In “Run Motherfucker Run,” the body becomes the controller: those who run experience virtual immersion—those who stop fall. A powerful critique of passive consumption in digital worlds.
Guanaquerx by Paula Gaetano Adi, winner in the Artificial Life & Intelligence category 2025, reclaims the Andes as a site of resistance and reimagines robotics as a tool for planetary liberation.
Requiem for an Exit by Frode Oldereid and Thomas Kvam, winner of a 2025 Golden Nica, explores memory, violence, rhetoric, and the unsettling voice of a machine.
This year’s Golden Nica in the category “Digital Musics & Sound Art” goes to media artist Navid Navab and Garnet Willis for their project “Organism.”
The Prix Ars Electronica exhibition is considered one of the highlights of the Ars Electronica Festival program. We were able to take a look behind the scenes and discovered some innovations as well as projects from the archive.
“Smoke and Mirrors” by British artist Beatie Wolfe visualises 50 years of climate data and contrasts it with advertising slogans from the oil industry. She has now been awarded the Golden Nica of the Prix Ars Electronica for her work.
Eunji Kwon has been selected as the second curator in residence for the Curatorial Residency Program enabled by ARKO. In this guest post, she reflects on the Prix Ars Electronica jury weekend from her personal perspective.
create your world shows, as every year, thoughts and ideas of children and young adults and offers the opportunity to experience, experiment and research.
To find out how POSTCITY as a venue affects the exhibition concept of Prix Ars Electronica and S+T+ARTS, read on.
In 2023, the Golden Nica in the Prix Ars Electronica category New Animation Art went to South Korean artist Ayoung Kim for her project “Delivery Dancer’s Sphere”.
In this guest article Juergen Hagler elaborates on the development of the animation category and talks about the theme of animation as an important part of the Ars Electronica Festival 2023.
This year’s Golden Nica in the category Artificial Intelligence & Life was awarded to Winnie Soon for their Unerasable Characters Series.
This year’s Digital Humanity Award winners are the grassroots organisation Masakhane, which specialises in bringing African languages closer to the technology industry.
“Pollinator Pathmaker” by Alexandra Daisy Ginsberg is this year’s winning project in the Artistic Exploration category of the STARTS Prize.
Suhun Lee has been selected as the first curator in residence for the Curatorial Residency Program enabled by ARKO. In this guest article, she describes her personal impressions of the Prix Ars Electronica Jury Weekend.
This year’s Golden Nica in the category “Digital Musics & Sound Art” goes to the collective Atractor + Semántica Productions, for their project A Tale of Two Seeds: Sound and Silence in Latin America’s Andean Plains.
Experts from around the world met in Linz to agree on the Golden Nicas of the Prix Ars Electronica 2023.
Ryuichi Sakamoto died March 28 at the age of 71. The Japanese pianist, composer and pioneer of electronic music was the winner of the Prix Ars Electronica in 1997.
A new category, a new prize and a legacy begun in 1987: the Prix Ars Electronica is once again looking for exceptional media art.
It’s the third pillar of Ars Electronica, and we’re all a part of it: In part three of our annual review, we’ll tell you what the “Society” in our name stands for.
On the last day of the festival, the focus will be on art. But as always, there will also be a variety of exciting projects on contemporary topics such as climate change, robotics or crisis management waiting for you.
The first day of the Ars Electronica Festival awaits you with exciting performances and lots of art, technology and new inspirations.