Projects
Projects
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Robotinity Exhibition
Human beings have been developing machines for thousands of years. But what drives us on to do so? Is it the urge to understand and recreate nature and its processes? Is it perhaps our audacious pretensions to be capable of improving on the world as it is? Or are we just curious?
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Shadowgram
Shadowgram is an interactive project by the Ars Electronica Futurelab that combines creative expression with social participation: Users’ shadows are transformed into physical stickers that they can place in shared spaces, sparking societal dialogue.
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Human Robot Harmony
Research with Humanoid Robot Honda ASIMO
The Ars Electronica Futurelab and Honda R&D worked together to research the next generation of the relationship between humans and robots – with the humanoid robot Honda ASIMO at the center.
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Oribotics
[the future unfolds]
In cooperation with the University of Linz’s Institute of Polymer Product Engineering, the Australian origami- and media artist Matthew Gardiner cultivated interactive flowerbeds. During the 2010 Ars Electronica Festival they brought the industrial architecture of the former tobacco processing plant into full bloom.
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BrainLab
The heart piece of the first main exhibition “New Views of Humankind” in 2009 was constituted by four public accessible labs.
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FabLab
The heart piece of the first main exhibition “New Views of Humankind” in 2009 was constituted by four public accessible labs.
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BioLab
The heart piece of the first main exhibition “New Views of Humankind” in 2009 was constituted by four public accessible labs.
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RoboLab
The heart piece of the first main exhibition “New Views of Humankind” in 2009 was constituted by four public accessible labs.
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Geminoid Research Collaboration
How can a person’s unique personality and essential character traits be captured, simulated and imparted to a robot?
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Il mondo della luna
“Il mondo della luna – The World in the moon” by Joseph Haydn at the 2009 international Bruckner Festival “Il mondo della luna” has been performed in the Brucknerhaus by the Bruckner Orchestra Linz under conductor Martin Sieghart.
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Ars Electronica Center Media Facade
Since January 2009, the Ars Electronica Center has been shining night after night. 38,500 LEDs are built into the Ars Electronica Center’s 5,100-m2 glass shell. Every one of the façade’s 1,100 glass panels thus becomes what amounts to a pixel that can be individually controlled.
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Deep Space
In 2009, the inspiring possibilities of the CAVE technology were the starting point for a new, visionary concept to expand and optimize VR technology for a broad public in the Ars Electronica Center and its constantly growing number of visitors.