AI
PRESTIGE Art & Science Residency
Migration – Sunshine Architecture explores the idea of energy autonomy while questioning our apparent ease of access to it. To reconsider our relationship with energy and its consumption, it is interesting to present energy as a limited, thereby precious, resource. Discover how Migration – Sunshine Architecture has been developed by KompleX KapharnaüM (KxKm), a French team comprised of video makers, musicians, technicians, writers, performers, and makers that performs in public space.
The Woman-Machine: Performance
Félicia Atkinson (FR)
Watch this performance on the Livestream.
The Woman-Machine: Panel II
Aude Bernheim, Sophie Sakka
The second day of “The Woman-Machine” will feature panels from with Aude Bernheim on AI and ethics and Sophie Sakka on therapeutic robots and autism.
The Woman-Machine: Panel I
Clotilde Chevet, Oulimata Gueye
On Firday the event “The Woman-Machine” will start with talks from Clotilde Chevret about AI and gender, followed by another panel with Oulimata Gueye on afrocyberfeminism.
Transient - Impermanent paintings
Quayola (IT)
Transient - Impermanent paintings is an audiovisual concert for two motorized pianos and two conductors in collaboration with generative algorithms. Hyper-realistic digital brushstrokes articulate endlessly on a large-scale projection as if on a real canvas. Each brushstroke is sonified with a piano note, creating polyphonic synesthetic landscapes.
Real Feelings – A Talk on Work and AI with Simone C. Niquille and Sabine Himmelsbach
Simone C. Niquille (CH), Sabine Himmelsbach (DE)
The curators behind the exhibition Real Feelings at HeK Basel in conversation with the participating Swiss artist Simone C. Niquille. Her work Elephant Juice, specifically commissioned for the show, explores artificial emotional intelligence being used in employment procedures. The work follows a character preparing for an upcoming automated job interview, reflecting on the limits of objectivity and automatic categorization of deeply personal and delicate matters of emotion.
AIxLITERATURE: Poetry Is A Machine
The Grid (US/EU), Vikram Chandra (IN/US), Bryan McCann (US), Andrew Piper (CA), M Eifler (US), Clemens J. Setz (AT), Clara Blume (AT/US), Vanessa Chang (US/SG/AU)
How does the algorithmic contour the lyrical? Nearly a century ago, William Carlos Williams declared, “A poem is a small (or large) machine made out of words.” As artificial intelligence becomes a writing tool, his words take on a new resonance. Some critics of algorithmic literature decry the incursion of automation into this essentially human creative practice.
Future Life Exhibition
Curated by: Karin Ohlenschläger
Marco Barotti (IT), Clams, interactive installation, 2019 Disnovation.org (FR), Online Culture Wars (in collaboration with Baruch Gottlieb, 2018/19; The Persuadables), video, 2019 Quimera Rosa (ES/FR), Trans*Plant: May the Chlorophyll Be With/In You, mix-media installation, work in progress since 2016 Anna Ridler (GB), Mosaic Virus, GANs generated video installation, 2019 Robertina Sebjanic (SI) & Gjino Sutic (HR), Aqua Forensic, installation, 2018
Real Feelings – A Talk on Vibes with Lauren Lee McCarthy, Kyle McDonald and Ariane Koek
Lauren Lee McCarthy (US), Kyle McDonald (US), Ariane Koek (GB)
Sabine Himmelsbach, Ariane Koek and Angelique Spaninks, the curators behind the exhibition Real Feelings at HeK Basel in conversation with the American artist Lauren Lee McCarthy. This Artist Talk allows insights into the work of a highly interesting and relevant artist, examining social relationships in the midst of surveillance, automation and algorithmic living. Her interactive installation Vibe Check, especially commissioned for the exhibition at HeK, consists of a series of cameras capturing and analyzing the visitors emotional reactions to each other, ultimately presenting the results to them individually.
AI x MUSIC: Artificial Creativity or Enhanced Humanity
The Grid (US/EU), Christine Payne (US), Monica Dinculescu (US), Ali Nikrang (AT), Clara Blume (AT/US)
The music industry was transformed drastically over the past couple of decades. For better or worse, these developments are tied to technological advancements and a rapidly adapting consumer behavior. Tech companies are invested in a future where AI forms an indispensable part of the creative process. Recent breakthroughs are already paving the way for music that is entirely created and performed by algorithms. But does that make AI an artist?
Real Feelings – A Virtual Exhibition Tour with curator Sabine Himmelsbach
Sabine Himmelsbach (DE)
Co-curator Sabine Himmelsbach will digitally guide you through the international group show Real Feelings at HeK Basel, to present work by 20 artists in mediums ranging from artificial intelligence, interactive installations, robotics and biometrics, to gaming, video installations, virtual reality and photography. The shown works examine how technology can capture, evaluate or generate our emotions in a variety of ways. Find out more about the artistic and curatorial choices that determined the installation and set design of the exhibition.
Collective Curated Exhibtions I: On the Road, Young Media Artists in China
A collaborative project between SCm/CityU HK and Guan Shang Yue Museum of Art, Shenzhen, presenting 50 installations by 35 artists; which involved 15 curators, art critics and scholars from China and Hong Kong. It provided an overview of the media art scene across China today, and demonstrated how young Chinese artists are exploring and combining both older and ‘newer’ media to new ends.
DïaloG
Refik Anadol (TR/US), MoBen / CityU HK
DïaloG is an urban media art installation developed by Maurice Benayoun (MoBen/CityU HK) and Refik Anadol (AnalogNative). In the public space (L’Hospitalet de Llobregat, Spain) two “living” entities face each other. They don’t look like the living beings we know. They don’t speak any language we know. They are aliens, strangers, immigrants. Facing each other they gradually mutate. They seem to react to their environment. Even more, they clearly desperately try to understand each other.
Random Seed: Using Gardening as a Metaphor for Machine Learning in a Creative Practise
Anna Ridler (UK), Caroline Sinders (US) , Oisin Mac Aodha (IE)
Can we do the same with less - AI in 64 Kb
Philippe Esling (FR)
This hands-on workshop for the AIxMusic Hackathon by Philippe Esling (FR) introduces techniques for lightweight AI, demonstration of embedded technologies and a 64 Kb competition for an AIxMusic hackathon project challenging the current limits of AI and inspired by the Demoscene and the 64Kb competitions.
The Wandering Mind
slow immediate (CN/US)
Does the Earth dream? Can our dreams mesh? In “The Wandering Mind," the pervasive sensing, fiber and neural networks covering our planet meet us in our sleep, drawing source material from vast online stores of field recordings and sensor data. For this year’s festival, we ask our AI to dream in the sounds of water and currents, retelling the myth of Tiamat, the sea mother whose life takes a tragic turn when her rebellious children seek power. The story mirrors our modern relationship with Earth’s oceans.
AI Creative Agents: The Man I Love
Hervé Sellin (FR), Remi Fox (FR)
The Musical Representations team in the STMS laboratory at IRCAM is working on "cyber-human" systems. Just as cyber-physical systems create a continuity between the digital logic of computers and the physical world by capturing, modeling, and modifying it, they establish a creative continuity between machines and musicians using mathematical modeling and artificial intelligence.
Little Etudes for Piano
Elaine Chew (US/GB)
Little Etudes is a series of short piano pieces based on cardiac electrical anomalies. Aberrant electrical activity in the heart can cause the heart to beat irregularly. Abnormal heart rhythms form interesting musical patterns, which raises the question of whether all natural-sounding musical rhythms have a physiological basis.
Three Ladies Project
Georges Bloch (FR)
Billie Holiday, Édith Piaf and Elisabeth Schwarzkopf are three great ladies of music, born in 1915. Could we make them sing together? This was the subject of a performance conceived for the music festival Le pietre che cantano in L'Aquila (Italy) in 2015. Using DYCI2Lib software, the three ladies finally sing The Man I Love together. ImproteK, the earlier version of DYCI2Lib, already made it possible to intelligently link the harmony of the base material used (called "memories") to the harmonic progression of the reference song (called "scenario").
Talk: Frontiers of Music and Artificial Intelligence
IRCAM (FR)
Artificial intelligence plays an increasingly prominent role in music composition, performance, and production. How does this benefit or undermine musicians? Where are such developments taking us? Two young protagonists at the leading edge of AIxMusic will debate the limits and future directions of AIxMusic, tackling topics ranging from classic questions of AI takeover to therapeutic and gaming applications to discussions of lightweight deep AI, of uncertainty and unknown models and dimensions.
