European Platform for Digital Humanism

The Woman-Machine: Panel II

Aude Bernheim, Sophie Sakka

The second day of “The Woman-Machine” will feature panels from with Aude Bernheim on AI and ethics and Sophie Sakka on therapeutic robots and autism.

The Woman-Machine: Panel I

Clotilde Chevet, Oulimata Gueye

On Firday the event “The Woman-Machine” will start with talks from Clotilde Chevret about AI and gender, followed by another panel with Oulimata Gueye on afrocyberfeminism.

Transient - Impermanent paintings

Quayola (IT)

Transient - Impermanent paintings is an audiovisual concert for two motorized pianos and two conductors in collaboration with generative algorithms. Hyper-realistic digital brushstrokes articulate endlessly on a large-scale projection as if on a real canvas. Each brushstroke is sonified with a piano note, creating polyphonic synesthetic landscapes.

Learning from The Commons: a keystone towards a rewildered Future

Stefan Laxness (UK)

Identity and Aesthetics in a Rewilded Europe - ​Exploration of the potential of rewilding Europe as an operative territorial strategy with far reaching consequences for how we occupy space and engage as citizens.

The Grid: Full Festival Experience

The Grid (US/EU), Gray Area (US), Codame (US), ZERO1 (US), MUTEK.SF (US), EUNIC Silicon Valley (US), EUNIC Washington DC (US), EUNIC New York (US), Ars Electronica AIxMusic Festival (AT), STARTS, European Commission (EU), Center for Humane Technology (US), Salesforce (US)

By mobilizing artists, technologists, and policy makers from around the world, Exposure reimagines interdisciplinary and international collaboration to overcome deadlock and siloed thinking. Through 4 days of art, panels, performances, interactive experiences, talks, and workshops, Exposure works towards shaping technological development for the benefit of all. Be part of it and join in on four livestreams!

AIxLITERATURE: Poetry Is A Machine

The Grid (US/EU), Vikram Chandra (IN/US), Bryan McCann (US), Andrew Piper (CA), M Eifler (US), Clemens J. Setz (AT), Clara Blume (AT/US), Vanessa Chang (US/SG/AU)

How does the algorithmic contour the lyrical? Nearly a century ago, William Carlos Williams declared, “A poem is a small (or large) machine made out of words.” As artificial intelligence becomes a writing tool, his words take on a new resonance. Some critics of algorithmic literature decry the incursion of automation into this essentially human creative practice.

Future Life Exhibition

Curated by: Karin Ohlenschläger

Marco Barotti (IT), Clams, interactive installation, 2019 Disnovation.org (FR), Online Culture Wars (in collaboration with Baruch Gottlieb, 2018/19; The Persuadables), video, 2019 Quimera Rosa (ES/FR), Trans*Plant: May the Chlorophyll Be With/In You, mix-media installation, work in progress since 2016 Anna Ridler (GB), Mosaic Virus, GANs generated video installation, 2019 Robertina Sebjanic (SI) & Gjino Sutic (HR), Aqua Forensic, installation, 2018

AI x MUSIC: Artificial Creativity or Enhanced Humanity

The Grid (US/EU), Christine Payne (US), Monica Dinculescu (US), Ali Nikrang (AT), Clara Blume (AT/US)

Die Musikindustrie hat sich in den letzten Jahrzehnten drastisch verändert. Unabhängig davon, ob zum Guten oder zum Schlechten, sind diese Entwicklungen mit dem technologischen Fortschritt und einem sich rasch anpassenden Verbraucherverhalten verbunden. Technologie-Unternehmen investieren in eine Zukunft, in der KI ein unverzichtbarer Teil des kreativen Prozesses ist. Jüngste Erfolge ebnen bereits den Weg für vollständig durch Algorithmen erzeugte und gespielte Musik. Aber macht das KI zu einem Künstler?

Step into Space

Online Exhibition

Step into Space is an exciting exhibition developed by Ars Electronica, Science Gallery Dublin and University Leiden that brings together space sciences and art to inspire youths and their families. Space mission will lead you through the story.

artUNBOXING

Filip Ignatowicz (PL)

artUNBOXING is a series of video-performances produced for the Internet. It is published in episodes, in the form of a program that mimics the YouTube unboxing show. Instead of typical objects for this genre, I open purchased works of art, things signed by artists, or gadgets from exhibitions. The act of unpacking of those items - is the essence of my creative act. I try to verify the thin border between art and product.

Creative Question Challenge: The Organ of Consciousness

Oswaldo Maciá (CO/UK), Chris Bean (IE), Emilia Leszkowicz (PL)

"Lasst uns beenden, was wir begonnen haben." Auf diese Weise stellt die UNO ihr erstes Ziel für nachhaltige Entwicklung vor - das Ende der Armut in allen Formen und Dimensionen bis 2030. Die 17 Ziele der Nachhaltigen Entwicklung und ihre 169 Teilziele wurden als ein ausuferndes, missverständliches Durcheinander großer Absichten beschrieben. Allein der Titel der Entwicklungsagenda - "Unsere Welt umgestalten" - verströmt utopische Ambitionen. Er wurde 2015 von 193 Nationen angenommen. Fünf Jahre später und mit zehn verbleibenden Jahren: Wie wird sich unsere Welt verändern?

Sensory Orders

Erik Adigard (FR/US), Chris Salter (US/QC-CA)

Sensory Orders is an exhibition, online and print project examining the different orders of sense making taking place under our (current) conditions of extreme precarity and uncertainty. Twenty five international artists, scholars and researchers respond to how different orders - the /symbolic/ realm of language and culture, the /technological /realm of machines and the /organic /realm of viruses, plants, animals and the physical-chemical matter of the earth itself - sense on and affect each other.

Public Symposium: How and Why Artworks Feel?

MindSpaces (EU) and MindSpaces (HK)

Key contributors to MindSpaces EU and MindSpaces HK will present their research in the framework of Horizon2020 MindSpaces/S+T+Arts research project.

DïaloG

Refik Anadol (TR/US), MoBen / CityU HK

DïaloG is an urban media art installation developed by Maurice Benayoun (MoBen/CityU HK) and Refik Anadol (AnalogNative). In the public space (L’Hospitalet de Llobregat, Spain) two “living” entities face each other. They don’t look like the living beings we know. They don’t speak any language we know. They are aliens, strangers, immigrants. Facing each other they gradually mutate. They seem to react to their environment. Even more, they clearly desperately try to understand each other.

Random Seed: Using Gardening as a Metaphor for Machine Learning in a Creative Practise

Anna Ridler (UK), Caroline Sinders (US) , Oisin Mac Aodha (IE)

Can we do the same with less - AI in 64 Kb

Philippe Esling (FR)

This hands-on workshop for the AIxMusic Hackathon by Philippe Esling (FR) introduces techniques for lightweight AI, demonstration of embedded technologies and a 64 Kb competition for an AIxMusic hackathon project challenging the current limits of AI and inspired by the Demoscene and the 64Kb competitions.

The Wandering Mind

slow immediate (CN/US)

Träumt die Erde? Können unsere Träume ineinandergreifen? In "The Wandering Mind" (dt.: Die wandernden Gedanken) treffen uns die allgegenwärtigen Sensorik-, Faser- und neuronalen Netzwerke, die unseren Planeten bedecken, im Schlaf, während sie ihr Quellenmaterial aus Field Recordings und Sensordaten von riesigen Onlinespeichern beziehen. Für das diesjährige Festival malen wir einen Traum mit Geräuschen von Wasser und Strömungen: Eine Nacherzählung des Mythos von Tiamat, der Meeresmutter, deren Leben eine tragische Wendung nimmt, als ihre rebellischen Kinder nach Macht streben. Die Geschichte spiegelt unsere moderne Beziehung zu den Ozeanen der Erde wider.

AI Creative Agents: The Man I Love

Hervé Sellin (FR), Remi Fox (FR)

The Musical Representations team in the STMS laboratory at IRCAM is working on "cyber-human" systems. Just as cyber-physical systems create a continuity between the digital logic of computers and the physical world by capturing, modeling, and modifying it, they establish a creative continuity between machines and musicians using mathematical modeling and artificial intelligence.

Little Etudes for Piano

Elaine Chew (US/GB)

Little Etudes is a series of short piano pieces based on cardiac electrical anomalies. Aberrant electrical activity in the heart can cause the heart to beat irregularly. Abnormal heart rhythms form interesting musical patterns, which raises the question of whether all natural-sounding musical rhythms have a physiological basis.

Three Ladies Project

Georges Bloch (FR)

Billie Holiday, Édith Piaf and Elisabeth Schwarzkopf are three great ladies of music, born in 1915. Could we make them sing together? This was the subject of a performance conceived for the music festival Le pietre che cantano in L'Aquila (Italy) in 2015. Using DYCI2Lib software, the three ladies finally sing The Man I Love together. ImproteK, the earlier version of DYCI2Lib, already made it possible to intelligently link the harmony of the base material used (called "memories") to the harmonic progression of the reference song (called "scenario").