Peter Holzkorn
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Futurelab Day 2022
Creative Resilience @ Ars Electronica Festival
In 2022, the Ars Electronica Futurelab once again organized a special “Open Futurelab” program for the general public during the Ars Electronica Festival: Futurelab Day on September 8, themed “Creative Resilience for a Planet B.”
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Play the Façade
38,500 LEDs to Spark Public Creativity
The façade of the Ars Electronica Center, with its 38,500 LEDs, has been shaping the cityscape of Linz since 2009. Just one year later, the public was able to take control of the illuminated museum exterior for the first time via the façade terminal. This was followed in 2022 by the new edition – with…
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Northeastern University 2022
Ars Electronica Futurelab Academy
In July 2022, students from Northeastern University (Boston, USA) joined the Futurelab for the second time for a three-day interactive art workshop. It focused on creating experiences for the Ars Electronica media facade – the glowing, colorful centerpiece of the city and second skin of the Ars Electronica Center.
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Alchemists of the Future
25 years of Ars Electronica Futurelab
In 2021, the Ars Electronica Futurelab celebrated its 25th anniversary. Under the heading Alchemists of the Future, the Open Futurelab therefor presented a look back at the lab’s challenges and successes, but most importantly its latest ideas and glimpes into the future.
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Stream of Hope
Large-Scale Fluxel Performance in Japan
Ars Electronica Futurelab’s Fluxels, a scalable swarm of ground robots equipped with hexagonal LED displays, brought about a new language of visual expression. Stream of Hope in Osaka and Yokohama showcased their versatility at large-scale events.
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Space Ink
Three-Dimensional Drawings With Drones
What if we can draw in any space with a pen? This question is at the heart of Space Ink, where tablets and drones are brought together to create large-scale works in three-dimensional space using light and color.
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Future Ink
Life Ink / Bio Ink / AI Ink / Space Ink
The Future Ink Project is a collaborative research project between Wacom and Ars Electronica Futurelab to explore the future of creativity from all aspects of ink. As the world’s leader in pen tablets, interactive pen displays, and digital interface technologies, Wacom brings people and technology closer together through natural, intuitive interface solutions. Through the joint…
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Open Futurelab 2020
The Open Futurelab already planned for 2020 was redesigned into a major experiment due to the Covid pandemic – intended to create a hybrid interaction space that confronted the difficulties of social distance as well as the opportunities presented by telepresence. For not only the lab itself, but the entire festival was challenged by the…
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CoBot Studio
As humans and robots work together ever more closely, their joint success is linked to certain preconditions: How do you create safe working environments? How can we increase the acceptance of robots in everyday work? And how do you communicate with a colleague who consists only of a gripper arm?
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Open Futurelab 2019
The festival site at POSTCITY in Linz was used as a stage for Open Futurelab until 2019. Created with the Japanese public broadcasting company NHK, Media Platz was a prototype of an open media plaza consisting of cardboard and high-resolution screens, which was used as a forum for public debate. Various panel discussions took place…
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Fluxels
Choreographed swarm of ground robots as a medium of art
Fluxels is a play on words inspired by an association of Spaxels, “Fluxus” and the aesthetic quality of swift, fluid movement. It is the name for a ground robot platform developed in the Ars Electronica Futurelab, conceived for swarm bot performances as part of a collaboration with NTT.
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Swarm Arena @Miraikan
In the beginning, there was a shared research interest: How can swarm-based technology be embedded in everyday media use and what new possibilities of communication or artistic expression does it offer as a visual medium? The Japanese telecommunications company NTT and the Ars Electronica Futurelab have been investigating these questions since 2017 and have repeatedly…