bitTOWER is inspired by the uroboros and each element of the installation acts as a visual metaphor. The scaffold matrix creates a space with a limited mass, as though the epidermis of the excessively expanding city has been torn apart and exposed its internal organs. The cycle of lights act as moon and sun, with shadows of mottled steel pipes expanding the borders of the matrix. The interplay of the lights and projected digital images create a virtual world shifting swiftly between night and day. The spiral cases inside the matrix overlap, and just like the uroboros, beginning where it also ends. The immersive environment opens a wormhole to another dimension for the audience, with the synesthetic ceremony leading to a sense of reverie.
Experiments in different dimensional spaces are crucial to the future development of art and technological advances lead to the ability to reach further depths for exploration. For this, art and technology co-evolution, mutual close contact, and mutual restraint, are necessary to open a new dimension of space between destruction and growth. bitTOWER acts as an art spell, which attempts to explore these different dimensional spaces. bit is an access code, crossing between reincarnation, renascence, borderless, bound, and even the information world and the universe.
