Ricercar is an interactive AI-based music composition system. The word Ricercar refers to a musical form of the Baroque and Renaissance and means “to search out” in its Italian origin. Composers used this term for pieces in which they experimented with a theme or musical idea and discovered its qualities such as permutation and variation possibilities…
As part of the European R&D project Immersify, the data from spatial measurement of St. Stephen in Vienna with more than 21 billion laser points was converted into a translucent representation of the cathedral. The result is an innovative interactive and immersive journey through the building in stereoscopic 8K, an experience in the Ars Electronica…
The potential of artificial intelligence in musical applications has been demonstrated by various projects in recent years. Modern AI can certainly be seen as another step towards expanding musical possibilities through the use of technology.
The festival site at POSTCITY in Linz was used as a stage for Open Futurelab until 2019. Created with the Japanese public broadcasting company NHK, Media Platz was a prototype of an open media plaza consisting of cardboard and high-resolution screens, which was used as a forum for public debate. Various panel discussions took place…
Music made by man and machine: For the Big Concert Night at the 2019 Ars Electronica Festival, Ali Nikrang, Key Researcher at the Ars Electronica Futurelab, added to Gustav Mahler’s unfinished Tenth Symphony – together with an artificially intelligent algorithm.
What can we understand by the term Artificial Intelligence and what do we want to understand by it? What do we actually understand about human intelligence and what does it have to do with attempts at modelling it?
In 2012, Europe’s largest software manufacturer SAP commissioned the Ars Electronica Futurelab with a representative work on the 40th anniversary of the former start-up. The exhibition format “40 – years of Future” was specially developed for the planned company museum in order to communicate the company’s history and key inventions to the general public.
Following an extended period of integrating contributions from the Ars Electronica Futurelab at various festival settings, the 2018 Open Futurelab initiative in the POSTCITY was intended to create a key interface for the lab’s creative international network.
They almost make us forget the world around us: Virtual Reality (VR) applications let us dive deep into images and videos, promising interactive experiences. To lead immersive media from a niche phenomenon to a more widespread practice in the consumer market, the three-year EU-funded project Immersify took to the task of research and development with…
Ars Electronica Futurelab’s quadcopter swarm was one of the highlights of the 2012 voestalpine Klangwolke (Cloud of Sound) in Linz. More than 90,000 spectators lined both banks of the Danube to witness a then world record: a formation flight by no fewer than 49 quadcopters. Never before had such a large squadron of whirlybird drones…
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