Humanity

Noumen Point at Szczytnicki Park

WRO Art Center team (PL)

Video documentation of the meeting accompanied with author’s introduction to the topic of Noumen sound universe. The event was organized at the Szczytnicki Park close to the plane tree, an example of Wrocław’s long-time signature species.

Noumen

Paweł Janicki (PL)

Sound artwork that combines three installations located physically in the public space of Wrocław. One of them is the plane tree, which was featured as the central component of the installation E.D.E.N. by Olga Kisseleva displayed at the Four Domes Pavilion during the 18th Media Art Biennale WRO 2019 CZYNNIK LUDZKI|HUMAN ASPECT.

Still There

Marlene Reischl (AT)

"Still There" is a video installation dealing with irritation as a state. Manipulated through Frame Blending, the computer transforms the images it has been given to generate new intermediate ones by itself.

Mechanical Garden after Tytus Czyżewski

Paweł Janicki (PL)

Interactive installation inspired by visual poem Ogród Mechaniczny (Mechanical Garden”) by Tytus Czyżewski (1922) re-created in a contemporary medium (software). The work touches on issues of conditional arts, synthetic nature and the relation of art, nature and technology in general. Ogród Mechaniczny is a multiuser installation based on motion tracking, transforming the “frozen” image by Czyżewski into an amorphous, interactive and playable situation.

Derotation

Domas Schwarz (AT)

“Derotation” is an installation about a looping video of a windmill shown on a screen rotating at the same speed in the opposite direction. The movement of a wind wheel, known for generating electricity, is visually stopped and derotated by the motion of a motor, known for consuming energy. Two different aims lead to a standstill: another instance of power wastage in media art?

quartets online

Otomo Yoshihide + Norimichi Hirakawa + Yuki Kimura + Ko Ishikawa + Yoshimitsu Ichiraku + Jim O’Rourke + Kahimi Karie + Sachiko M + Axel Dörner + Martin Brandlmayr + YCAM

"quartets" is a performance piece that happens only in the video streaming system. Eight musicians performed improvisation individually for the recording, as they imagined a session with the others. In this piece, the performances are blended or combined at random, and each time a whole new set of improvised music comes to exist. In "quartets", we will conceive the meaning of ensemble and questioning how we could imagine "others" in this isolated and increasingly complex situation.

Sound Tectonics #24: Mystic Rhythm

SENYAWA / Wukir Suryadi & Rully Shabara (ID) & Kakushin Nishihara (JP)

Sound Tectonics is a long-run series of live performances and music events that have been held by YCAM since 2004. This program emphasizes listening experience through a different aspect of music production, sound art, and stage production. This time, we want to highlight the possibilities between modern (audio) technology and traditional/ancient sounds by inviting Senyawa (Indonesia) and Kakushin Nishihara (Japan). Both musicians are known to combine those two aspects and bring a new sound.

Zugzwang - The Compulsion to Find a Common Baseline in Sound

Christina Gruber (AT), Samuel Hertz (US)

Zugzwang explores how a non-human centered approach to the use of technology can help us tune in to our companion species & environments. Though sound is omnipresent, we have problems understanding. Miscommunication and distortion happen constantly. Can listening become a central asset in learning about our environment?

Elsa On The Moon

Mathieu Zurstrassen (BE)

Elsa on the Moon is a kinetic sculpture tribute to Elsa Von Freytag Loringhoven, eccentric baroness and contemporary of Marcel Duchamp; ambiguously attributed with the creation Fountain, in 1917. Or was it Louise Norton? The work consists of a robotic leg capped with a ceramic urinal. The device is balanced with counterweights through an extended aluminum arm.

God is Dog spelled Backwards

Mathieu Zurstrassen (BE)

God is dog spelled backwards is a 360° kinetic artwork, and a tribute to Guy Debord’s La société du Spectacle, first published in 1967.

Above the Below

Mathieu Zurstrassen (BE)

_ /bəˈloʊ/ is an exterior sound installation, featuring a pipe emitting an audio file emerging from the ground. The audio file is a lecture from the book *How to Analyze People on Sight*, written in 1921 by Elsie Lincoln Benedict and Ralph Paine Benedict.

Political Atmosphere

Felix Lenz (AT)

“Political Atmosphere” is an experiential installation amplifying the invisible connections between flight turbulence, climate change and war. It consists of a data-driven mechanical siren and an ADS-B antenna, which allows for receiving, processing and visualizing the surrounding flight traffic. Each flight slowly accelerates the latent build-up of potential until a threshold is passed and a mechanism releases the siren.

Hybrid Experiences: A Journey with Tangible Media Group, MindSpaces and MEET Digital Culture Center

Tangible Media Group (US), MEET Digital Culture Center (IT), MindSpaces (INT)

This tour takes us to Garden Cambridge, Milan and Thessaloniki, as Tangible Media Group, MEET Digital Culture Center and European project MindSpaces give us an insight into their projects working with VR, multisensing technologies and telepresence. Artists, researchers and scientists take a deep dive into their practice and unique perspectives of creating hybrid experiences between physical and digital space.

Art & Science Crossovers: A Journey with BOZAR, Waag and gnration

Waag (NL), BOZAR (BE), gnration (PT) Lucas Evers (NL), Luis Fernandes (PT)

We're travelling to Garden Amsterdam, Brussels and Braga in this tour, where BOZAR, Waag and gnrtion give insights into the thought-provoking programming at the intersection of art and science they're presenting in the framework of the festival.

THE WILD STATE: State of Intimacy

Fabrizio Lamoncha Martinez (ES)

This unique exhibition reflects, in many respects, the diversity of the international Interface Cultures students group. Many of the students’ art and technology projects seem to encourage us to consider new collective values. We hope you’ll be inspired and alerted by their intimate, artistic, socially engaged, technical informed or critical views on our life over the last half year.

THE WILD STATE: Sound Campus

Enrique Tomás (ES)

Sound Campus is a new program especially oriented towards examining the state of experimental sound practices at universities and research centers. It opens a possibility for students and researchers to present new forms of understanding sonic art to the big audience of Ars Electronica Festival. This year’s program, curated by Enrique Tomás, presents uneasy sound performances resonating in the face of a critical present. Intrusive music touching us despite lockdowns.

THE WILD STATE: Networked

Julia Nüßlein (DE), Davide Bevilacqua (IT)

The exhibition “The Wild State: networked” seeks to leave the state of uncertainty behind us by bringing some of the most recent and interesting contributions to the Hauptplatz in Linz. We are delighted to present works by Master and PhD-students, touching on topics related to the truly “Wild State” we are currently in, and the natural processes related to it. – A tour through the exhibition with the curators Julia Nüßlein (DE) and Davide Bevilacqua (IT)

site-inflexion

Fulldome / VR & AR Lab

The immersive installation site-inflexion invites visitors to take part in a site-specific virtual and acoustic journey. The scenery and soundscapes of the JKU campus are the main actors in the work, alluding to Johannes Kepler's activity as a landscape mathematician. A laser-scanned topographic survey of Kepler’s gardens becomes an audio-visual environment transfigured by the everyday sounds that inhabit them. Oscillating between urban pollution and phantasmagoria, structures and lawns bend and curve under the effect of sound waves, reaching their inflection point by tipping towards the unknown.

Cross Perception  - work in progress

Fulldome / VR & AR Lab

A limitless space. Everything moves—light, shapes and colors. Human and machine let their sight wander and try to recognize something. The human beings search for orientation, the device calculates.

Future Room  and  Liminal Spaces (re-edited) 360˚ film screening

Fulldome / VR & AR Lab

The Fulldome Program of the Digital Arts Department at the University of Applied Arts Vienna presents experimental immersive works, collaborations between the Department and the University’s Science Visualization Lab, Trans-Media Academie Hellerau, and the transdisciplinary performance company, kondition pluriel. Future Room and Liminal Spaces (re-edited) reveal the artistic potential of the fulldome, as does the 360˚ film screening selection of works by researchers, teachers, and students.