Ars Electronica Garden
PG24
The Bartlett School of Architecture, University College London (UK)
PG24 is a group of architectural storytellers employing design, film, animation, drawing, virtual and augmented reality and physical modelling to rethink architecture’s relationship with time. We find inspiration in the dialogue between film and architecture, study their intertwined histories and seek the magical possibilities arising from their fusion.
Transformation & Transmisson - Online Exhibition
This online exhibition showcases 23 new works of interaction design from students of the MA Interaction Design Communication at the London College of Communication UAL. These works were all produced during the lockdown of March-May 2020, and demonstrate the shift from physical to digital practice demanded by the crisis, and the anxieties and uncertainties that the present and future held. The projects are hosted online and publicly accessible.
PRISM BELL / UV TOWER
Live Music Event Advancements in technology enable us to surpass the analogue restrictions ofsound production and build novel music instruments for the digital age. In thislive-event, Lia Mice will present PRISM BELL, a large scale instrument exploring thefull-body engagement of the musician. Andrea Guidi & Giacomo Lepri also presenttheir UVTOWER that uses mirrors and lasers to produce rhythm and sound.
re.riddle presents Falling Up
re.riddle, California, San Francisco (US)
re.riddle presents unique programming showcased in site-specific exhibitions and pop-up events worldwide. The itinerant gallery curates socially engaging and multidisciplinary exhibitions of contemporary art. Its mission is to contribute to the discourse on contemporary art in thought provoking and playfully subversive ways. Via new modes of production, reception and consumption, re.riddle places an emphasis on the whimsical, in hopes that art continues to arouse curiosity and promote an awareness of its profound impact on our daily surroundings and lives.
COVID-19 Crisis: What options does civil society and social media have?
Walter Ötsch, Renata Schmidtkunz, Leonhard Dobusch, Evelyn Bodenmeier
We invite people from the fields of philosophy, sociology, economics and media studies to take part in a public discussion. Experts will present their views, challenge each other and offer suggestions for the future of our society.
BSc Unit 9 HUB
The Bartlett School of Architecture, University College London (UK)
Unit 9 is a design studio within the undergraduate architecture programme at the Bartlett UCL. Led by Jessica In and Chee-Kit Lai, the Unit has developed a continued interest in the performative aspects of new technologies and their expressive potentials for the design and representation of architecture.
The Digital Anthropology Lab project
Live sessions Daily live stream that will run for an hour. During the hour of streaming different events will take place which will only be announced on the day. Many visitors can log in at once and will be able to switch cameras and views to experience different aspects of the space. The sessions are also meant as Q/A for people to ask questions about the Draping Interfaces project and the Digital Anthropology Labs.
Luminous Crusting, Bio-ID
The Bartlett School of Architecture, University College London (UK)
Luminous Crusting is a project that questions perceptual and environmental ‘flatness’ of synthetic materials in comparison to extremely thin, but highly expressive and performative biogenic ‘micro-crusts’. These living, grown micro-crusts are highly ordered three-dimensional structures on a microscopic level. As such, they act not only as visual enhancers through deep iridescent appearance that changes with light and viewers movement, but as a living mediator between building tissue and the environment.
Automated Architecture Labs HUB
The Bartlett School of Architecture, University College London (UK)
AUAR Labs is the research laboratory co-directed by Mollie Claypool, Manuel Jimenez Garcia and Gilles Retsin at The Bartlett School of Architecture, previously known as Design Computation Lab. As part of AUAR Labs co-directors run the studio Research Cluster 4 (RC4) in MArch Architectural Design at The Bartlett focused on automated housing. The work of RC4 believes in the agency of architecture for change. Automation is not only about robots – it is first and foremost a design project.
Design for Performance and Interaction / Interactive Architecture Lab HUB
The Bartlett School of Architecture, University College London (UK)
IAL Hub Space showcases student projects. The space takes a critical stance on developments across art, science, and technology to spearhead thinking in the 21st century. The projects presented are films and virtual prototypes. We have come to realize that now, more than ever, boundaries which define the arts and sciences no longer hold. To address the changing political, ecological, and technological landscapes, we engage in dialogues that are unfamiliar or uncomfortable.
The History of Dark Matter Retold
Adeyemi Michael
Dark Matter by Adeyemi Michael It was during the DARK MATTER exhibition in Science Gallery London that History of Dark Matter Retold was conceptualised. Scientist and actress Laura-Joy Pieters collaborated with director Adeyemi Michael to produce a film that portrayed Laura’s birth and heritage. When speaking about what she wished to communicate with the film, Laura expressed that “The achievements of black women are all around us and are present throughout history, yet they are rarely ever seen or acknowledged, much like the nature of the elusive dark matter”.
Guided virtual tour of Popa Nan neighborhood of H3 Studio
A guided live tour of H3 Studio and surroundings, situated in a special part of Bucharest that was on the periphery in the early 20th century and is a place of real estate development in 2020. The urban landscape combines residential houses from the early 20th century with factories and warehouses, communist blocks of flats with new residential and office buildings, in a space trying to find its identity for more than a hundred years.
H3 Garden tour
A tour of H3 Garden in Bucharest, home of before detach () exhibition that will take place outside, at dawn, among the silhouettes of buildings about to perish. The final countdown of this place is imagined through light installations that will instil a final outburst of life.
before detach()
Exhibition before detach() is an exhibition of art installations produced by H3 in Bucharest. It revolves around the concept of detachment. A final outburst of life in a space now meant to perish, aiming to re-appropriate in a final cut the metamorphosis of this living space as holder of past events. Works speak of detaching from the past, from known identities, from the body, from old habits and familiarity. before detach() prepares the unexpected.
Who am I?
A human-robot performance Who Am I? is a performative art installation that traces the relationship between a robot and the human body, between programmed and spontaneous, reproducible and irreproducible. The project takes the myth of Pygmalion as a starting point and investigates the relationship between creator/creation and their perception in a world of AI. Who Am I? is based on the interaction between human and robot, by mirroring the relationship between natural and artificial as a deep meditation on human nature.
Creative Question Challenge: Can unheard signals inspire change?
Siobhán McDonald (IE), Chris Bean (IE), Adriaan Eeckels (BE)
'Let us finish what we started'. This is how the UN introduces its first Sustainable Development Goal - to end poverty in all forms and dimensions by 2030. The 17 Sustainable Development Goals and their 169 targets have been described as a sprawling, misconceived mess of grandiose intentions. The title of the development agenda itself - 'Transforming our World' - oozes utopian ambition. It was adopted by 193 nations in 2015. Five years later and with ten years left, how do you think our world will transform?
COVID-19 Crisis: Future Scenarios
Walter Ötsch, Renata Schmidtkunz, Sighard Neckel, Antonia Birnbaum
The coronavirus shock will change society and it will not be possible to return to the "normal state of affairs" we had before the crisis. Two scenarios are outlined: (1) In the negative scenario, the coronavirus shock will bring little change on the surface, but will, in fact, fundamentally reshape the political shell that surrounds capitalism. This is explained in analogy to developments after the 2008 financial crisis, in which the elites who caused the crisis were not challenged and held accountable. In this thoroughly realistic scenario, a new authoritarian form of capitalism can emerge, in which the new power for the states is also expanded into new forms of surveillance. (2) The positive scenario ties in with many historical experiences in which the world was improved after crises. We are currently experiencing a redesign of political action that contains positive moments such as new forms of talking collectively about fears, new forms of solidarity with strangers and the experience of how important and powerful politics can be. Perhaps in this scenario it may be possible to combine the corona shock with concerns about the coming ecological crises and to take effective steps to mitigate them.
COVID-19 Crisis
Walter Ötsch (AT), Renata Schmidtkunz (AT)
We invite people from the fields of philosophy, sociology, economics and media studies to take part in a public discussion of these questions. Experts will present their views, challenge each other and offer suggestions for the future of our society.
AI x Music Festival: Bot Bop Musical creation and innovation with AI
Andrew Claes (BE) and Dago Sondervan (NL)
Musical phrases are fed in real-time to a live coded machine learning model. The emerging virtual agent reacts and is again reacted to, creating an organic feedback loop. Utilising improvisational, instant composing and algorithmic musical techniques, listen to the duo becoming a trio during the course of this performance.
Satellite Event – The role of art in the post-pandemic world
UNESCO webinar In the post-pandemic world, nothing will be the same; what can be the contribution of art to the new world that is arising?
