Vicente (PT/NE), Andrew Newman (AU/AT), Matteo Merzagora (FR), Pandora Sifnioti (GR), Erik Knain (NO), Open Science Hub Network (INT)

Die Erhaltung der Qualität der Flüsse in unseren Dörfern, die Überwachung der Luftqualität in den Vierteln unserer Städte, das Engagement unserer Gemeinschaften für einen nachhaltigeren Umgang mit Plastik, die Entwicklung von Strategien zur Bekämpfung von Fehlinformationen über den Impfstoff Covid-19, Wasserverschmutzung, Luftverschmutzung, Plastikverbrauch, Fehlinformationen über Covid-19, dies sind Herausforderungen– neben so vielen anderen –, mit denen sich Gemeinden auf der ganzen Welt tagtäglich auseinandersetzen und die sie bekämpfen. Lokale Herausforderungen mit globalen Auswirkungen.

Education Conference: A New Digital Deal for Online Open Schooling

Anna Kaufmann (AT), Sonja Groiss (AT), Michaela Schober (AT), L. Vanessa Gruber (AT), Beate Absalon (DE), Andrew Newman (AU/AT)

Während die Vorteile des persönlichen Lehrens und Lernens in den Schulen unersetzlich sind, bietet die Online-Bildung die Möglichkeit, die Klassenzimmer für die breite Gesellschaft zu öffnen, wo die SchülerInnen von KünstlerInnen, ForscherInnen, AktivistInnen, BranchenführerInnen und anderen ExpertInnen auf ihrem Gebiet lernen können.

Sonic Garden - Sun. Sep 12

Sote (IR/US), Kimia Koochakzadeh-Yazdi (IR/CA), Navid Asadi (IR)

Ata Ebtekar aka Sote (b. Hamburg, Germany) is an Iranian-American electronic music composer and sound artist based in Tehran, Iran. In the past 30 plus years, his music has been published by various companies, such as Warp Records, Sub Rosa, Opal Tapes, Diagonal, Morphine and Repitch among others. (11 albums, numerous eps, singles and compilation appearances)

Sonic Garden - Sat. Sep 11

Rojin Sharafi (IR/AT), mHz (IR/NZ), Houman Hoorsan (IR)

Rojin Sharafi (IR/AT) is a Vienna-based, Tehran-born sound artist, performer and composer of acoustic and electronic music, freely crossing the borders between genres. She creates entirely unique musical textures using analogue, acoustic and augmented instruments, as well as digital tools of her own devising. She is currently pursuing her masters in sound engineering and composition at the Vienna University of Music and Performing Arts. Her debut album “Urns Waiting to be Fed,” with Zabte Zote, has been lauded as “one of [2019’s] most ecstatic and fiercely original hours of music.”

Sonic Garden - Thu. Sep 9

Saba Alizadeh (IR), Sohrab Motabar (IR), Reza Atashran (IR)

Saba Alizadeh (IR): Born in Tehran in 1983, Saba Alizadeh is an unparalleled figure at the forefront of contemporary Iranian music. Alizadeh subsequently studied experimental sound practices at Calarts in Los Angeles. He began expanding his musical cosmos utilizing different instruments and methods of composing. Apart from Kamancheh, no-input mixer, modular synthesizer, laptop have been the main instruments that Alizadeh has created his sonic cosmos with. Alizadeh also uses a lot of manipulated historic audio recordings and field recordings in a neo-musique concrète fashion. Treating sound as an object has always been Alizadeh’s fascination.